CLARKESWORLD MAGAZINE #172 (January 2021) Edited by Neil Clarke


There are some excellent stories in this issue, complex and imaginative, but there are some let-downs compared to the best of what Clarkesworld has offered (for my tastes at least). Unfortunately, there are no translations in this issue, something that this outlet can almost always be relied upon to support. The novella here falls into a category that Clarkesworld novellas often are in (again for me): far too long for e-format and too short for a story I could best get into. And, with one third of the stories written in the second person that you of course will skip, you end up with a mixed bag for January’s issue.

“Intentionalities” by Aimee Ogden — Saddled with crippling debt and few options to dig herself out to secure any kind of stable future, a woman decides to apply for corporate support by offering her womb, carrying and delivering a child that will then be contracted after five years with her to go work for the company’s off-world mines. She comes to regret this decision and begins a campaign to fight a system that allows coercion of this horrible choice and ownership. Well written commentary on existing capitalist conditions that aren’t too far off from this scenario, all but literally.

“Deep Music” by Elly Bangs — Probably my favorite story of the issue for its themes and tones. Quinn takes care of aquids, squid-like water-creatures that have begun to appear on dry land and come into contact with humans. While some consider them as annoying pests that need to be removed or exterminated, Quinn is convinced they have intelligence, so gathers them and cares for them, trying to make sense of their communications. However, the owner of a rival aquid-removal service who treats the aquids with disdain begins to target Quinn (and the aquids) with hateful harassment. Quinn’s actions in response help solidify an understanding with the aquids in her care. Though the bones of the story and its ending will be recognizable to many readers, its lightness and familiarity feels welcome amid the rest of this issue, and the themes work in more modern ways as commentary on ‘troll-like’ relationships of harassment.

“Philia, Eros, Storge, Agápe, Pragma” by R.S.A. Garcia — I’m slowly growing to appreciate the novella-length story more when published on its own. But I still struggle with them in the contexts of short fiction magazines, particularly when having to read it on an e-reader or – even worse – a computer screen. This story is complex, organized in alternating passages between different times in the characters’ history. It serves as a prequel to a previous story by the author in Clarkesworld that featured the couple Dee and Eva. This recounts their meeting, when Dee rescues Eva who has crashed landed on a planet after a conflict that has left her paired AI “Sister” apparently malfunctioning. While dealing with loss of/changes in Sister that she had always been accustomed to, she begins romance with Dee and faces the enemy. I would have much preferred these two stories just as a novel, on their own. Nothing wrong with the writing here, so for readers who do love this novella length, the story will be successful and appreciated.

“The Last Civilian” by R. P. Sand — You did not read this story.

“Aster’s Partialities: Vitri’s Best Store for Sundry Antiques” by Tovah Strong — The most imaginative and magical of the stories here, reading more akin to fantasy than science fiction, it’s also the story that I felt benefitted from rereading. A magician named Syd who works in magical secrets of space and time is executed by the officials of Vitri. From drops of her blood upon the text of speels, her death gives birth to the narrators of the story, a ‘we’ that forms a house, with mirrors within that a form of Syd inhabits. The house consumes a man who dares enter, but then a curious child arrives, carrying with a necklace talisman that belonged to the magician. A fun story to read as I tried to figure out the nature of things as it unfolded. On some level about the persistence of a person’s influence beyond death on a city and its inhabitants, discovery of forbidden things by a new generation, and likely much more. Subsections are titled with a series of four numbers, but I haven’t figured out their relevance. Certainly a story to analyze but also just enjoy.

“Leaving Room for the Moon” by P H Lee — You start this story and all seems fine, only to realize it is yet another story to skip.

The issue also features “Science Fiction and Schmaltz: A Conversation with Connie Willis” and “The Ten-Year Journey: A Conversation with E. Lily Yu”, each by Arley Sorg, a 2020 in Review editorial by Clarke, and cover art by Yuumei.