WILDALONE, by Krassi Zourkova

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Wildalone
By Krassi Zourkova
William Morrow – 6th January 2015
ISBN 9780062328021 – 384 Pages – Hardcover
Source: William Morrow, via Skiffy & Fanty


In case you missed it, my review of Wildalone appeared recently on Skiffy and Fanty.
“Talented pianist and bright student Thea Slavin leaves the familiar confines of family and her Bulgarian homeland for the opportunity of study at prestigious Princeton University in the United States. Compounding the normal cultural shocks of studying abroad in an unfamiliar land, Thea discovers that she has chosen to accept an opportunity from the same school her older sister attended years past, an era mired in family secrets. Thea learns that this sister mysteriously died while at Princeton, leaving a hole in her parent’s lives about which they refuse to speak…”
I also ran into the cover reveal for the Bulgarian edition the other day and I think it fits beautifully:
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Disclaimer: I received an advanced reading copy of this from the publisher in exchange for an honest review that originally appeared at skiffyandfanty.com.

Ice Shear, by M.P. Cooley

Ice Shear, by M.P. Cooley
Publisher: William Morrow
ISBN: 0062300709
320 pages, hardcover
Expected Publication: 22nd July 2014
Source: Goodreads First-Reads

This is a very impressive debut genre novel that I didn’t expect to enjoy quite so much. My initial expectations were somewhat low because so many of the elements of “Ice Shear” I would describe with the word ‘average’. The plot is suitably complex. The writing is straight-forward, though very descriptive, with realistically rendered dialogue. The protagonist seems like a regular woman. The pace is constant and the small town setting is well-rendered.

Together this makes an enjoyable police procedural read, a novel that is really good, but where nothing really screams out as being exceptionally unique, innovative, controversial, or profoundly insightful. So what sets it apart from any other mystery novel out there is it is so ‘average’? Why in my heart do I feel like this is a really successful novel that was well-worth reading?

I think the answer to those questions lie in just how effectively Cooley manages to take the ordinary and produce a tight, well-crafted mystery out of it where everything does feel satisfying without becoming dull and mundane. Most impressive to me is Cooley’s protagonist June, a former FBI-agent returned to her hometown to serve on the police force. June is deceptively simple, one of the most realistically rendered female characters I’ve come across. Here strengths and weakness are given subtly, and her personality is one of straight-forward perseverance, simply being a good investigator and human being. Relatable and likable, she is flawed and challenged, but she overcomes and the reader enjoys the experience of seeing how she does so.

Cooley also manages to put in just the right amount of ‘outside’ information and personal conflict outside of the main crime plot thread. You learn a bit about June’s past and her family and professional relationships, but readers aren’t pulled too far down any side-tracks that don’t have bearings on the novel itself. This leaves Cooley room to further develop the character in future novels, hopefully just as effectively.

Four Stars out of Five

The Sound of Broken Glass, by Deborah Crombie

The Sound of Broken Glass,
by Deborah Crombie
Duncan Kincaid & Gemma James Series Book 15
Publisher: William Morrow
ISBN: 0061990647
384 pages, hardcover
Published February 2014
Source: Goodreads First-Reads

Normally I don’t sign up to win books that are in a series because I try to use this to discover authors and works that I otherwise wouldn’t discover or read anytime soon. So if it’s a series, I probably haven’t read any of the others. Even if novels are supposed to be ‘stand-alone’ I’d much rather read them all, in order, or not bother reading any of them. This makes getting into mystery novels hard though. So I must’ve read the description for this and decided my interest was worth giving it a try. I’m glad that I did because it was an enjoyable book, but I’m not sure if it is a series that I’d rush to find more of over the others I have in queue.

The primary strength I see in “The Sound of Broken Glass” is atmosphere. Crombie’s characters each exude particular British regions or classes, and the city itself is used almost as a character in defining the roles of the others, their pasts and how those circumstances now collide in the present. These past events are conveyed through italicized, flashback, passages, rather than in-time. This method seems largely employed to keep the secrets of the mystery hidden to the investigators in the novel until the last possible moment. The reader therefore has a greater, though still very vague sense, of what lies behind the murders than the protagonist does. Yet despite revealing more to the reader, Crombie still keeps the mystery unsolved and identities unclear through red-herrings, convolutions, and reader mis-assumptions.

Thus, it stands an effective mystery. The downside as I saw it, was that the structure of the novel with its flashbacks takes away significantly from any procedural aspects. The case is ultimately unveiled not completely through the investigator’s skill, but rather in large part due to chance coincidences and shared acquaintances, well-crafted connections on the part of the author between her characters that leave the entire events partially artificial in feeling. Crombie also uses the story and its themes to try to wedge in side plots involving the protagonist and her family, all of which seem highly tangential and never actually brought to conclusion. I suspect these aspects of the story relate more to the overall series as opposed to the novel itself, highlighting that a series novel never can really be ‘stand-alone’.

Three Stars out of Five