INTERFERENCE by Sue Burke

Interference
(Semiosis Book 2)
By Sue Burke
Tor Books — October 2019
ISBN: 9781250317841
— Hardcover — 320 pp.


One truth being demonstrated by the current global climate is that societies are always at risk for instability. This represents not just a facet of political, cultural constructs, but an inherent aspect of ecology, of biology. Through life, individuals increase in number, coming together into populations. Growing populations of one species associate with growing populations of other species. Limited space and resources breed competition both within and between the groups. Coexistence toward a common purpose only becomes possible through sacrifices in each group and a sharing of resources in ways that minimize the effects of competition. In biology that common purpose is a self-centered organismal drive to reproduce and pass on one’s own particular genetic makeup. Paradoxically, the greatest chance for attaining that selfish goal amid competing individuals and groups becomes through some measure of balance with others. Of cooperation.

But, that balanced cooperation is a tenuous balance. Whether biologically or socially, the scale may be tipped by resurgences in selfish natures that overcome rational regard for a bigger long-term picture of success. Sue Burke’s phenomenal Semiosis series is a fictionalized version of such concepts on both the level of ‘artificial’ societies of intelligent creatures and of natural biology. The novels recognize that the two levels are, in fact, intertwined.

The first novel in the series, Semiosis, chronicles the establishment of a human colony on a planet that the colonists name Pax. Fleeing conflicts and devastations on Earth, the humans arrive in the hopes of setting up a society founded on principals of cooperation and care. However, complications during their dangerous interstellar journey actually force them to land on an unintended destination, leaving them with the challenge of establishing Pax in a completely unknown land with limited resources.

Burke reveals the human developments on Pax in Semiosis through a broad sweep of time across generations, structuring her novel into relatively long chapters told from the unique point-of-view of one particular member of the Pax colonists and their descendants (mostly). Each chapter then provides a time jump, with some overlap of characters and societal memory that allow the reader to easily track the development of the human Pax culture. While some have criticized this structure, I found it essential and fascinating for the character-driven story.

The original colonists and their first descendants learn about their new habitat as any intelligent organism would: observation, trial-and-error, and attempts at controlled study. They arrive to a planet covered already with lush life, including plant, animal, and bacterial. (I don’t recall fungus, protists, or archaea specifically named, but I could be wrong, and I assume they too are there?) Though the life on Pax elicits visual familiarity to the colonists compared to Terrestrial species, it also clearly is different in bizarre, unpredictable, and – at times deadly – ways.

Semiosis really should be read prior to its sequel Interference, and I highly recommend you do so if you haven’t yet. However, it isn’t a particular spoiler to summarize some details of the first novel that are present in its promotion or reviews in general. The colonists discover that the species of Pax demonstrate unique characteristics both cellularly and behaviorally compared to those of Earth. The plants particularly demonstrate signs of intelligence beyond those of Terrestrial origin. Gradually, through the generations the colonists discover that one of the plant species, that they name rainbow bamboo, has intelligence and sentience to a degree that permits communication. The plant, in turn, recognizes the potential benefit the new human arrivals could bring to its biological success and makes efforts to ensure their survival. Eventually the plant takes a name, Stevland, in honor of one of the original colonists and becomes an integral part of the new Pax society. Eventually he also gets his own point-of-view chapter(s).

Through those first generations on Pax the colonists and Stevland must learn the process of cooperation for the needs of mutual survivorship and success among the other species of Pax, and also another potential alien threat. After their arrival, the humans discover beautiful architectural remnants of another civilization amid the jungle-like vegetation that surrounds their first settlement. Dubbing the creators of these ruins ‘the Glassmakers’, they wonder where they all went. As they learn communication with Stevland they learn more about these aliens – also colonists to the planet. Eventually, the Pax colony is faced with the return of these Glassmakers and the threat they may bring.

Interference continues the story of Pax’s development in a time after the climax of Semisois. Like the first novel, Interference consists of relatively long chapters from the point-of-view of different central characters. However, it differs in that the time-scale is far less epic. Instead the novel focuses on one particular time period and converging events that threaten the colony’s continued existence as a cooperative between humans, Stevland, Glassmakers, and surrounding native species.

However, before getting to Pax, the first chapter of Interference starts us back on Earth. Amid rapidly changing political situations on Earth and intra-system colonies, a group of individuals is chosen for a mission to seek out the Pax colony and reinitiate contact with any who have survived. Here then arrives the first ‘interference’ of this sequel: a group of Earthlings arriving into the ecosystem of the Pax community. Though humans biologically make up a part of that community, they are certainly no longer of Earth in culture. How will the Earthlings want to interact with their human counterparts? What will they make of Stevland or the Glassmakers. Likewise, how will those non-human parts of the Paxian community take the new human arrivals? Not only do readers get to see these questions unfold from the point-of-view on those on Pax, we also get point-of-view chapters from those coming from Earth, a mixed population themselves of factions and motivations.

Before these Earth representatives arrive, Stevland becomes concerned about another form of ‘interference’ building on Pax itself. Fires seem to be breaking out on the edge of the territory that his roots and associated biological network run. Land-coral attacks from the plains beyond are on the rise. At Stevland’s urging, the ruling council of Pax sends a party out to investigate what the threat may be.

The arrival of the humans from Earth largely puts a pause on this second plot concern, until the final pages as that land coral threat looms more large. In the meantime, members of the Earth and Pax communities wrestle with changes that their introduction brings, and secrets that they withhold from one another before trust can be established. The technology that the Earthlings bring also provides Stevland with new possibilities, including the discovery of other rainbow bamboo life on a separate continent of the planet. Stevland is not alone. Moreover, some of the newly arrived humans intend to return to Earth, giving Stevland the opportunity to spread his genes to another world.

Interference thereby continues themes of Semiosis, broadening first contact situations and raising the question again of who is ‘native’ or ‘invasive’ in biological communities. Who is ‘good’ and who is ‘bad’. Is it a problem for one species to make use of another for selfish reasons if that also provides some benefit to the other? Is Stevland an alien plant that will slowly take over worlds like in Little Shop of Horrors, or is it a relationship that actually will help humanity build itself up from internal squabbles into a stable (at least temporarily) community?

Burke’s choice to stick with the structure of Semiosis, but compressing the timescale of the novel, produces one giant chapter that dominates the bulk of the text. The flow of Interference comparably suffers, and so does the character development. Burke now tries to follow many characters and viewpoints within one time period, rather than focusing on one per temporal episode. We’re with a given character in Interference longer, but know them no better than the one who just had one chapter in Semiosis.

The separate, but intersecting, potential threats to Pax in Interference could have been better developed across the novel (especially the coral threat and its investigation) by making the book slightly longer. The ending felt a little rushed, especially with it also ushering more questions/possibilities for a future in the final chapter and epilogue.

When I first read Interference, all material I could find on it indicated that it was intended as a duology, and readers commented how this seemed odd given some thing were left unresolved, and that Interference ‘felt’ very much like a middle novel of a trilogy. I agreed somewhat, though felt uts resolution was fine, as the future of any community is always precarious and may go for the good or for the bad in terms of a particular species. Stories never end, after all, and the next chapter doesn’t HAVE to be told. Star Wars should have certainly taught us that by now. But, I now see that another book is planned by Burke for the future, and the series is now indicated as a trilogy on Goodreads. Whether this is a response to reader/authorial/editorial interest in another novel or not, I have no idea. But I do welcome it.

Even though I find more fault in Interference than I did in Semiosis in terms of its structure, it remains a strong example of biological speculation and first contact science fiction. One of the delights of this second volume is the chance to get to know the Glassmakers more before expanding the scope of Pax and Stevland’s reach even more. There may be faults in the biology at times in the Semiosis series, and writing for humans from a hypothetical alien intelligence point of view will always be fraught with some degree of anthropomorphism. But, it still provides a solidly imaginative narrative that entertains while also educating about broad ecological principles and addressing themes of life, politics, and society.

More on the Semiosis series can be found at Burke’s website. The third novel, Usurpation, is not planned for until 2024. Until then, Tor Books is releasing an unrelated novel by Burke this year, Immunity Index. Given that I’m a microbiologist I’m very excited to read this one, though I fear I might be harsher in reactions than I was to transgressions of botany in the Semiosis series! Regardless, I hope to have a review of Immunity Index out to coincide with its release in May.


The Memory Garden, by M. Rickert

The Memory Garden, by M. Rickert
Publisher: Sourcebook Landmarks
ASIN: B00HUTVFYE
304 pages, Kindle Edition
Published May 2014
Source: NetGalley

There is something magical in stories that focus on the relationship between the young (particularly in the tween and teen years) and the elderly. The traumas and uncertainties in the lives of the teen find a certain solace in the wizened eccentricities of the elder. The elderly have gotten through that period of their lives, but are not like the other adults. They are no longer in their productive prime and they are in another transition stage of our existence, one even more uncertain and potentially traumatic. From the other side, the connection with the vibrancy of youth seems to magically transform the elderly, as they recall with fondness moments of their own history, and perhaps reconsider past events that were more dark and difficult to confront in their earlier years. With “The Memory Garden”, M. Rickert explores these themes of the young connecting with the old through one teenager (Bay) and three older women, her adopted guardian (Nan) and two of Nan’s childhood friends, who Nan hasn’t had contact with in years (Ruthie and Mavis).

I know Mary Rickert’s name from her stories that have appeared in “The Magazine of Fantasy and Science Fiction”, and it is always a joy to see novels appear from authors who I fondly recall from those pages. Like her stories, “The Memory Garden” is written in a delicate, understated manner. Bright, lush, and full of life on the surface, the lives (and deaths) in the novel hide dark matters underneath. Nicely, these serious (and unfortunately very realistic, not fantastic) horrors are included perfectly, neither downplayed nor exploited.

Rickert’s writing is beautiful, full of rich, sense-evocative elements. Most overtly, chapters are built around descriptions (definitions) of particular plants that fit into the theme or events of that given chapter. But throughout the book Rickert is able to fully immerse the reader in this fairy-tale like world with its sights, smells, feelings, and tastes. The highlight of the novel in this respect comes at a high point of the narrative arc as Ruthie concocts a lavish feast for the others built around edible flowers.

Although a couple of secondary characters are not strongly developed and largely fulfill plot-related purposes, the major characters of the novel – Bay and the three elder women – are superbly written, realistic women with personalities each unique and fitting for their ages and experiences. Given the three older ladies, my mind happened to go immediately to “The Golden Girls”. Indeed, each of the women had aspects to their personalities that I could map to Dorothy, Blanche, or Rose. (With Ruthie for instance reminding me often of Rose with here naive nature, to the point where my mind would read “Ruthie” as “Rose”). However, these personalities didn’t line up perfectly, and as the novel progressed, these elderly characters also changed significantly, and the reader learns that they each are far more than they show at first sight. These characters don’t just have secrets that get revealed, Rickert is able to show how they hold more of themselves inside than just some historical events. They keep emotions and personalities hidden due to their experiences, which in turn inform how they are interacting with Bay and the crises she faces.

The plot is more firmly in the ground of fantasy than the more agnostic ‘fantasy realism’, but it should nonetheless be an easy fantasy pill to swallow for general fiction readers. The plot of the novel is slow-moving, as well as the character development. Coupled with its understated style overall, it is not the most ‘engaging’ novel from the onset, requiring patience and lingering appreciation for the quiet beauty of the text as things slowly unfold. With the complex conclusion to it all, I can’t be remotely disappointed with the novel as a whole. Though I look forward to future novels from Rickert, I really hope to keep seeing “M. Rickert” in the table of contents in F&SF in the future still too.

Five Stars out of Five