Suffer the Children, by Craig DiLouie

Suffer the Children, by Craig DiLouie
Publisher: Permuted Press
352 pages, Kindle Edition
Published May 2014
Source: NetGalley

In “Suffer the Children”, DiLouie successfully provides readers with a horrific scenario, the start of civilization’s collapse when all the children in the world drop dead. Then he ups the ante by making the situation get even worse. He does this with writing, with language that is chillingly conveyed without hesitance or sugar-coating. The result is a terrifying ride through a parent’s worst fears realized (creepy and personally moving even for someone without children) and the rapid decay of individuals into monsters, embodying genetic selfishness at its most extreme.

The novel, in this way, is exceptionally powerful horror, built upon a basic human fear tied to our reproduction and sense of family, told at a great pace and keeping fans of the genre entertained. However, a significant criticism lies in the fact that this horrific scenario playing out in the novel seems utterly fabricated. DiLouie spends small sections later in the novel to try and give a rational explanation behind the events. More developed (and modern) than a similar type of attempt in a similar kind of story, “I Am Legend” by Richard Matheson, DiLouie makes a similar error of trying to give definition to a horrific event of fantasy (a negative ‘miracle’). The explanation has a reasonable basis, but still fails to explain the facts of the plot, not least of which is the simultaneous death of children en masse within time zones, traveling a morbid constant wave around the globe.

The plot thus feels very artificial, set up precisely by an author to maximize the horror and the worst of humanity that ends up being brought to surface. Similarly, DiLouie employs characters that end up feeling increasingly like puppets. On the one hand this is because the adults become puppets of sorts within the actual plot. But also they begin to act with extreme personalities and defects that simply seemed designed by the author.

If the reader is able to maintain enough suspension of disbelief to ignore or look past the ample set up and card tricks being employed in plot and character within the novel, they will probably love this. If these kinds of details and authorial maneuvers negate or take away from positive aspects of the novel, the reader will be disappointed. There is exceptional horror and deep rooted human fear here, writing that will pull at the heart-strings of emotions. But this can only be enjoyed if you can look past the fabrications that are so clearly in play to produce the effect.

Three Stars out of Five

Parasite, by Mira Grant

Parasite, by Mira Grant
Parasitology Book 1
Publisher: Orbit
512 pages, Kindle Edition
Published October 2013
Source: NetGalley

Parasite is fairly good mixture of science fiction and horror, but falters in believability and trying to make everything in genre fiction into a ‘series’.

Some readers of science fiction want the science to be hard: a prominent component, full of details that are all consistent and completely believable/accurate. It seems that most work that fails into this category lies in the scientific realm of physics or astronomy. It is rare to find something about biology that fits these criteria.

Here, Grant tries to accomplish this, taking a clever plot that bears elements of “Invasion of the Body Sntachers” and zombie films, and infusing it with scientific speculation on how this could occur. It is a fabulous idea, one I was eager to read, and involves the fictional genetic engineering of a parasite that combines properties of tapeworms with the protist pathogen Toxoplasma gondii. Toxoplasma, for those unfamiliar, can be passed to humans through cats, and is the reason why pregnant women should generally avoid cats. Interesting current research has demonstrated that Toxoplasma can be present in a host without causing any extreme illness, per se. But, it does seem to alter human behavior in subtle ways, such as causing the person harboring Toxoplasma to be more risk-prone. Fascinating science that lends itself well to fiction.

Unfortunately this book just generally underwhelmed me. The discussions of the parasite having a mixture of human, tapeworm, and Toxoplasma DNA was very confusing and vague. Lots of DNA is shared between many organisms, so what DNA in particular…encoding what? Grant also discusses drugs targeting the human DNA or the parasite DNA, which was odd and not believably conveyed.

Honestly, I can accept some errors in discussing molecular biology. I can suspend disbelief and enjoy the story. I personally don’t care that much if my fiction is based on hard accurate science if it makes up for errors/vagueness with other strengths. Grant writes good dialogue, has interesting characters and pacing, etc. I can’t point to anything as being poorly done, as much as say there was nothing to lift it above acceptable. There was no magic to the writing, and no particular strong life or memorable traits brought to any of the characters.

In the end I would have rated the book higher as a decent, light, genre read. Were it not for the ending. To be continued. I knew this was the first in ‘The Parasitology Series’ and that Grant seems to write a few series. Series are overdone in genre, but I’m not averse to them per se. Here though, there is no need. The story could have been brought to a better conclusion with further adventures written later. A novel is not an episode of a television series in need of a cliff-hanger. While many questions facing the protagonist are answered, the overall plot and fate of many characters remains unresolved at the end of this, making me hesitant to read anything further from Grant unless a series packaged together as an omnibus.

Two Stars out of Five