The Suburban Abyss, by Cathryn Grant

The Suburban Abyss, by Cathryn Grant
Publisher: D2C Perspectives
ISBN: 9780985765774
392 pages, paperback
Published November 2012
Source: Goodreads First-Reads

One of the aspects of many Hitchcock’s films is his ability to identify and relate the terrifying in the everyday and familiar, most notably in “Shadow of a Doubt”. I immediately thought of this when reading the summary for the novel and the description of ‘making the mundane menacing’. Unfortunately I was largely disappointed with the novel, it is an intriguing concept, but the execution failed for me.

The novel focuses on three households as they deal with an intrusive building project adjacent to their homes. Annoyance and minor suburban strife slowly envelope each of their private lives and inter-relations until a moment (near the end) when it erupts in murder. One problem arises in the slow build to the eventual catastrophe, it is a prolonged and not terribly interesting journey to get there. While Grant flirts with some interesting themes here and there, such as the nature of communication, privacy, friends, and strangers, she doesn’t dwell with them long, moving directly into a stream of conversation to reassert character traits already familiar, and moving one inch forward into the plot.

Conversations. The dialogue in the novel kept me from liking it fairly well as a simple entertaining read. To her credit, Grant does make each character unique and she does well in making them think and carry out actions that establish their psychology well. But they are all unreliable, lying to themselves above all, and the occasional inconsistencies make it hard to tell if they are subtle indications of the character’s underlying instability, or errors on the author’s part. They each blurt out statements and questions that appear absurdly rude, they do this a lot. I suspect this makes it easier to get plot points out to the reader, but it makes the characters appear very unrealistic.

Perhaps this behavior goes into the whole ‘menace in the mundane’ idea, but this becomes the problem with that kind of tactic when making a story. Exaggerating the mundane to to make it menacing and interesting also makes it seem unbelievable and forced. Or worse, if it fails in that, it remains mundane, and bores. There is a fine artistic line in making it work, but I simply didn’t see that here.

At the end I’m sure many will disagree with me and find this a rewarding entertaining read. There is ironic humor, a bit of romance, a bit of crime, characters who may be in situations that are familiar, etc. Grant has been published in Ellery Queen & Hitchock’s magazines and has gained other recognition for her short work. I realize that this novel has no aspect that couldn’t have been done just as well in a novella/novelette and I think could have been much more impactful and interesting in that form with an editor.

Two  Stars out of Five

The Orphanmaster: A Novel of Early Manhattan, by Jean Zimmerman

16171279The Orphanmaster: A Novel of Early Manhattan, by Jean Zimmerman
Publisher: Penguin Books
ISBN: 014312353X
432 pages, paperback
Published April 2013
Source: Goodread’s First-Reads

There are aspects of this novel that are really great, and yet it also has serious problems. It itself throughout as a mixture of genres – historical, mystery, horror, romance – yet is packaged as a literary work. This hodgepodge creates problems, yet somehow the work as a whole came out better for me than any of its individual component attributes on their own. At the end of the read, despite its many deep flaws, I have to admit it was entertaining, though by no means literary.

The book clearly is strongest in its historical nature, due to Zimmerman’s expertise in the setting. She has thus crafted a history lesson in the guise of a tale. Sometimes the history is incorporated into the text well, in the form of rich details or dialogue. But at other moments the history is given in thick packets of text as if the narrator has suddenly turned history professor, recounting the great events on Earth in the year of our Lord 1663…

And the narrator… the story is told in third person omniscient, but shifts views within single pages between various characters, speaking as if the voice were from the era of the setting, but then explaining things in modern terms as if the reader were incapable of realizing what simple Latin phrases were. The voice is one moment deathly serious, describing some horrific grisly detail, but then switches to describe something else tongue-in-cheek, even breaking the fourth wall to gently poke the reader. The voice employed by Zimmerman is therefore just too inconsistent.

Beyond the fascinating historical details of the novel lie some moments of true horror, featuring the Native American wittika (wendigo) mythology. Zimmerman is really adept at writing the horrific. I found the passages of these moments to be chilling and creepy without being exploitation or gratuitous. Unfortunately, she fails at the mystery genre. The story is certainly a thriller or suspenseful, but there is little mystery. The party responsible for the murder is obvious a few chapters in.

This fault largely arises from the fact that the characters are all very flat and fail to change appreciably. It is almost like they come from a role-playing game: Chaotic good, chaotic evil, neutral good, lawful neutral, etc. Guess which falls into the serial killer category. With character’s ‘alignment’ so obvious and unswerving, the mystery fizzles.

Yet, despite these issues, I still enjoyed it a fair amount. The ride was interesting when I got past the ever-shifting voice, the historical aspects made new information still accessible, and the well-written suspense and horror of it made me look past the awkward romantic aspects that simply occur with little development or believability. Finally, the female protagonist, and believably rendered despite the 1663-context was uniquely interesting.

I’m not surprised at all to see this novel has been optioned for a movie. It is a Hollywood type plot through-and-through, with its mixture of genre that can have something to please everyone in the crowd. Zimmerman even writes as if it were a screenplay with action of the screen. Surrounding her dialogue, she alternates between detailed complex sentences and short phrases lacking complete grammar to convey atmosphere, as if they are stage directions.

If Zimmerman writes another novel I might give it a read depending what the genre is. I think she could easily fix the issues of this novel with more editing – and perhaps focusing on two genres rather than multiple.

Two-and-a-half  Stars out of Five