APEX MAGAZINE Issue 122 (Mar./Apr. 2021) Edited by Jason Sizemore


A really stellar issue from Apex again for these two months. Aside from the interactive story I had no interest in (so cannot speak on) there is not one disappointing story here.

“The Amazing Exploding Women of the Early Twentieth Century” by A.C. Wise — Two actresses in the early silent era of film find they share pyrokinetic abilities that enable them to set themselves on fire without harm. A useful talent for an era where many did their own stunts; also a talent that can be turned against abusive powers in the industry. The main story is bookended by short sections set in the recent present, with one of the women relating things to a granddaughter (if my memory serves in details). I always get appreciation/enjoyment from stories about film, including the silent era, which I love. The only downside to this story is the length: longer than I felt it needed. The framing scenes add some extra themes, but not sure they were essential or needed.

“Las Girlfriends Guide to Subversive Eating” by Sabrina Vourvoulias — An ‘interactive’ story with which I chose to not interact.

“Barefoot and Midnight” by Sheree Renée Thomas — A standout story of the issue due to its subject matter and power, but above all because it is written so amazingly well, horrific and melancholic and beautiful all at once. Like a lamentation the story surges with righteous wailing against injustices. It shows how pain and sacrifice can continue even amid processes of healing, and suggests that sometimes revenge is just as damaging as an original hurt.

“Black Box of the Terraworms” by Barton Aikman — Terraforming machines sent by humans to an alien planet consume some of the native organisms and through it learn from the creature’s memories of the planet’s previous inhabitants that worshiped the creatures. An inventive story of biotechnology and ecological themes, but which then also takes of mythical tones. Fascinating grand-scale fiction.

“A Love That Burns Hot Enough to Last: Deleted Scenes from a Documentary” by Sam J. Miller — A series of interviews about a pop singer and a Christian parent who campaigns against her music, being convinced she is in reality a witch. Almost always enjoy Miller’s work, and this was no exception. I feared that the stereotypically bigoted Christian would make me sour, but Miller actually handles it well. (I still wish more authors would introduce Christians who AREN’T this way at all.) The story more speaks to themes of hero worship and unreasonable expectations that fans place on talent.

“If Those Ragged Feet Won’t Run” by Annie Neugebauer — A fantasy where a mother and newborn try and escape from bird-like monsters that kill those who stray from the village. Great atmosphere and tense plotting here. It recalled to my mind the thoughts I’ll sometimes have watching nature programs where I see a predator about to strike down prey, a cute little juvenile who’s just trying to survive. But then after the predator fail and I celebrate continued life, the camera cuts to the starving offspring of the predator that now have no food.

“She Searches for God in the Storm Within” by Khaalidah Muhammad-Ali  — A reprint originally published in Sword and Sonnet, edited by Aiden Doyle, Rachael K. Jones, and E. Catherine Tobler. It features a powerful female protagonist surviving against harsh unjust treatment. The theme of the anthology where it appeared was “women and non-binary battle poets”. I’m not a fan of the poet aspect, but this is another story of righteous anger, but taken in a more positive way, speaking to the unleashing of a ‘storm’ of suppressed rage that women (and women of color in particular) become told to endure.

“The Eight-Thousanders” by Jason Sanford — I never expected to like a story about climbing Mount Everest so much. Turning it into a horror featuring a vampire who ‘prey’s on those who succumb to the mountain is brilliant, and Sandford uses that plot to explore familiar vampire tale themes in novel ways, as well as cultural aspects of the mountain climbers and the natives who make a living catering to them. The story originally appeared in Asimov’s Science Fiction Magazine at the end of last year.

With editorial by Jason Sizemore, nonfiction articles “Jimi Hendrix Sang It” by ZZ Claybourne and “Telling Stories of Ghosts” by Wendy N. Wagner, book reviews by A.C. Wise, and interviews with Sabrina Vourvoulias and Annie Neugebauer by Andrea Johnson, and of cover artist Thomas Tan by Russell Dickerson. Cover design by Justin Stewart.


NIGHTMARE MAGAZINE #100 (January 2021) Edited by John Joseph Adams


For its 100th issue, this Nightmare includes a large selection of stories beyond the four that normally an issue would contain. Some of the stories are available to read for free on the website, but it’s a particular bargain this month to purchase for the complete contents. I’ve subscribed since (near) the start of the magazine’s run, and as a fan of dark fantasy, I haven’t regretted it. The close of this issue has given me one of those moments where I wish the horror field could collectively decide to take a breather from mining the Lovecraft though.

“How to Break into a Hotel Room” by Stephen Graham Jones — A scam artist goes to steal some things from a hotel room to sell off to his friend and longtime partner. Though the job seems to proceed well, he enters into a bare hotel room to face ghosts from a tragic episode of their past crimes. What sets this story above the norm is the voice that Jones gives to Javi the scam artist. Solid display of horror short fiction here, though I’m uncertain why the past choses this particular moment to catch up on Javier.

“Rotten Little Town: An Oral History” by Adam-Troy Castro — Written as a series of interviews with the (surviving) creator/writer and cast of a successful cult TV show. It chronologically proceeds though the seasons of the show’s run, providing details of the on-screen and behind-the-scene elements of cast relationships and bringing the series to life. Between the lines, the reader realizes that there is something dark and sinister influencing things. I enjoyed the format of this story and the idea of the ‘dirty secrets’ of production that can occur only to be hushed up, but taking it in a really malevolent and controlling direction.

“I Let You Out” by Desirina Boskovich  — A woman is haunted through life by a monster that emerges from closets. An over-zealous religious family makes the terror worse, and casts judgement and doubt upon the victim. She recalls the monster’s first visit, and forces herself to look upon its face. The metaphoric themes of this are familiar in dark short fiction: feminism, overcoming trauma. Boskovich approaches them with some fine, tender writing that doesn’t go down the ‘revenge’ route that other stories in this vein often turn.

“Last Stop on Route Nine” by Tananarive Due — Driving in Florida from her grandmother’s funeral to a luncheon Charlotte and her younger cousin Kai get lost in the fog on Route 9. Stopping for directions at a house by an old boarded-up gas station, they are hexed by a crazed old racist woman and flee back into the fog before finding aid. The story involves a journey into another time in a way. The realization of the characters that they don’t want to go back also serves as a reminder that the racist, dark corners remain.

“Darkness, Metastatic” by Sam J. Miller — I read this right before going to sleep, and a story has not creeped me out as much as this one did in a long time. As usual, Miller writes exceptionally well, with characters and situations that can tug on emotions. In this a man named Aaron becomes concerned when his ex, and investigative documentary partner, begins leaving lots of dark messages on another ex’s phone. Digging deeper and trying to connect back with his ex, named Caleb, he learns more of Caleb’s investigation into seemingly unconnected murders, and discovers a creepy viral app called Met_A_Static that may have changed Caleb, and now has targeted Aaron. I haven’t found much interpretation to make of this story yet after one read, but it certainly works on the base horror level.

“Wolfsbane” by Maria Dahvana Headley — A feminist retelling of the Little Red Riding Hood story with witchcraft, mother, daughter, sister, grandmother, and wolves. Not the style of story I go for, but the themes of it are great and Headley’s writing, as usual, is exquisite.

“Thin Cold Hands” by Gemma Files — First published in LampLight in 2018, this story has popped up since reprinted The Dark Magazine and in one of Datlow’s Best Horror of the Year collections. This is a creepy changeling story about mothers, daughters, and home. Though others by Files have resonated more with me, this is a solid horror story that is worth a reread.

“The Things Eric Eats Before He Eats Himself” by Carmen Maria Machado — A short story whose title sums up the plot entirely. The list of foodstuffs is fascinating varied to read, written in a careful flow of musical words.

“Up From Slavery” by Victor Lavalle — This reprint of a short novella that originally appeared in Weird Tales starts with a scene of a train crash, a scene that shows how well Lavalle can write. Simon Dust grew up as a black boy in the foster care system, and never knew who his parents were. One day, while copy-editing a new edition of Booker T. Washington’s memoir (which gives this story its title) Dust receives a letter with his father’s name in it, informing him that his father has died and left his home in Syracuse to Dust. There, Dust further discovers this man who has claimed to be his father was a white man, and that his body was discovered under creepy circumstances. This sets up the Lovecraftian horror that follows, a story of gods and slaves that takes creatures from the iconic and inexplicably influential writer’s stories and reworks them into powerful themes of racism and identity. Those who are familiar with Lovecraft will probably get more from this story. I had to look up the references, and as much as I enjoyed the emotional and thematic core of the story, I just don’t get the fascination with Lovecraft tropes.

“Jaws of Saturn” by Laird Barron — Another Lovecraftian reprint taken from Barron’s collection The Beautiful Thing That Awaits Us All and Other Stories. A woman tells her hired gun boyfriend about the strange dreams that have been plaguing her, and the hypnotist she is seeing for treatment in quitting smoking. After a marathon sexual encounter together and further talk of her odd dreams, the guy decides to look into this hypnotist further. The weird horror that he discovers is beyond anything he could’ve expected. Barron writes amazingly, but here there is nothing underneath the cosmic horror angle for me to really grab onto and appreciate, and this genre of horror alone doesn’t suffice.

With “The H Word” horror column by Orrin Gray, author spotlights, a book review from Terence Taylor, and a roundtable interview with outgoing editor John Joseph Adams and incoming editor Wendy N. Wagner.