THE WIND RISES by Timothée de Fombelle (Translated by Holly James)

The Wind Rises
(Alama Book 1)
By Timotheé de Fombelle
(Translated by Holly James)
(Illustrations by François Place)
Europa Editions — 16th August 2022
ISBN: 9781609457877
— Hardcover — 410 pp.


Tucked safely on the plains of a secluded and verdant valley, 13-year-old Alma lives with her family in peace, removed from continental conflicts and European colonial powers who sail the 1786 seas and plague the African coasts with resource confiscation: elements and minerals from the soil; human lives in the slave trade.

Alma and her younger brother Lam delight in the life and landscape of their home, its familiar comfort, and the seasonal cycles that provide for them. One day, they notice a strange looking ‘zebra’ of pure white, that Alma names Cloud. Observation of the new arrival awakens a curiosity in the siblings of what other wonders might lie in the world beyond their isolated valley home. Though their father has often warned them against straying away, Alma begins to consider nevertheless going off to explore further.

However, Lam pre-empts her plans when he decides to mount the inexplicably tame Cloud, and the white ‘zebra’ takes off with him beyond the valley. With her younger brother is gone – and understanding that the current pathway from the valley to the world beyond will close back up for year with the approaching change of seasons – Alma decides to set off after her brother.

In the meantime, their father also independently sets off after Lam, fueled by a desperation borne from his secret past: first-hand knowledge of the horrors that exist outside of their valley, horrors he played a direct hand in before meeting the woman who became his wife, and they settled into their secluded home to raise a family.

As these events proceed, a young orphan named Joseph Mars plots on the other side of the world to steal aboard a slave ship, the Sweet Amelie, on a clandestine mission to find something its ruthless captain has hidden aboard, and information on a trove of pirate treasure buried somewhere in the Caribbean. But, Joseph quickly learns this might not be so easy, and that others on board might have hidden agendas of their own.

Along with these two young protagonists, de Fombelle takes a large cast of characters from very different cultures and experiences, and places them onto intersecting paths of destinies in a swiftly changing world. The result is a rollicking adventure novel that captivates through the weighty emotion of its characters, themes, and historical setting as much as its entertaining and complex plot.

Written as a middle-grade/young-adult novel, The Wind Rises reminded me of some of the best books discovered during my childhood, thrilling adventures that spanned the globe and exotic locales. The illustrations here by François Place helped in such childhood connections. Of course, that term ‘exotic’ comes loaded with some baggage, and those childhood tales I adored were certainly colored by their colonial origins, even with some scrubbing over done since their original publications. What impressed me so much about de Fombelle’s novel is how well it captured my nostalgia by keeping the best of adventure story plots and diverse settings, but casting it in less problematic terms that still maintains educative historical accuracies.

The Wind Rises succeeds with its two contrasting main protagonists, female and male, African and European. Alma comes from a more innocent and protected life whereas Joseph comes from an existence of cruel, street-wise survival. Yet, they share important traits that sit at the thematic core of the story: human compassion and personal resilience.

Of the two, Alma is an open book to readers. Her curiosity, loyalty, and bravery becomes clear from the novel’s opening. It’s fascinating to watch her journey into a dangerous new world in search of her brother, and how that parallels her father’s search for Lam. Both are unstoppable forces of will, the father from drawing upon his knowledge and abilities from his past, and Alma drawing on her heart. Though ignorant of the world, she confidently asserts herself towards her goal, utilizing her practical experience of living in the valley (and the languages her parents have taught her) to find her way in strange new cultures and circumstances.

Joseph’s story, in contrast, remains a bit of a mystery to readers, as he keeps his exact goals and details of the past closely guarded while infiltrating the Sweet Amelie. At first, Joseph seems mostly concerned with himself, and gold, but slowly the reader begins to see there is more to Joseph and his convictions than might at first be apparent.

Timotheé de Fombelle sets the stories of these two teens within a period that allows incorporation of historical events and themes that are important for people to learn and remember. The horrible nature of the Middle Passage and the slave trade of course ranks foremost here. The issue is related through the eyes of perpetrators, sympathizers, victims, and opponents alike. Sometimes a character might fall into two of these categories even. Importantly, de Fombelle handles such a difficult topic with aplomb, neither glamorizing or exploiting the issue. The ‘villain’ and antagonist of the novel appears to be the entire political/economic system of colonialism and Africa, rather than any single human. Yet, the reprehensible captain of the Sweet Amelie does fit into the villain category too, particularly for Joseph’s plotline.

Slavery is not the only societal issue taken up by de Fombelle through the plot of The Wind Rises. The entire global political/economic system that slavery fits into is a broader stroke of the historical focus of the novel, and a secondary character who stands to inherit her family’s business fortunes (though not really, because she’s a female) serves to put feminist perspective into the novel as well.

One of the largest ironies within the novel is that the plot involves pirate treasure (and hopefully not to spoil much, eventually pirates.) However, what becomes glaringly obvious to the reader through the perspective of Alma and her family, and other Africans, is how the legitimate vessels of business are really no different, plundering the oceans and a land.

As the pages of The Wind Rises pass, it’s easy to become impresses with how much de Fombelle does in a middle grade adventure novel. Moments of tranquility pass to fun and laughter, to joy, but then to agony and pain, to resilience and stubborn pride, despair to hope. It’s a rollercoaster of emotion that goes alongside the rollercoaster plot and changes of scenery from Africa to Europe to the seas and to Caribbean plantations. Through this all the writing is impeccably measured to convey informal excitement and reverential beauty each, and Holly James does a powerful job here in retaining that in the English translation from the French.

Moments of beauty in the novel mark perhaps the most memorable for me: Alma’s appreciation and wonder of her home landscape, the songs of captive slaves who communicate in support through misery, the little choices of defiance by those with some power, who look to restore some humanity to those treated inhumanely, the show of power still present in the oppressed.

Amid all that is that adventure story to keep readers hooked: the mystery of Joseph and wondering what will happen to Alma, and each member of her family. Readers can expect some answers here, but not all. The Wind Rises is the first novel in the Alma series, and I cannot wait for Europa to release the remainder in English translation. I kind of mean that literally: I can read them in French. Though, I’ll eagerly check out future releases in English regardless.


MANATEE SUMMER by Evan Griffith

Manatee Summer
By Evan Griffith
Quill Tree Books — 28th June 2022
ISBN: 9780063094918
— Hardcover — 288 pp.


In their last summer before graduating into middle school, best friends Peter and Tommy are determined to complete their Discovery Journal: a catalog of one hundred unique species of wild animal found within and around their native Florida town. They’ve reached the nineties, their goal near their reach. But, Peter can’t imagine the remaining discoveries topping what they’ve just come upon within a canal – a manatee.

Manatees hold special, almost mythical place in Peter’s heart. His beloved grandfather loves telling a story of how he once came upon upon a herd of manatee when out on his boat, and had the chance to swim among them. Grandfather’s story becomes more embellished and seemingly exaggerated with each telling, but the core message of the peaceful, transformative encounter remains constant. The experience bared a deep human connection with the environment beyond anything he had felt before.

Now, Peter feels as though he has had the chance to share in that, an experience all the more poignant in light of his grandfather’s current mental deterioration from Alzheimer’s Disease. When not out discovering animals with Tommy, Peter has to devote himself to the growing responsibilities at home, helping his single, working mother care for her father.

The boys see the manatee again in the canal, but are horrified to see it dying, a large Z-shaped propeller wound cut into its back. Peter springs into action and calls a nonprofit manatee advocacy and rescue group who take the manatee back to their facilities to save and attempt rehabilitation of the female, who Peter names Zoe. Traumatized over how this could be allowed to happen, Peter decides to help the group fight for the manatees, particularly against the mean Mr. Reilly, the president of the town boating club.

But many hurdles stand in Peter’s way beyond the hostility of Mr. Reilly. Peter discovers that his best friend Tommy has been hiding a devastating secret: Tommy’s family is moving far away. Meanwhile, Peter’s mother tries to dissuade her young song from getting involved in local politics, particularly considering the powerful Mr. Reilly could sabotage her real estate career. As the figurative storm clouds gather over the Florida community, literal ones appear in the form of a hurricane about to bear down.

Manatee Summer is a phenomenal book for young readers and adults alike. The plot is compelling and wonderfully paced, the characters are all richly detailed, relatable, and explored, and the themes of ecological and personal resilience shine strongly.

The novel drew my interest because of its fantastic cover and the description, both grabbing ahold of my appreciation for manatees. I wasn’t surprised to find the novel contain a good deal of content on conservation and ecology, but was surprised to see that is only half of the engaging story, and positive messages, that the novel provides.

As much as it’s driven by the manatee conservation plot, Manatee Summer is equally propelled by its character development, Peter maturing through his relationship with family, friends, and his antagonist Mr. Reilly. Taking things even deeper, Griffith also succeeds in having Peter’s relationships with others lead to significant developments in all of those secondary characters as well.

First we have Peter’s relationship with his mother and grandfather. Peter loves his Papa, dearly, and he’s appreciative of all his mother gives of herself for the family. But still, Peter also cannot help but feel upset over the sacrifices now expected of him, a young boy who should be enjoying a carefree childhood. This causes him to feel guilt, and he feels further guilt over the discomfort and embarrassment he feels over his grandfather’s condition. Alzheimer’s takes a respected adult who Peter looks up to and breaks that man down into a childlike distortion, stealing a dignity that forces the confused Peter to face aging and mortality.

With his mother too tired and too depleted to have any more energy to give Peter, Peter’s main source of support and relief comes through his friendship with Tommy. And what a brilliant, beautiful friendship it is. Griffith captures the Philia love between two young friends absolutely perfectly here.

Tommy succeeds as a fantastic contrast to Peter, a reserved, nerdy boy who loves facts, statistics, and vocabulary, but is leery of taking chances or putting himself into potential harm’s way. He’s a great balance to Peter’s daring and passioned rush to action. Moreover, the character of Tommy provides Griffith away to introduce complex ideas into a novel for young readers in a way that provides explanation alongside: an education.

Both Tommy and Peter have a certain pure innocence of childhood, good hearts and a curiosity to learn about the world, and make a difference. The strength of their friendship makes it all the more empathetically painful when we learn (with Peter) that Tommy and his family will be moving away, forcing the friendship to break. Though Tommy has known for a long time, his fear of facing discomfort and risk has put him into a state of denial and avoidance, unable to tell Peter the bad news. Which, of course makes it all the worse for Peter. Griffith handles this common painful experience in the lives of young friends remarkably well. As Peter pushes Tommy to change a bit more and take some calculated risks in this uncertain life, so too does Tommy bring Peter to new realizations.

With the unfortunate news regarding Tommy and his family coming to light, Peter begins to pursue a new, more unconventional friendship, with the college student who works with the nonprofit manatee protection organization. As she introduces Peter to a world of environmental advocacy and politics, he helps her communicate with a crush she has at the manatee rehab facility.

Just as Griffith handles the complexities of family and friendships with aplomb, focusing on the simple truths appreciated by children, so too does he tackle the complexities of enemies with Mr. Reilly. Mr. Reilly begins as somewhat of cartoonish caricature of a villain. He’s an angry bully, yelling at the kids on his lawn and flaunting his power around town to get whatever he selfishly desires. With little to no concern for others. His power comes from his money. And his money comes from pure chance, not his own initiative or toil. He simply won the lottery.

However, Griffith doesn’t just leave the antagonist as one dimensional here. As the novel progresses Peter (and the reader) begin to learn new things about Mr. Reilly. And despite his bitter fight against Peter, Peter’s mom, and the manatee advocates, Mr. Reilly begins to learn a little about other possibilities for life himself. Griffith shows that even enemies are human. Despite urges to characterize them as evil or irredeemable, childhood humility and optimism begin to crack that facade.

The struggles for Peter, his family, and his friends don’t simply vanish or all get solved in blithe happiness. Manatee Summer is profoundly optimistic and good hearted, showing the possibilities of resilience and passionate advocacy across realms of life. But it also shows that pain will still be there amid that – disappointments and inconveniences that need to be faced and worked through, or among.

My only critique with Manatee Summer would be that I thought it could have used an appendix or supplementary nonfiction material on manatees and manatee (and related) conservation. There’s a fair amount within the text of the story itself, but curious children and adults looking for more would likely appreciate something more concise and all-inclusive to turn to.

Manatee Summer is a book that young readers could enjoy on their own, or alongside adults. And it has a complexity and realism that would make it just as appealing to any adult on their own as well.

For any reading this upon its original posting, Manatee Summer is currently available through the Goodreads Giveaway program!


INK AND BONE, by Rachel Caine

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Ink and Bone
(The Great Library #1)
By Rachel Caine
NAL – 7th July 2015
ISBN 9780451472397 – 368 Pages – Hardcover
Source: Ace Roc Stars Street Team


Imagine if the Royal Library of Alexandria had not been destroyed in flames.
My latest review is now up at Skiffy & Fanty on Ink and Bone, the first book in Rachel Caine’s new series: The Great Library. Read the review here!

Disclaimer: I received a free copy of this from the publisher as part of the Ace Roc Stars Street Team in exchange for an honest review.

CUCKOO SONG, by Frances Hardinge

My review of Cuckoo Song, Frances Hardinge’s new dark fantasy novel for middle-grade readers is up at Skiffy and Fanty:

cuckoosong

“It is England during the reign of King George V. The Machine Age is at its peak, and human society is in flux, becoming increasingly urbanized, secular. The Great War has come to a close, but the traumatic devastation it has wrought echoes on in family’s lives. Nations struggle to recover and political/economic turmoil presages greater conflicts and changes to come. What the future holds is not only a concern for humanity, but also for The Besiders, a race that has lived alongside us in the margins, driven further into the isolated shadows as human civilization spreads….”

Read the full review piece here!

Free eBook Debut Offer for Illustrated Microbiology Children’s Book

I wanted to let readers know about this beautifully illustrated children’s book that is having its debut as an eBook today, and is on special FREE download offer for this week! This and a newer volume are in my pile for a future posting on Small Things Considered, but I was able to get the electronic version to preview in the meantime to check out before letting you know about it.

SquidVibrioMoon_free_eBook

The Squid, The Vibrio, and the Moon
By Ailsa Wild and Gregory Crocetti
Illustrated by Aviva Reed
Scale Free Network – 1s January 2014
ISBN 9780992587208 – 36 Pages – eBook

If you don’t know about the bacteria species Vibrio fischeri and its symbiotic relationship with the Hawaiian bobtailed squid, then this is a perfect introduction to the fascinating pair – whether you are a child or not. It is told in two parts, first from the perspective of the bacteria and then the point of view of the squid in a way that explains how the two species are mutually beneficial in their pairing. A science section that follows the story goes into greater detail of the microbiology.

I’ll write up some more on this in the future along with the authors/illustrator’s new book Zobi and the Zooxon coral symbiosis.

For the promotional period this week of 1st – 7th May 2015 follow this link to get your FREE copy of The Squid, the Vibrio, and the Moon, in iBook or GooglePlay format, or (if like me you prefer the physical beast) order a printed copy.

THE FIFTH VERTEX, by Kevin Hoffmann

23000230The Fifth Vertex
The Sigilord Chronicles Book 1

By Kevin Hoffman
Self Published – 2nd August 2014
ISBN 0990647919 – 290 Pages – Paperback
Source: NetGalley


Picking up a book with no established publishing provenance, large or small press, is always a bit risky in terms of time, a lot like going through a slush pile, or scraping the sidewalks of New York City’s jewelry district for gold shavings.  James Patrick Kelly has a great On the Net feature about this topic for this month’s Asimov’s Science Fiction Magazine. Kelly writes about the need for some sort of better curation of ‘indie’ authors; that is definitely the case, but I too am unsure how this can be pulled off until a group of already-respected indie authors organize some type of recommendation system. Until then, it is an unfortunate matter of chance, of some undefinable element attracting a reviewer’s eye to fit it into reading schedules.
I don’t recall why I requested this on NetGalley, but it was probably the combination of seeming like a plot I may enjoy and the novel already having some reviews that indicated aspects, such as the protagonists here, that seemed noteworthy to give it a shot. Whatever the reasons, I’m glad I had the chance to read this fantasy novel, which bills itself as young adult mostly to my eyes because of the protagonist’s age. Based on this first book of a planned series, I think that The Sigilord Chronicles could go into some really interesting directions and will be looking for the followup to come.
The plot of The Fifth Vertex is a standard one, familiar to any fantasy reader and perhaps even one you might be tired of: the coming of age tale of a likable, socially outcast young man who ends up on a quest and discovers powers of which he previously was unaware. But, while Hoffman doesn’t particularly cover any new ground in this regard, he does make this archetypical tale really entertaining. Through the development of an interesting society and well-formed protagonists, Hoffman makes the story compelling.
The first protagonist is Urus, and though he comes from a well-to-do stratus of his society, his place (role) in that society is not determined as much through birth as much as through testing his worth as a warrior. For it is a warrior that the society most respects, and what Urus is expected to be as his family before him. Urus defines himself according to this limited narrative and perspective, but at heart he is more of a gentle soul, and while full of brains, has no brawn. The novel starts with his failure in his ‘testing’ and his subsequent attempt at suicide at having failed to live up to those expectations of society. The simple theme present here is easily recognizable and relevant to the world of reality, particularly for a young adult, so the story would have appeal for those readers. In addition to not meeting the expectations of being a warrior, Urus additionally must adapt to living in his society as a deaf person.
Characters with physical disability aren’t exactly common, and when present they usually serve as unfortunate caricatures or vehicles for showing how certain perceived limitations can actually have strengths of their own. Sadly they are never just included as a ‘regular’ person without the detail of disability ‘called out’ in a way integral to the plot. Here is no exception, but at least Urus is not objectified or mishandled here, falling more into that category where limitations perceived by the abled turn out to be vital for saving society and everyone’s life. For Urus this is not just the perceived weakness of his deafness, but also the perceived weakness of his physical strength and stomach for violence. Hoffman handles the deafness aspect in terms of the narrative with respect and it is interesting to read the explanations of the signage made between Urus and his companions.
The other point of view protagonist, a young orphan girl named Cailix, is another interesting character who starts as a servant at a monastery but is soon forced to ‘grow up’ too quickly when forcibly taken captive by a group of blood mages intent on gaining secret knowledge. As this plot intersects with Urus’, the reader begins to appreciate Cailix’s development from scared, somewhat sheltered child, to stronger, more wise young lady (in a manner similar to Sansa Stark from A Song of Ice and Fire, actually). There is a certain darkness and pessimism to Cailix that is a perfect complement to Urus, made literal in the way their ‘magical’ talents end up complementing.
Though fantasy, Hoffman makes some effort to explain the magical elements in The Fifth Vertex, from a rudimentary scientific perspective, making this a blend of speculative genres in some ways. Overall this is a really impressive book that will appeal to many SFF fans, and there is a diversity to the characters (including race that as others have noted is sadly not reflected in the cover illustration). Though taking the ‘self published’ (or ‘indie author’) route, The Fifth Vertex was really indistinguishable to me from something I’d expect from a genre paperback publisher.

Disclaimer: I received a free advanced reading copy of this from the author via NetGalley in exchange for an honest review.

The Case of the Vanishing Little Brown Bats, by Sandra Markle

The Case of the Vanishing Little Brown Bats: A Scientific Mystery,
by Sandra Markle
Publisher: Millbrook Press
ISBN: 1467714631
48 pages, Hardcover
Published: 1st Sep. 2014
Source: NetGalley

 With bat decorations just around the corner for Halloween, now is a perfect time to check out this wonderful nonfiction science book with any curious young scientists in your life.
The Case of the Vanishing Little Brown Bats is about the recent fungal infections (white-nose syndrome) that has decimated brown bat populations in North America.
As a biologist and bat lover myself, I appreciated the way that Markle told this scientific story of epidemiology in an engaging way that can introduce children to diverse concepts: the wonders of nature, the effects of the microbial world on larger familiar organisms, the process of scientific investigation, the power of curiosity and creativity, and the importance and benefit of research.
Markle relates these rather complex ideas with straightforward language that is ideal for a middle school (or even late elementary) aged child, all in the format of a ‘scientific mystery’: the observation that something is wrong with bats and the steps that were taken to try and discover what was causing the problem. Only then, with dedicated research and understanding can the problem be addressed, a mystery must be solved.
Apparently this book is part of an entire series, so I’ll have to look into the other titles offered. Although I could only look at this on a Kindle, the photos and illustrations are plentiful, bright, and well-done. I should note that given the topic of a deadly disease of bats, there are illustrations that may be considered ‘gross’ or ‘uncomfortable’. I appreciate the honesty that the text and photos show in just how awfully devastating disease can be for any organism and the price that must be paid to try and determine its cause and treat it. I also really appreciated the realistic images of scientists just simply doing their work in the lab, the latest equipment at hand.
This book is really a great opportunity to expose a child to the wonder of nature and the appeal of science. It makes complex, and perhaps even frightening realities accessible to children and may help inspire curiosity or dreams in a future scientific researcher.

Disclaimer: I received a free advanced electronic reading copy of this from the publisher via NetGalley in exchange for an honest review.

Half a King, by Joe Abercrombie

Half a King, by Joe Abercrombie
Shattered Sea Book 1
Publisher: Del Rey
ASIN: B00HBQWGYO
288 pages, Kindle Edition
Expected Publication: 8th July 2014
Source: NetGalley

I’ve been fortunate to have a recent run of phenomenal books. Like several of the novels I last read, Half a King took me a moment to get into. With a new fantasy story there is always a period of getting used to the universe and its style within the spectrum of the genre. This was also my introduction to Abercrombie and his style, so I had no expectations or baseline measurement entering in. For the first chapters the tone set in and I worried a bit. Half a King is a high fantasy, told in a universe of Western Medievalesque culture/political systems that are the traditional standard of the field. Though elves and magic are mentioned, these amount to legends of the distant past (with hints that this may in fact be technology – perhaps of our civilization). The story at this point is set realistically, and is set up in a straight-forward manner.

Prince Yarvi is studying to be a minister, a career of academics and serving as advisor to those who rule. With a nod to some classic fantasy series, Yarvi is a cripple, born with a half-hand. Physically deformed and weak, intellectually-inclined, and lacking a personality of confidence or leadership, Yarvi has no ambitions or plans to ever rule. However, the sudden death of his elder brother and their father the king suddenly forces the ill-prepared Yarvi into the role of ruling.

This set up had me fearing that the novel would proceed rather predictably, down a simple path of Yarvi gaining confidence in ruling, and showing how his shrewd mind was more important than battle prowess and physical intimidation. The relatively short length of the book also left me wondering just how much could be accomplished on any epic scale.

After these first chapters, however, a curve is thrown to Yarvi and the plot, sending our protagonist down a different path. Still one of personal growth, of finding his confidence and an ability to lead, the story quickly became far more captivating than I first expected. I fell in love with this world and with the character of Yarvi, despite the familiarity of his situation.

Abercrombie succeeds in making Yarvi’s story compelling through a couple of aspects. The first is by making this feel like an epic fantasy despite being short. (Originally thought to be a stand-alone novel, it is now clearly to be expanded into a series.) The plot is focused on Yarvi and the friends and adversaries he meets directly. But Yarvi’s personal and political struggles are set within a richly formed universe. Abercrombie puts in many details of the world-at-large and its culture, including religion and the afore-mentioned elven relics of a previous age. At first the many details inserted into the narrative seemed to be a way of making Half a King ‘sound’ like a fantasy, akin to inserting lots of foreign-sounding technical words into a SF novel. Abercrombie’s skill quickly became clear though, that this is setting up a sense of epic within the confines of this single small story. The history and characters of the offscreen larger world become clearer as the novel draws to a close and ties into what has occurred to Yarvi, giving the reader the sense of something epic and well constructed. Along these same lines, Yarvi’s story extends through a significant period of time and drastically-changing circumstances, but Abercrombie makes this flow realistically and naturally across the pages.

The second aspect to Half a King‘s success is Abercrombie’s tone. The book is written with a voice that fits Yarvi to a tee, with shades of being archaic and Medievalesque fitting to the universe, but not overtly or comically so as some genre books can get. There is a lyrical quality to the writing, helping this story to go by with fantastic pacing and being engrossing all the way. The novel is marketed under the Young Adult umbrella. As is often the case, this is largely due to the protagonist being a young adult. However, it is also the tone and content. Though featuring violence and talks of a sex, they are treated quite tamely, making this a PG sort of adventure story. The work is also pervaded with a sense of optimism, a resilience to survive, and a joy for the beautiful moments in life. This makes it a fine counter to the more pessimistic fantasy of something like A Song of Ice and Fire. Yet, despite the optimism, the novel continues to be believable and relatable, peppered with loss, disaster, and cruelty. With themes such as honor, promises, confidence, and loss, Half a King is ideal for a young fantasy reader, but shouldn’t be limited to that audience.

Half a King has been featured on “Best of” lists for summer reading and garnered significant advance praise. Whether fantasy is your thing or not, the novel stands well as a coming-of-age story that should captivate you and whet your appetite to learn more about this world in which Yarvi lives.

Five Stars out of Five

Lockstep, by Karl Schroeder


Lockstep, by Karl Schroeder
Publisher: Tor Books
Serialized in Analog Science Fiction & Fact (Dec. 2013 – Apr. 2014)
ISBN: 0765337266
352 pages, hardcover
Published: 25th March 2014

Though marketed as a young adult book in its complete form, I read Karl Schroeder’s new novel Lockstep during its serialization in Analog Magazine over the span of four issues. My reaction to it is colored to begin with through the format. I dislike the practice of serialization of novels (or of excerpts) when they are taking up the space that could go to complete shorter stories. Even for authors I consistently enjoy, a serialization will bother me, an except will just be ignored.

In the case of Schroeder, I’ve found his world-building – his imagination – to be outstanding, thought-provoking, and well structured.  But, how well that stellar idea and exquisitely fashioned framework is translated into a full compelling tale varies. I recall somewhat enjoying Sun of Suns, and being captivated by Queen of Candesce during their runs (both also serialized).

With Lockstep, Schroeder addresses the difficulties in having a ‘hard science’ fictional universe featuring an interstellar civilization. With speed of light limits to travel (NASA plans notwithstanding) Schroeder came up with his ingenious “lockstep system” relying on synchronized prolonged hibernations. The novel opens when Toby, a teenager whose family has fled Earth to stake claims on frontier territory, becomes stranded in orbit of a lifeless planet. Using his family’s technology for cold sleep, he enters into a slumber that he expects will be his last.

Instead, Toby awakens amid a thriving intergalactic empire run on the hibernation technology, far-flung worlds tied together on a schedule of brief active periods separated by long stretches of hibernation allowing travel between distant worlds. The coordination of this political and social endeavor, Toby soon learns, is overseen by the rule of his family. Though he has been in sleep for thousands of years, so too has his family spent most of those years in hibernation. Toby learns his younger brother, now older but quite alive, rules this lockstep system with the firm dictatorial grip of technology monopoly. And for reasons not fully clear to Toby, his reawakening ‘from the dead’ threatens his brother’s position and this empire, and Toby’s brother wants Toby dead.

The setup and explanation of all this in the first chapter is brilliant. A recent review of the novel on io9.com by Michael Ann Dobbs even states the worldbuilding will make a reader giddy. It didn’t quite do that for me, but I’m not a particular champion of ‘hard’ sci-fi. But the general point I can agree with. The trouble comes in going beyond the setup and this worldbuilding. The entire middle of the book seems particularly drawn out – and admittedly a serialization made this worse for me. By the time the concluding sections arrive everything seems to fall together a bit too easily, leaving the majority of the novel after this brilliant idea and introduction of the Lockstep to simply feel underwhelming, and in well, juvenile.

And I use that word intentionally of course, and not to be disparaging. Though I felt it a rather straight-forward and predictable sort of space adventure in terms of story for the pages of Analog, considering it anew in the light of “young adult” marketing, that makes a lot of sense. Dobbs’ comparisons of Lockstep‘s tone to some of the young adult works of Heinlein are apt. There isn’t much deep here, but for a young adult with a nerdy science or technological leaning, this novel could be perfect. Despite good qualities, it made a belabored serial and just wasn’t a novel for me.

Three Stars out of Five

Days of Blood and Starlight, by Laini Taylor

Days of Blood and Starlight,
by Laini Taylor
Daughter of Smoke and Bone Book 2
Publisher: Little, Brown Books for Young Readers
ASIN: B0076DCLF6
517 pages, Kindle Edition
Published November 2012
Source: NetGalley

The first book in the series left me impressed even with heightened expectations from glowing recommendations. I really had no idea what to expect from the second. Could it keep feeling fresh, or would it rehash the same themes? Would the characters remain engaging? In what directions would the plot be taken and would its emphasis focus on the romance angles or not? It is easy for a series to unravel after a well-received introduction.

Thankfully, Taylor makes this middle volume and its characters go places, focusing more on the battles and larger scale conflicts between the ‘angels’ and ‘devils’ side of the war. Where the focus of the first book was on the development of protagonist Karou and her personal relationship with Akiva, this focuses on the larger issues of what that relationship now means within the historical context Karou has uncovered by the end of volume one. The scale here is larger, and the themes transfer from being centered on personal or ‘destined’ romance to ones of war, what situations of conflict do to influence lives and how prolonged conflicts can enter into never-ending cycles of loss and retribution.

If these are changes you weren’t expecting, and leads the stories into directions you don’t care to go, this may frustrate you. Liking the first book won’t mean you’ll like the second. But, if you find yourself appreciating the broadening of scope with new characters, new relationships, and most certainly new complications, I think you’d still love this.

Despite continuing to love the story here and the characters, and appreciating the evolutions Taylor writes to avoid simply repeating the same story again, her style of writing begins to get old. Specifically, Taylor tends to forward the plot by ending a chapter with a sudden revelation or occurrence (often in cliff-hanger fashion) followed by starting the next chapter well ahead in time. She then goes back and fills in the missing details of how the character or plot got from the end of the previous chapter to the start of the next. This technique really maximizes reader interest, but when used continually over the course of the two novels it begins to lose its charm.

I’m eager to see where this story and its characters go in the presumably last novel of the series. I would expect a merging of the first two novels and the battle between these two races entering fully into our Earth. I suspect the events will surprise me and the underlying themes of individuals struggling to connect humanely amid horrific conflict will continue to prove interesting.

Four Stars out of Five