ASIMOV’S SCIENCE FICTION #540/541 (January/February 2021) Edited by Sheila Williams


Though there are a couple/few stories in this issue that I didn’t care much for, the vast majority were really excellent. A great start to 2021 for Asimov’s.

“A Rocket for Dimitrios” by Ray Nayler — Increasingly liking the fiction from Nayler and his translations, and this alternate history is no different. A follow up to his previous story “The Disintegration Loops”, the foundation for this alternate world is the discovery of alien technology in the early 1930s and its implementation in US over the ensuing three decades. The alien tech provides amazing things, but humanity still has a poor grasp on how any of it works. The technological advancements have also brought heightened paranoia and authoritarianism to the US under seven-termed (if I recall correctly) President FDR. Standing against the patriarchal US government and the directions it continues to follow are a group of women, including Eleanor Roosevelt and Hedy Lamarr. So, I still haven’t mentioned the actual plot to this story, but honestly its a MacGuffin to explore some great themes and characters in this altverse.

“The Realms of Water” by Robert Reed — Falls into the category of SF writer of a certain age becoming enamored with European history (Roman) and transposing some part of that into SF/Fantasy retelling. This unfortunately seems to happen a lot. The very prolific Reed always writes well. But this was just not a story I found interesting, and it took up way too much space in this issue. On the other hand, at least he didn’t go the alternate history route.

“No Stone Unturned” by Nick Wolven — An exploration of the possible effects that teleportation technology might have on humans, this is top notch SF with both speculative elements, a good dose of science and a human element at its heart. A man becomes concerned about his wife who has been part of a program testing transporter technology. She seems more distant, and forgetful of their child. But, is this an effect of the transporter process as one conspiracy guru claims, or is there something more basic and ageless going on here? Highly recommended.

“Table Etiquette for Diplomatic Personnel, in Seventeen Scenes” by Suzanne Palmer — A murder aboard a human alliance space station with several visiting alien species has possible connection to an old conflict between two groups, and the cuisine selections that must be diplomatically selected/prepared to avoid insulting – or poisoning – any species. Fun, and slyly written, any Trek fan should enjoy this as well.

“Hunches” by Kristine Kathryn Rusch — An engineer on the bridge of a starship is saved from horrible death by going with gut and donning a pressure suit just before sudden crisis unfolds. With nothing transpiring as it should, the disoriented engineer continues to use his hunches to save the ship and surviving crew. A more contained and limited story than I’m used to seeing from Rusch. It is by no means bad, but I also didn’t find it that striking or perceptive.

“Shy Sarah and the Draft Pick Lottery” by Ted Kosmatka — Set in a world – or maybe reality! – where the top echelons of society control people and events according to powerful statistical models much like sabermetrics is used for baseball scouting and plans. An abnormally shy woman who has skills in scouting for prospects that can bring a statistical edge (luck) to situations risks her position and life by telling a prospect the truth about how the world is run and what those in power will do to maintain their edge. Great idea in this story and superb execution.

“Mayor for Today” by Fran Wilde — Concept of a world-wide gig economy taken to extremes. Wilde goes with this idea in interesting directions and as usual writes a compelling and entertaining story. It mixes absurd humor with political critique and sympathetic characterization of individuals struggling to survive in a system.

“The Fear of Missing Out” by Robert H. Cloake — A socially awkward man begins to use new auto-personality technology to navigate difficult situations, like talking to an attractive man he happens to meet. While it’s running most sensory input is lost to him, but he can rewatch what has occurred while on ‘auto-pilot’ afterward, having retaken primary control of his body/mind. Success at winning a date leads him on a path to further dependence on the technology so that primary control actually becomes the unwanted exception. A poignant take on technology dependency and avoiding uncomfortable situations.

“The Three-Day Hunt” by Robert R. Chase — Well written story about a war veteran and his dog going on a search for the pilot of a crashed UFO. At first uncertain if it is something extraterrestrial or human military-based, the man soon gets word that its an intelligent alien species out there in the woods and he should disengage to leave first contact to the professionals and high muckety-mucks. The story ends with a clever observation, and it is an enjoyable enough read. But there’s not really much here beyond the surface level.

“Humans and Other People” by Sean William Swanwick — A pair of scavengers (human and robot) who loot sites in a post-climate-disaster NE USA encounter unexpected complications in a fire-ravaged building in Philly. The concept and start of this seemed real promising, but then I felt it muddled with a voice/style I just never really could get behind.

“I Didn’t Buy It” by Naomi Kanakia — A short story on the concept of identity and perspective and relationships. I really didn’t care for the style, and in fact, didn’t buy it.

The issue also features poetry by Jane Yolen, Leslie J. Anderson, Robert Frazier, and Avra Margariti. Editorial by Sheila Williams, Reflection “One Hundred Years of Robots” by Robert Silerberg, Internet Column by James Patrick Kelly, and Book Reviews by Norman Spinrad and In Memoriam for Mike Resnick. Also includes In Memoriam for Mike Resnick, Readers’ Award Ballot, 2020 Index, and SF Convention Calendar.


THE MAGAZINE OF FANTASY AND SCIENCE FICTION #753 (January/February 2021) Edited by C.C. Finlay


An overall solid issue to mark the final issue under the six-year editorial tenure of Charles Coleman (CC) Finlay. While I didn’t remotely dislike this last editorial era, there didn’t seem to be as many stories falling in as favorites for me as The Magazine of Fantasy and Science Fiction previously had. There are likely more stories purchased by Finlay still slated to appear in upcoming issues, but I am excited to see how this beloved genre outlet evolves under Sheree Renée Thomas. I also have liked Finlay’s fiction a lot in the past, so I’ll be please to see him return to more of it.

“The Dark Ride” by John Kessel — A blend of history, fiction, and SciFi Fantasy, this relates the assassination of President McKinley by the Anarchist Leon Czolgosz in Buffalo New York. Beside the historical narrative is an alternate version of events where Czolgosz travels to the moon and becomes a resistance leader against the oppressive.y ruling moon people. As the novella progresses, the two histories begin to blend together, highlighting the similarities of the social and political ideals that Czolgosz holds on the two worlds. And contrasting the failure that the assassination was in bringing larger change, compared to the hero he becomes on the moon. The SF moon world here is styled after the SF of the early 1900s when the story is set. Though it had some interesting aspects to it, those didn’t need a novella to be accomplished.

“Interludes with the Gunwright” by Jonathan L. Howard — One of my favorite stories in the issue, a touching tale of passions: of love between two characters, and a devotion to one’s chosen craft. A soldier visits a gunwright to secure new weapons, and without money instead leaves a valuable gun in her possession for study/reference as payment. The gunwright is pleased to see the soldier one day return alive, and the two find themselves craving time spent together in life despite their professions tied to destruction and violence.

“Bible Stories for Adults, No. 51: The Great Fish” by James Morrow — I have yet to enjoy or even appreciate any of the stories from this series by Morrow. For this one I gave up trying and stopped reading halfway.

“Integral Nothings” by Robert Reed — Though a series of vignettes, Reed relates how things on Earth have been altered by unknown, alien forces with a step-wise series of “Blessings” that appear to help preserve the planet and its populations. Each section focuses on one particular human representative point-of-view, but written with an omniscient, distant voice that playfully describes the human as the epitome of some trait (most intelligent, most wealthy, etc.) while contrasting that with an anecdote that shows how little and insignificant humans are in the scheme of the cosmos. They style works well to tell a story – whose heart is pretty familiar to the SF field – in a fresh, fun way.

“The Diamond Family Glitters” by H. Pueyo — The grandmother and matriarch of a family is dying. Each of her children and grandchildren has inherited some sort of unique supernatural ability, and they wonder whether that magic that helps keep them spiritually connected and unified will vanish with her passing. Well written and touching story of the symbolic magic that passes between generations and how that can be kept alive.

“A Little Knife Music” by Jenn Reese — Another powerful short story around the symbolism of weapons in this issue. This one explores the nature of using a dangerous gift or talent, and devotion to mentors and friends. An assassin gifted by the Goddess of Music with a deadly, cutting voice becomes conflicted when she is ordered to kill a friend. Superbly written.

“N-raptured” by Justin C. Key — Unseen aliens have converted racists on Earth into rats, and anyone who has used used the n-word has a tick mark scar appear suddenly on their forehead for each infraction as warning to not go too far like those turned. Six scar marks, and you become a rat. Those not so ‘raptured’ away have been left to carefully consider and watch their language and interactions, but Carl finds it hard, even though he only used the n-word when singing lyrics to a song. Well, and that one other time… But that doesn’t make him racist, right? Thought-provoking satire on race relations, language, perceptions, and the socially ingrained.

“Hard!” by Van Aaron Hughes — A SF story revolving around the sport of curling. The intro mentions how this is surely the best written of such stories (perhaps the only?) Nonetheless it is enjoyable, light-hearted fare featuring a warm father/son relationship. Makes sense to me that aliens would be a fan of curling.

“Litter Witch” by Susan Palwick — A lovely parable or fairy tale type story about resilience and strengthening over bullying. A young girl who dreams of being a witch is made fun of at school, but uses those injuries to build a home in the woods, to be in a place where years later another young girl arrives who needs some of that strength to survive.

“Wild Geese” by Lavie Tidhar — Nothing about the plot really engaged me with this story, but the far future cyberpunk and blend of cultures made for a fascinating atmosphere/setting that feels very real even within a short story, albeit mysterious. Tidhar also writes it with a flowing beauty. I wish there were more here in the terms of plot or even themes that I could have found to grasp onto. But it may also be one to reread.

“The Piper” by Karen Joy Fowler — A young man follows a friend in joining the army to fight for the King, but changes his mind about the decision after their departure and learning a possible other path. Relatively short (though not flash fiction length), it’s a good spin on familiar tropes (as the intro to the story promises).

“You Make the Best of What’s Still Around” by Paul Di Filippo — Published within the “Plumage from Pegasus” feature that Di Filippo writes each issue, this is still short fiction, so I find it odd that the feature is so rarely mentioned in other reviews that cover every other story. They are usually humorous and/or satirical and/or farcical and/or etc in tone. They’re rarely earth-shatteringly deep, but they are usually clever and entertaining. This one plays well with the seemingly ever-expanding “Best of…” collections in the genre and the fragmentary sub-genre niches of SFF.

The issue also features the poem “Annabel Digs Her Own Grave” by Gretchen Tessmer, book reviews by Charles de Lint and Elizabeth Hand, game reviews by Marc Laidlaw, film reviews by Karin Lowachee, and the science article “How Fast Are We Going?” by Jerry Oltion. With “Coming Attractions”, and “Curiosities” by Thomas Kaufsek. Cartoons by Ali Solomon, Arthur Masear, and Kendra Allenby; cover art by Kent Bash.


The Year’s Best Science Fiction and Fantasy 2014, edited by Rich Horton

The Year’s Best Science Fiction and Fantasy 2014
Edited by Rich Horton
Publisher: Prime Books
ASIN: B00KRGW89I
660 pages, eBook
Published 3rd June 2014
Source: NetGalley

“Soulcatcher”, by James Patrick Kelly
“Trafalgar and Josefina”, by Angelica Gorodischer
“A Stranger from a Foreign Ship”, by Tom Purdom
“Blanchefleur”, by Theodora Goss
“Effigy Nights”, by Yoon Ha Lee
“Such & Such Said to So & So”, by Maria Dahvana Headley
“Grizzled Veterans of Many and Much”, by Robert Reed
“Rosary and Goldenstar”, by Geoff Ryman
“The Bees Her Heart, the Hive Her Belly”, by Benjanun Sriduangkaew
“The Dragons of Merebarton”, by K.J. Parker
“The Oracle”, by Lavie Tidhar
“Loss, With Chalk Diagrams”, by E. Lily Yu
“Martyr’s Gem”, by C. S. E. Cooney
“They Shall Salt the Earth With Seeds of Glass”, by Alaya Dawn Johnson
“A Window or a Small Box”, by Jedediah Berry
“Game of Chance”, by Carrie Vaughn
“Live Arcade”, by Erik Amundsen
“Social Services”, by Madeline Ashby
“Found”, by Alex Dally MacFarlane
“A Brief History of the Trans-Pacific Tunnel”, by Ken Liu
“Ilse, Who Saw Clearly”, by E. Lily Yu
“It’s The End of the World as We Know It, and We Feel Fine”, by Harry Turtledove
“Killing Curses, a Caught-Heart Quest”, by Krista Hoeppner Leahy
“Firebrand”, by Peter Watts
“The Memory Book”, by Maureen McHugh
“The Dead Sea-Bottom Scrolls”, by Howard Waldrop
“A Fine Show on the Abyssal Plain”, by Karin Tidbeck
“Out in the Dark”, by Linda Nagata
“On the Origin of Song”, by Naim Kabir
“Call Girl”, by Tang Fei
“Paranormal Romance”, by Christopher Barzak
“Town’s End”, by Yukimi Ogawa
“The Discovered Country”, by Ian R. MacLeod
“The Wildfires of Antarctica”, by Alan De Niro
“Kormak the Lucky”, by Eleanor Arnason

REVIEW PUBLISHED AT SKIFFY AND FANTY

Disclaimer: I received a free electronic reading copy of this from the publisher via NetGalley in exchange for an honest review.

The Very Best of Fantasy & Science Fiction, Volume 2, Edited by Gordon Van Gelder

The Very Best of Fantasy & Science Fiction, Volume 2
Edited by Gordon Van Gelder
Publisher: Tachyon Publications
ISBN: 1616961635
432 pages, paperback
Expected Publication: 15th July 2014
Source: NetGalley

Contents:

“The Third Level” by Jack Finney
“Fondly Fahrenheit” by Alfred Bester
“The Cosmic Charge Account” by C. M. Kornbluth
“The Anything Box” by Zenna Henderson
“The Prize of Peril” by Robert Sheckley
“—All You Zombies—” by Robert A. Heinlein
“Green Magic” by Jack Vance
“The Doors of His Face, the Lamps of His Mouth” by Roger Zelazny
“Narrow Valley” by R. A. Lafferty
“Sundance” by Robert Silverberg
“Attack of the Giant Baby” by Kit Reed
“The Hundredth Dove” by Jane Yolen
“Jeffty Is Five” by Harlan Ellison®
“Salvador” by Lucius Shepard
“The Aliens Who Knew, I mean, Everything” by George Alec Effinger
“Rat” by J. P. Kelly
“The Friendship Light” by Gene Wolfe
“The Bone Woman” by Charles de Lint
“The Lincoln Train” by Maureen McHugh
“Maneki Neko” by Bruce Sterling
“Winemaster” by Robert Reed
“Suicide Coast” by M. John Harrison
“Have Not Have” by Geoff Ryman
“The People of Sand & Slag” by Paolo Bacigalupi
“Echo” by Liz Hand
“The New York Times at Special Bargain Rates” by Stephen King
“The Paper Menagerie” by Ken Liu

Compiling any collection with the title “Best of” is never an easy task, the category is just too subjective, particularly in something like the arts and a short story collection. Though delving only into the pages of one literary magazine, The Magazine of Fantasy & Science Fiction (F&SF), the breadth of stories falling within the genre confines of its pages is huge. Compared to something like “The Best American” series, which F&SF has appeared within, the tales and writing styles here are far more diverse, but just as mighty.

The difficulty in really having a definitive, all-encompassing, all-pleasing ‘best of’ collection has in the past simply led me to avoid reading short story anthologies. I already read the new stories that come out, and after a while isn’t that sufficient? If you’ve been reading these longer than I (and most fans have) there’s probably even less new or unfamiliar out there. Thinking it wasn’t really worth it, I remember simply ignoring the first volume compiled by current F&SF editor Van Gelder.

But since then I’ve come to develop an appreciation for these anthologies, even when they aren’t full of stories I would consider to be ‘the best’, or even if there are a few in there which I don’t particularly enjoy. I’ve discovered there are other reasons to read a “Best of” collection despite that term not aligning with my personal opinions.

First, as alluded to within the intro to this volume, the stories here are all notable in the history of the genre, and the authors are ones any interested fan should have some experience reading. It simply is a matter of education. This collection gives an excellent survey across the decades of F&SF publication with tales that have largely withstood the test of time, right up to modern classics that sent ripples of wonder through the reading community upon their publication (like Ken Liu’s beautiful story here). There are so many authors whose names I know, but I have never read. I have a hard enough time reading interesting new things to also go back and read all the range of classics. Now, at least I can check a few more classic authors off my list – or perhaps more honestly add them to my list of things to read more of ASAP.

Second, this sort of “Best of” collection gives new readers the opportunity to discover that wide breadth of the fantasy and science (speculative) fiction genres, experiencing notable stories that vary from hard SF, to humor, to high fantasy, to urban fantasy, to dark horror, to genre mashups, etc. You don’t have to like everything. But if you like to read in general, you’ll probably find appreciation for most of the stories here.

Because all of the stories here are most certainly notable, even if not ‘the best’. They show to all readers, both new initiates or seasoned veterans who are re-experiencing, what a well-crafted story can look like in its myriad forms. With the chronological presentation through the decades of F&SF publication, the collection also gives glimpses into the changing styles or motifs of eras, and demonstrates just how greatly the earliest stories in the genre continue to inspire and shape current writing.

At least four of the stories here I have read before (and “Echo” I am about to read again in another collection of Elizabeth Hand’s work). Three of those four I recall liking greatly, but Stephen King’s story I had no particular memory of, other than that I had read it. I wondered if its inclusion (and King’s) was simply due to the celebrity of his name, to attract more readers. When I first came to F&SF, the knowledge that King, as a popular author I knew, had published works in its pages was a huge draw to trying it out.

So I wouldn’t blame the editor for putting King in for that primary reason. Perhaps it is the wisdom of experience from a few scant years, but I was pleasantly surprised to be so affected by his story here, to read something far more resonant and profound than I had expected based on a memory (or lack thereof). This just goes to show how re-reading notable stories – even if from the opinion of someone else – is beneficial. It’s been awhile since I’ve read King, but this made me wish he’d continue getting inspiration for short fiction writing – and publication in markets like F&SF.

The other stories here that were new to me I responded to much as what I would expect from a typical stellar issue of F&SF: many excellent, a few enjoyable but throwaway, and a couple that just weren’t my thing. You may react differently to individual stories here than I, but I suspect that if you are a fan of the genre, then you’ll also enjoy a similar high percentage of these.

If you happen to be rather new to the genres, have never read the magazine, or are just a casual reader who only recognizes Stephen King in the table of contents, give this collection a try and discover what literary universe is out there for you to enjoy and explore further.

Four Stars out of Five

I received a free electronic advanced reading copy of this from the publisher via NetGalley in exchange for an honest review.