ANALOG SCIENCE FICTION AND FACT Vol. CXXXI #s 3 and 4 (March/April 2021) Edited by Trevor Quachri


Another overall impressive issue from Analog, which is nicely becoming more diverse and balanced in their offerings. I wouldn’t say they have lost the core mission of the hard SF that they tend to go for, but they have broadened the representation of authors and interpretations of what that means beyond what had in past become a somewhat cliched standard. A wider range of readers will find things to enjoy in issues these days.

“Invasive Species” by Catherine Wells — The wife of a man goes missing on an alien world where humans are kept in a small enclave by the native intelligent population to limit human damage to the ecosystem (and also supposedly for human safety.) When the missing wife cannot be found anywhere, the man seeks permission to go search beyond the enclave’s walls, and takes in a native nanny to watch his newborn while off looking. The ideas in the story are wonderful, and it’s entertaining. However, by its end I was left wondering about the alien actions and I can’t help but think a lot of action/lack of communication occurred simply so the story could happen.

“Flash Mob” by Meg Pontecorvo — Too much science fiction spends efforts being speculative or focusing on technology. I adore a nice story simply focusing on doing science. In this one, a researcher tries to balance single parenthood with the demands of academic research. Her research into squid behaviors allows an opportunity to observe a rare, inexplicable mass of Japanese squid gathering off the coast of CA. She thinks there may be something to their bioluminescent signaling. Fantastic ending for this as well.

“Tail Call Optimization” by Tony Ballantyne — AI stories aren’t inherently my favorite. However, this one manages to put a spin and unexpected twists into the story to make it very entertaining and thought provoking. An apparently malfunctioning alien AI comes into contact with a human intelligence that forces reconsideration of the situation.

“Damocles” by Sean McMullen — An alternate history story of higher technology in WWII, specifically an invention that could be a devastatingly dangerous weapon in the wrong hands. Those that like this genre of story will likely really enjoy this one. It’s written well, but didn’t really capture my interest.

“Problem Landing” by Sean Monaghan — A story of Mars, drawing inspiration from private-funded space exploration corporation like Musk’s SpaceX. As the title suggests, landing on the red planet goes awry. The existing Martian colonists try and come up with a rescue plan for any survivors among the new arrivals. A classic sort of Analog story where human ingenuity is needed to solve a technical problem. It works well as that, but I didn’t find it as compelling on the level of the characters so much. Hard SF fans should really love it though.

“The Trashpusher of Planet 4” by Brenda Kalt — Excellent story that balances seriousness and humor, the familiar and unexpected, with things alien and human. It’s told from the point-of-view of Awi Trashpusher Nonnumber, a lower caste worker on a spaceship traveling through our solar system. Though Awi sits as low-rung as one of his People can, he aspires to more. While his fellow species members give him no respect, the ship’s AI starts giving him greater tasks in secret. The protagonist may be alien in appearance, but the social and personal struggles of the tale are all very familiar to us humans.

“It’s Cold on Europa” by Filip Wiltgren — Two isolated ice miners on Europa live with artificial constructs of their spouses, which have personalities/memories updated as part of the slow communication from their real counterparts based elsewhere in the solar system. The protagonist becomes increasingly concerned that her spousal construct is acting colder and distant, but she has no indications of why. A really fantastic story that postulates new iterations of time-old communication problems in relationships. It takes the concept of ‘ghosting’ and anxiety to larger scales.

“The Acheulean Gift” by Matthew Claxton — A camp houses children born from a now defunct program that used genetic engineering to express genes of extinct humanoid species (like Denisovans and Neanderthals) in H. sapiens. It’s an interesting, and good, story that explores the biological basis of things like cooperation, tool use and problem solving, but also then of fear of the other and racism. I wish the story delved into the genetics in more detail with more believability though.

“If a Tree Doesn’t Fall” by Jerry Oltion — A hiker in Wyoming comes across a floating tree, and he investigates how the heck this could possibly be happening. Nothing much to this short story at all, but a pleasant enough diversion.

“Thh*sh*thhh” by Aimee Ogden — Another story with not much to it, but just the right amount given this is flash fiction. A human researcher (xenoanthropologist?) attends the exceedingly rare funeral for a member of an extremely long-lived (practically immortal) alien species. At this she learns the painful emotional downside to their exceptional life spans. High quality flash fiction.

“John Henry Was a Steel Driving Man” by Shane Halbach — Another classic Analog problem-solving story, set on a space station, where workers have to deal with potential disaster. Complicating matters are divisions among the poorly treated workers who want to strike, and the corporate powers above them. Sometimes the actions of fellow co-workers can make the situation worse. If not great, a decent story that preaches the virtues of hard work that one takes pride in, and attention to detail, no matter the situation.

“Recollection” by Elise Stephens — When the status and destination of many stories in Analog can be known from very early on, it’s nice to have a more slow building story included here that at first puts the reader in uncertain waters. Set in a barren dystopia, a government representative (Harvester) arrives in town to look into aid that they might need. A teenage girl there becomes intrigued by technology the woman uses that holds memory and images of the time before. An interesting look at the ethics of uneasy decisions.

“The Burning Lands” by Tom Jolly — Strange, seemingly spontaneous wildfires are breaking out and killing people. A detective and arson investigator try and solve the mystery. For methanogenesis playing such a key role in this, was very disappointed archeaea were not properly discussed in such a ‘hard’ SF venue.

“Hillman, Charles Dallas, Age: 35, No Partner, Parents: Deceased” by Ron Collins — A former finance broker on the run decides to enter into a clinical trial to go off the grid with free room and board. The brain scans they do on him have unexpected consequences for someone trying to maintain a low profile. An ironic cyberpunkish kind of story that felt as jumbled by its end as the protagonist seems to be.

“I Have Loved the Stars Too Fondly” by James Van Pelt — A very short story (flash?) where a social program provides the homeless with a new chance and home as lunar colonists. Among other possible interpretations, the tale illustrates how such programs can be mistrusted and also taken advantage of. Parallels to how different societal groups react to SARS-CoV-2 vaccination spring to mind.

“The Pond Who Sang” by Charles Hand — Many have combined the mathematical aspects of music with concepts of neural networks (biological or other), such as Hofstadter. Here, Hand puts such musings into a very inventive short SF. I’m not sure this works as is without further development, beyond being intriguing and a speculative ‘mood’ piece.

“Second Hand Destinies” by Marie Vibbert — SF with symbiotic creatures helping animate a humanoid body aren’t new, but Vibbert does interesting things with the concept in this story (more parasitic perhaps) of a small family eking out survival on a dilapidated space station. Vividly written and great characters.

“The Shadow of His Wings” by Ray Nayler — Transfer of consciousness into animals (that still allows total control) forms the speculative crux of this story that explores issues of obligation and power. Strange, but written in a way that makes it seem completely ordinary.

Includes science fact article “From Atmospheric Rivers to Super Typhoons: The Future Looks Bright for Weather Disaster Fans” by Christina De La Rocha and poems “Mostly Hydrogen” by Jack Martin and “First Scientist (?-?) by Jessy Randall. With guest editorial “Better Than Being Fossilized!” by Ian Watson, The Alternative View by John G. Cramer and Guest Alternative View by John J. Vester. Reference Library by Don Sakers and Upcoming Events by Anthony Lewis.


Solaris Rising 3, Edited by Ian Whates

Solaris Rising 3: The New Solaris Book of Science Fiction,
Edited by Ian Whates
Publisher: Solaris
ISBN: 178108209X
448 pages, paperback
Published 14th August 2014
Source: NetGalley

Contents:
“When We Have Harvested the Nacre Rice”, by Benjanun Sriduangkaew
“The Goblin Hunter”, by Chris Beckett
“Homo Floresiensis”, by Ken Liu
“A Taste for Murder”, by Julia E. Czerneda
“Double Blind”, by Tony Ballantyne
“The Mashup”, by Sean Williams
“The Frost on Jade Buds”, by Aliette de Bodard
“Popular Images from the First Manned Mission to Enceladus”, by Alex Dally MacFarlane
“Red Lights, and Rain”, by Gareth L. Powell
“They Swim Through Sunset Seas”, by Laura Lam
“Faith Without Teeth”, by Ian Watson
“Thing and Sick”, by Adam Roberts
“The Sullen Engines”, by George Zebrowski
“Dark Harvest”, by Cat Sparks
“Fift and Shira”, by Benjamin Rosenbaum
“The Howl”, by Ian R. MacLeod & Martin Sketchley
“The Science of Chance”, by Nina Allen
“Endless”, by Rachel Swirsky

My thoughts on Solaris Rising 3 have been languishing for awhile now as a co-review was first planned for Skiffy & Fanty and then got delayed and didn’t end up happening. As I look back over the notes I had written and the skeleton of this review in correspondence with my colleague Cecily Kane I realize just how much I want to go back and read this un-themed collection again.

Yet, this is the first of the Solaris Rising series that I’ve had a chance to read, so I should probably go back and read the first two. It’s a testament to how enjoyable the stories are here in what is a stellar lineup of highly-regarded contributors that re-reading this again so soon feels like something warming and relaxing. Though there were a couple stories here that just didn’t work for me, it is probably still the best collection I read in 2014 for its sheer entertainment.

And my favorite stories in here were also quite a surprise to me. In his introduction, editor Whates comments on the opening line(s) of one story and how magnificent it is/they are. Though they are great I have to say that the opening lines of the collection, in Benjanun Sriduangaew’s “When We Harvested the Nacre-Rice” are far more stunning in its powerful flow and imagery. This ended up being my favorite story in the collection. I’d read a couple of other stories from the Hegemony universe and while I appreciated the poetic style and alien weirdness, they were a little dense; their vagueness left me feeling unmoored from the plot. With this, Sriduangaew’s writing fully connected with me.

Protagonists Pahayal and Etiesse are both delightfully rendered, complex mixtures of weakness and strength that draw forth reader empathy and disdain; their relationship is an echo of the larger issues of political control at the center of the story’s plot. Sriduangkaew handles the themes of dominance and submission, vulnerability and safety, trust and betrayal, creation and destruction with masterly control in scant pages.

I was likewise surprised to find the story I expected to love most in Solaris Rising 3, “Homo Floresiensis“, by Ken Liu to not resonate as strongly with me. Liu is one of my favorite authors and I would still call this story really good. But what I like about Liu is sort of what I like about a good film director like Kubrick or Hitchcock. He achieves a balance of great story, deeper meaning, and artistry in his creations. Liu’s story here is strong in he meaning department, and raises a big point about scientific advancement that I wish would crop up more often in the field. However, the structure of the story ends up making it feel like two separate entities of scenes that introduce and then scenes at the heart of the matter.

“Double Blind” by Tony Ballantyne, “The Mashup” by Sean Williams, “The Science of Chance” by Nina Allen, and “Thing and Sick” by Adam Roberts were all stories that I greatly enjoyed and each were science fiction mashups of sorts, whether taken literally (Williams’), with horror (Ballantyne’s and Robert’s) or  with mystery (Allen’s). These are all examples of a wide range of fine writing also across the board from light to subtly crafted to all out crazy.

“Thing and Sick” also represents one of a few stories in the collection that I quite liked for their approach to the concept of the alien “other”. A similar theme is taken up, at least in part, in the stories by Beckett, MacFarlane, Lam, Rosenbaum and the aforementioned Liu.

In some this ‘regard’ at the other makes the story a critique of colonial aspects. MacFarlane’s “Popular Images from the First Manned Mission to Enceladus” delves into such themes through the use of a non-traditional narrative that describes propaganda-esque posters through the eras of expedition to Saturn’s moon. I adored the ideas here, but the reading ended up being a bit on the drier side. Beckett tackles colonial issues head-on with a far more traditional plot. However I also found his story to be one of the most disturbing in the violence of its action and language against the other, in  this case aliens and female. It was sort of hard to figure out whether certain aspects were honest portrayals of very ugly characters and a commentary or something unintentionally offensive. Extremely well written and powerful, I loved it, but feel warning should be made for sensitive readers.

In “Thing and Sick” and in “They Swim Through Sunset Seas” the treatment of the alien ‘other’ was more focused on the psychology or biology of the nonhuman entity. I particularly found Lam’s story to be poignant and a great SF focus on biological science and the basic emotions that intelligent life forms may share for better or for worse. Rosenbaum’s “Fift & Shira” is simply an excellent biological speculation on gender and social structures in a non-human community. The story itself is not as enthralling as the ideas at play, but for me as a biologist I remained captivated nonetheless.

On the other end of the spectrum I personally found nothing to appreciate in  Zebrowski’s “The Sullen Engines” or in Watson’s “Faith without Teeth”. The remaining stories were good, but just haven’t stuck with me as strongly. Fans of the particular authors will surely appreciate the additions here. If you didn’t get a chance to pick this up back when it came out and are a fan of SF, I really recommend checking this out, particularly if you are someone that doesn’t normally read shorter works in the field. You may find your next favorite author.

Disclaimer: I received a free electronic reading copy of this from the publisher via NetGalley in exchange for an honest review.

Note: Thanks to Cecily Kane for some editing of my rambling thoughts on Benjanun Sriduangaew’s “When We Harvested the Nacre-Rice” that made it into this final post.