Disclaimer: I received a free advanced reading copy of this from Soho Press via the Goodreads’ First-Reads Giveaway Program in exchange for an honest review.
Disclaimer: I received a free advanced reading copy of this from Crown Publications via NetGalley in exchange for an honest review.
Disclaimer: I received a free advanced reading copy of this from Open Road Media/MysteriousPress.com via Goodreads’ First-Reads Giveaway Program in exchange for an honest review.
Never got around to posting my last review for Skiffy & Fanty, on Sergei Lukyanenko’s The Genome, as translated by Liv Bliss. Well-known for his series of fantasy/horror novels that start with Night Watch, his entry into science fiction parody is world’s apart.
“…If given a more serious tone, a science fiction set-up like this plot could be used to explore such concepts as individuality, free-will, class relations, racism, and colonialism within the murder mystery context. In its parody (or perhaps pastiche – it is never quite clear if Lukyanenko mocks or celebrates space operas of bygone years), The Genome doesn’t put much energy into these kinds of explorations. Instead, its focus is on making the characters and their behaviors fit into science fiction (or mystery) novel stereotypes, thereby coming off a lot like a space opera mashup in the style of the 1976 film Murder By Death written by Neil Simon that did similar things with the mystery genre and its iconic characters….”
Read my entire review at Skiffy & Fanty!
You’ll likely hear about lots of book deals today, but this is one that may not make it across your radar, so I thought I would share the info:
Open Road Media has provided me with many great Mystery, SciFi/Fantasy, and Literary fiction eBooks (and physical copies) for review in the past, but these just brush the surface of the large catalog of quality works they have available, particularly many wonderful reissues.
Their normal prices are quite fair, but if Cyber Monday splurging is your thing and you are looking to discover/rediscover some books at a REALLY cheap price, today is the day, with more than 2,000 Open Road ebooks on sale. Today only, readers can get amazing deals of up to 80% off regular price.
You can find my reviews on the books that I’ve gotten from them under the Open Road Media tag category. One addition, My review of Black Swan, White Raven is still coming, but it and most of the other volumes in Ellen Datlow’s and Terri Windling’s collections of fairytale-inspired fantasy stories is included in this big sale. I really loved the first of these, and will be taking advantage of this sale to pick up the rest.
I also just noticed several of Sherman Alexie’s works in the literary fiction section. If you haven’t ever read him, please get one of these and remedy the deficiency. Now.
To start browsing, you can find their editorial selections of best picks here.
The Truth About the Harry Quebert Affair, by Joël Dicker
Translated by Sam Taylor
Publisher: Penguin Books
656 pages, paperback
Published 27th May 2014
Three Stars out of Five
Disclaimer: I received a free copy of this from Penguin Books through the Goodreads’ First-reads giveaway program in exchange for an honest review.
The Supernatural Enhancements, by Edgar Cantero
368 pages, hardcover
Expected Publication: 12th August 2014
“The elusive specter had apparently never had sufficient identity for a legend to crystallize about it, and after a time the Boynes had laughingly set the matter down to their profit-and-loss account, agreeing that Lyng was one of the few houses good enough in itself to dispense with supernatural enhancements.”
– from Afterwood, by Edith Wharton
While I really enjoyed Rebecca Makkai’s The Hundred-Year House for taking a literary, realist approach to the ‘ghost story’, I have to say it was delicious to read something with ‘supernatural enhancements’ of the literal and classically eerie kind.
Nestled in the isolated woods of Virginia, a creepy estate named Axton House with rumors of a ghost. Its eccentric and increasingly reclusive owner, Ambrose, suddenly dead. A suicide. At the same age and in the exact manner as his equally eerie father years ago. The butler, the last remaining servant of Axton House, vanished. The nearest neighbors recall the bizarre group of men who gathered at Axton House each year just prior to Christmas, upon the winter solstice.Ambrose’s lawyer greets the only recently discovered distant relative who has inherited the Axton House estate. The relative, named only as “A.” in the story, arrives with a younger mute companion, an Irish teen named Niamh with bright dyed hair and a punk style that contrasts here silence.
In communication with an “Aunt Liza” back in England, A. and Niamh begin to explore the physical estate (from the haunted mansion to a garden maze) and the history of its owners and their associates to discover the secrets of Axton House and a special all-seeing crystal eye.
The novel is written unconventionally, in a way that at first I feared would be gimmicky and annoying. Thankfully it felt neither. The story is related through a variety of records: diary entries, dream journals, Niamh’s notepad, letters, and transcripts of audio and video recordings. This creates a very effective situation where the reader is given exquisite details, but only in very limited contexts. These details need to be pulled out and fit together, and one must equally remember what isn’t being told or shown. Hence it is like a puzzle where you don’t know what the big picture will ultimately show.
The press describing this novel with words such as ‘clever’ ‘gothic’ and ‘fun’ are spot on and succinctly sum up the sheer joy that is The Supernatural Enhancements. This book truly felt like reading a children’s story again, but with adult themes within, for the ultimate effect of it all stands on the challenge of puzzle solving and the thrill of unexpected chills. Full of cryptography (messages one can attempt to decode) in various forms, each discovery only opens further mysteries and surprises.
Honestly, not everything was a surprise for me, I easily foresaw the role of certain characters. However, there were enough unexpected revealings of plot and twists to keep me pleased. I don’t want to ruin the nature of the secrets, but I can safely explain that I really enjoyed the union of the haunted/fantastic with a dose of scientific (neurobiology and quantum physics really) theory or speculation. This science element verges at the edge of actual scientific speculation and pseudoscience, the perfect spot for this kind of story.
The measured placement of The Supernatural Enhancements at this zone between the fantastic and that speculative region just beyond the limits of what science currently can describe is referenced throughout the novel with mention of The X-Files and Mulder & Scully’s relationship. The story is set in the early years of the show’s run, and features other pop-culture references of the time as well. Just as The X-Files references the gothic, occult fantasy of the first half of the novel, a lovely reference to the classic PC game The Secret of Monkey Island gives a perfect nod to the treasure-hunting and puzzle-solving aspects of the second half.
The Mulder & Scully metaphor can also be extended in some respects to the relationship between A. and Niamh. This is not in the sense of faith vs. doubt that the two X-Files characters embodied. Rather, it is in the ambiguity of the emotions in their relationships. Niamh is described as being there to protect A. Yet, A. also shows the drive and ability to protect Niamh. They also obviously have deep connection and the apparent potential for romance, but their relationship seems to be platonic. This ambiguity that Cantero uses with A. and Niamh is absolutely brilliant, particularly given the novel’s ultimate close.
I really can’t think of much that I didn’t enjoy about The Supernatural Enhancements. It is entertaining, it has a good amount of depth, it is clever and challenging in the puzzle solving aspects, it is just all-around well written. Given the inclusion of non-standard elements like mazes and cryptograms and the like, I’d definitely recommend getting this in actual hard copy. I’m really eager to see the cover in reality and not just on a screen too. This is a book that I’m getting my own physical copy of to hold and enjoy again.
Five Stars out of Five
Disclaimer: I received a free advanced electronic reading copy of this from Doubleday via NetGalley in exchange for an honest review.
NOTE: Ending 28th July, 5 copies of this book are available to win from Doubleday through the Goodread’s Giveaway Program. Go here to sign up for the giveaway or to add this to your To Read list.
Shovel Ready, by Adam Sternbergh
Publisher: Crown Publishing
256 pages, hardcover
Published 14th January 2014
Source: Blogging for Books
(Crown Publishing Group)
I had wanted to review this novel closer to its initial release, but my reading queue was just too full at the time and the opportunity unfortunately had passed. I was happy then to learn about Crown Publishing Group’s Blogging for Books program and request this for my inaugural selection. The plot description seemed like something that would be right up my alley, a genre mashup between the gritty, hard-boiled, noir thrillers you might expect to find in the Hard Case Crime lineup and a dystopian, post-apocalyptic sci-fi setting. Count me in for the fun.
And I wasn’t disappointed. I cracked this open not long after it arrived and finished it within a couple of sittings over the course of the day. If I were able I probably would have just torn through it in one, and would have had just as much fun savoring it. During the opening section of the novel I wondered why it had the sci-fi setting to it, the story could have just as easily existed in a present reality. Thankfully my worry dissipated as the novel continued and the science fiction element became integrated seamlessly into the plot beyond the post apocalyptic setting.
Shovel Ready is set in a near future New York City that has been decimated by a terrorist dirty bomb detonated in Time Square. This event, in conjunction with smaller coordinated bombings and follow-ups has a greater psychological and economic effect on the city in aftermath than the actual physical destruction it causes. New York becomes fragmented between a wealthy upper-class able to hire security and care in high-rise apartments, permitting their retreat into virtual reality utopias, and a lower class seeking to survive in the lawless rubble below. If they choose to stay.
As in Delaney’s Dhalgren, the New York City of Sternbergh’s Shovel Ready is an isolated zone of chaotic culture, an apocalyptic blip within an America that otherwise may be completely ‘normal’. The people who have chosen to stay in New York have nothing else, are committed to its condition and either the opportunities or curses it provides. The novel thus fits into a fascinating area of apocalyptic literature where the disaster and subsequent conditions are relatively localized.
Within this environment is the protagonist and narrator of the novel, Spademan, a former city garbage collector who lost his wife in the initial dirty bomb-related attacks, and who now survives as being a dispassionate hitman operating under a strict professional code. Despite wanting to keep a professional distance from his clients and targets, Spademan finds that his latest client is a powerfully famous religious leader (cultish one may say) involved with providing the hopeless ‘heaven on Earth’ through virtual reality tech. More problematic, the target given to Spademan turns out to be his client’s own rebellious daughter, and she may not fit into Spademan’s code.
Spademan is a fantastic character, worthy to fill the pages of any pulp or ‘serious/literary’ crime novel. Sternbergh does a fabulous job introducing the reader to the flawed and vulnerable character, establishing the rules of his hitman profession, and slowly divulging the details of his past that have led him to his current employment.
Mixed into the great hard-boiled protagonist creation Sternbergh includes many noir hallmarks, from shady thugs, double-crosses, big bad crime leader villains, and a femme fatale. Spademan’s initial target, who becomes an asset he desires to protect fits the femme fatale mold generally well. On a surface level she seems painted the weak female needing a strong male figure (a rather awful misogyny of course on its own), but in reality she is in greater control, and more capable, than one may think, and from the start Spademan learns that she can pack a deadly bite.
In some way these noir aspects of Shovel Ready make it familiar and expected. This could have led it being a decent, slightly above-average hard crime story. The setting and the use of the virtual reality technology as an integral element to the plot make this rise above to something even better. While becoming relevant to the plot, the technology is also used as commentary for class division in this post-apocalyptic New York. While this ‘have vs have not’ kind of message is nothing new or handled rather superficially here, it is refreshing to see it in the kind of entertaining quick read here that could easily still be an enjoyable novel without its inclusion.
By putting the sci-fi aspect in with a dash of blatant social commentary, Sternbergh manages to give a little weight to Shovel Ready without stifling the pure entertaining joys of the thriller. This is a mashup that will certainly appeal to almost all crime/hitman-type story lovers and as a mashup to certain speculative fiction fans. Though I probably shouldn’t encourage more series out there, Spademan and his gritty environment could easily expand into further works, and I’d pick up one of them without hesitation. On the other hand, this makes me curious to see how far Sternbergh’s talents extend.
Four and a Half Stars out of Five
Disclaimer: I received a free copy of this from Crown Publishing via their Blogging for Books program in exchange for an honest review.
The Hundred-Year House,
by Rebecca Makkai
Publisher: Viking (Penguin Books)
352 pages, Kindle Edition
Expected Publication: 10th July 2014
Somewhere in the first part of Makkai’s impressive The Hundred-Year House there is a line or two referencing classic ghost stories of history that were not really about anything supernatural, but were rather psychological, about the descent of a character’s mind and the loss of their grip on reality or self. And in this first part, set in the late 1990s, it seems as if Makkai is doing something similar here with her characters.
The protagonist of this first part is Doug, a failing academic who (seeking to find a university position) should be working on a paper about a relatively unknown poet, but instead has become involved in writing formulaic children’s books. To aid his chosen (or forced) research and get back on track, Doug takes advantage of his connections through marriage. Zee, his wife and an established professor, who is heir to an estate which once served as an artist’s colony where the poet had stayed. Zee and Doug go to stay in the old house on the grounds, where they are joined by Zee’s mother, step-father, and her step-brother and his wife.
While Doug finds writing about the poet difficult, he becomes increasingly pulled into the mystery of what occurred at the artist’s colony in the past and why Zee’s mother-in-law seems so averse to letting him access any records or memorabilia from the time stored in the attic under lock. As Zee sets in motion a devious plan to create an open position for Doug at her university, Doug enters deeper into guarding his secret investigations into the house’s past and his clandestine children’s book writing from Zee. And unexpectedly, he finds himself drawing closer to his sister-in-law.
This first section is thus filled with secrets and intrigue, deep mysteries, catastrophic assumptions, and lies. Set against the backdrop of an old house where odd things occur and rumors of ghosts abound, all seems poised for the novel to continue down a course where Doug, Zee, and the others fall apart (individually in the psychological sense; and quite literally in their union as family). But rather than continue down this path and allow the characters to fully uncover one another’s secrets and the complete history of the house and estate, Makkai leaves these people and takes the reader back into the past with a step to the mid 1950’s, and in the parts that follow additional steps back, ultimately to the very foundations of the house.
For The Hundred-Year House isn’t just a ghost story with emphasis on the people, it is a story about place, as the title betrays. The novel later contains a comment by a character that living in this house in the presence of ghosts doesn’t feel to them as they would expect or understand. We normally view ‘haunting’ as the past coming to intrude and influence our present, to the point that the phrase “haunted by the past” appears redundant. In this house, the character explains, it is more as if its future is reaching back to form the history. And this is indeed the precise experience the reader is having, most obviously from this backward stepping through time as we learn some of the truth of events or unexpected relations between people we met through stories earlier in the novel, in the future.
This makes it necessary, and rewarding, to pay careful attention while reading Makkai’s novel. It is beautifully crafted, a complex weave of characters that makes the tapestry of this house, this estate, which becomes almost a life in itself for the reader and for those people in the story who feel manipulated by what is to come. Quite ingeniously this playing with time and cause-and-effect is more literally born-out in the sub-plot of the first section when Zee manipulates and creates a false story to try and destroy the reputation of a professor. Though based on lies, the charges end up becoming accepted true by all (even the falsely accused) as if history were rewritten by the future (paralleling the rewriting Zee does of the other professor’s Internet browsing history).
The Hundred-Year House is quite good, and rich. It is a novel that invites rereading to capture all the details – I can only guess the many things I missed through the nature of its construction and my spotty memory. Although I read it on a Kindle due to the format of NetGalley advanced reading copies, I’d recommend buying or checking out a physical copy of this, it is the type of work where you’ll appreciate the physical text and scents of reading in front of you, permitting you to flip back and forth between sections and time periods when those ‘aha’ moments hit. This is a haunting book, in no way supernatural, but surely powerful.
Five Stars out of Five
Ice Shear, by M.P. Cooley
Publisher: William Morrow
320 pages, hardcover
Expected Publication: 22nd July 2014
Source: Goodreads First-Reads
This is a very impressive debut genre novel that I didn’t expect to enjoy quite so much. My initial expectations were somewhat low because so many of the elements of “Ice Shear” I would describe with the word ‘average’. The plot is suitably complex. The writing is straight-forward, though very descriptive, with realistically rendered dialogue. The protagonist seems like a regular woman. The pace is constant and the small town setting is well-rendered.
Together this makes an enjoyable police procedural read, a novel that is really good, but where nothing really screams out as being exceptionally unique, innovative, controversial, or profoundly insightful. So what sets it apart from any other mystery novel out there is it is so ‘average’? Why in my heart do I feel like this is a really successful novel that was well-worth reading?
I think the answer to those questions lie in just how effectively Cooley manages to take the ordinary and produce a tight, well-crafted mystery out of it where everything does feel satisfying without becoming dull and mundane. Most impressive to me is Cooley’s protagonist June, a former FBI-agent returned to her hometown to serve on the police force. June is deceptively simple, one of the most realistically rendered female characters I’ve come across. Here strengths and weakness are given subtly, and her personality is one of straight-forward perseverance, simply being a good investigator and human being. Relatable and likable, she is flawed and challenged, but she overcomes and the reader enjoys the experience of seeing how she does so.
Cooley also manages to put in just the right amount of ‘outside’ information and personal conflict outside of the main crime plot thread. You learn a bit about June’s past and her family and professional relationships, but readers aren’t pulled too far down any side-tracks that don’t have bearings on the novel itself. This leaves Cooley room to further develop the character in future novels, hopefully just as effectively.