Another issue with three of four stories to read. Those three fit the billing of dark fantasy, and were notably good, with one particularly sticking with me to lead off the issue:
“Laughter Among the Trees” by Suzan Palumbo — An immigrant to Canada with her parents from the West Indies, Anarika has mixed feelings about the birth of her sister Sabrina, an immediate citizen of this new land, her only home in contrast to the rest of the family. But, when Sab goes missing on a family camping trip, Ana deals with the guilt and the pain of her parents for the years to come. The eerie story combines familiar conventional themes of sibling rivalry and the immigrant experience with elements of classic horror (ghosts) and the monstrosities of colonization in very effective ways.
“The Yoke of the Aspens” by Kay Chronister — I do not read you.
“One Last Broken Thing” by Aimee Ogden — Liv’s mother has abandoned her and her father, who now live on an unproductive farm where her father shoots any animal that he sees in the fields. At school Liv is mocked and outcast. But as HS graduation approaches, Liv yearns to depart for college, though her father remains set against it. An apt title for a story showing how people can be broken by the past and loss, but also the power of staying true to oneself.
“A Resting Place For Dolls” by Priya Sridhar — A baker who is distraught over the suicide of celebrity chef Anthony Bourdain uses a doll-making hobby – and power – inherited from her grandmother to help friends and acquaintances in her life who struggle with depression and stress. An anti-Voodoo doll kind of concept here, in a brief but good short story.
The issue also features cover art “Angel Fire East” by Tomislav Tikulin.
Three of the four stories in this issue I adored, and the other might be appreciated by those who aren’t put off by its voice. The Dark Magazine continues to excel in presenting horror/dark fantasy that span a large variety of the genres, with no two stories alike here.
“The Van Etten House” by Carrie Laben — Two friends begin a partnership as online collectible dealers in their college town after graduation. Within the packed house of deceased hoarder, they discover a room of custom-made dolls that appear modeled after children contacted though Christian magazine pen-pal want ads. And it gets ore unsettling. The most conventional horror story in the issue, in this case also one of my favorites. Creepy dolls will always be something that gets me, and the idea gets a fresh look here both in terms of the doll’s creator and their effects. Alongside this, the strength of the bond between the partners becomes tested. This could fit right in adapted into a horror anthology TV series, and I loved its atmosphere of familiar horror territory in a new way.
“Love for Ashes” by Frances Ogamba — You did not read this story because I started talking to you in it.
“There, in the Woods” by Clara Madrigano — A woman living in her childhood home considers the recent disappearance of a boy from the neighborhood in the nearby woods, a sinister place where her husband also recently disappeared, and others in her past. Understandably questioned by police, she find herself unable to leave the house, yet still drawn by the lure of the woods and the truth she knows deep down. The story can be read symbolically, or literally as horror/fantasy, and it could likely evoke different interpretations according to the reader and details held onto. It’s unsettling and mysterious, and I’ll look forward now to more from the author written in English as this, or translated from Portuguese.
“Each Night an Adaptation” by Osahon Ize-Iyamu — A girl sleeps in her dead father’s house to help him enter the afterlife, and to help her mother who cannot handle keeping the tradition herself. And how this shapes her future. A touching short piece on how people handle grief, deal with the heaviness of expectations, and confront horror. Though dark, it is pervaded with an atmosphere of perseverance and strength in its protagonist, the aptly named Destiny.
The issue also features cover art by Vincent Chong.