Em and The Big Hoom, by Jerry Pinto

Em and The Big Hoom, by Jerry Pinto
Publisher: Viking (Penguin UK)
ISBN: 0670923583
224 pages, hardcover
Expected Publication (US): 24th June 2014
Sources: Goodreads & NetGalley

So often, literature focuses solely on conflicts, the inability of people to reconcile with others, themselves, or their environment. Like any story, Em and The Big Hoom, by Jerry Pinto contains conflict, adversity that its characters must face. The appeal of the novel is that despite the darkness it is suffused with humor and joy and is focused on how a family successfully holds together despite their hardship. In Em and The Big Hoom, communication abides even amid the unpredictability of madness.

Told from the perspective of a boy living with his family is small Mumbai flat, Em and The Big Hoom is a series of chapters that are each almost short stories themselves. Em, or Imelda, is the mother who is plagued with mental disease (bipolar disorder) that creates a paradoxical closeness to and distance from her husband (Austine or ‘The Big Hoom’), daughter (Susan), and son (the unnamed point-of-view character).

The son relates the emotional roller-coaster of life with a woman that everyone knows is ‘mad’, but whom they all love and try to support even through the darkest moments of attempted suicide. The son thinks constantly about both of his parents, their past and how they came together, the present, and the uncertain future that shows both promise of hope and the threat of instant disaster. Looking at his parents, the son is also forced to consider what genetic aspects he may have inherited from each: an admirable devotion of sacrifice and love displayed by his kind father, the sweet uncompromising honesty and playfulness of his mother, or her ‘madness’.

Both parents are well written, but Em is fabulously so, a woman who faces the weighty realization of her mental illness with a brutal honesty, yet simultaneously tries to lighten it with humor and memories of past joys. As the point-of-view character, the son is likewise complex, but the sister Susan seems present only to have another child in the story.

The beauty of the novel lies in Pinto’s writing, which mirrors the frank honesty of the characters. Though not flowery or decorated with an advanced vocabulary, Pinto’s writing is poetic. It flows gracefully and naturally with simple, but precise, words that convey deep emotion and thought, making the unnamed son who serves as the narrator familiar and relatable. The novel is highly quotable and many of the son’s thoughts or pondered questions would be excellent fodder for student or book group discussion.

A simple plot saturated with the dark undertones of mental illness, Em and The Big Hoom joyfully depicts a realistic optimism and hope that will be inspiring and enriching for readers of all kind.

Five Stars out of Five

I received a free copy of this from the publisher both electronically via NetGalley and through the Goodreads’ First-reads giveaway program.

(In a rare case of timing I was granted NetGalley access and then won a physical copy moments after getting that notice, before I was able to withdraw from the Goodreads giveaway contest. The physical copy will go to a friend and reviewer I hope will enjoy it as much as I have.)

The Memory Garden, by M. Rickert

The Memory Garden, by M. Rickert
Publisher: Sourcebook Landmarks
ASIN: B00HUTVFYE
304 pages, Kindle Edition
Published May 2014
Source: NetGalley

There is something magical in stories that focus on the relationship between the young (particularly in the tween and teen years) and the elderly. The traumas and uncertainties in the lives of the teen find a certain solace in the wizened eccentricities of the elder. The elderly have gotten through that period of their lives, but are not like the other adults. They are no longer in their productive prime and they are in another transition stage of our existence, one even more uncertain and potentially traumatic. From the other side, the connection with the vibrancy of youth seems to magically transform the elderly, as they recall with fondness moments of their own history, and perhaps reconsider past events that were more dark and difficult to confront in their earlier years. With “The Memory Garden”, M. Rickert explores these themes of the young connecting with the old through one teenager (Bay) and three older women, her adopted guardian (Nan) and two of Nan’s childhood friends, who Nan hasn’t had contact with in years (Ruthie and Mavis).

I know Mary Rickert’s name from her stories that have appeared in “The Magazine of Fantasy and Science Fiction”, and it is always a joy to see novels appear from authors who I fondly recall from those pages. Like her stories, “The Memory Garden” is written in a delicate, understated manner. Bright, lush, and full of life on the surface, the lives (and deaths) in the novel hide dark matters underneath. Nicely, these serious (and unfortunately very realistic, not fantastic) horrors are included perfectly, neither downplayed nor exploited.

Rickert’s writing is beautiful, full of rich, sense-evocative elements. Most overtly, chapters are built around descriptions (definitions) of particular plants that fit into the theme or events of that given chapter. But throughout the book Rickert is able to fully immerse the reader in this fairy-tale like world with its sights, smells, feelings, and tastes. The highlight of the novel in this respect comes at a high point of the narrative arc as Ruthie concocts a lavish feast for the others built around edible flowers.

Although a couple of secondary characters are not strongly developed and largely fulfill plot-related purposes, the major characters of the novel – Bay and the three elder women – are superbly written, realistic women with personalities each unique and fitting for their ages and experiences. Given the three older ladies, my mind happened to go immediately to “The Golden Girls”. Indeed, each of the women had aspects to their personalities that I could map to Dorothy, Blanche, or Rose. (With Ruthie for instance reminding me often of Rose with here naive nature, to the point where my mind would read “Ruthie” as “Rose”). However, these personalities didn’t line up perfectly, and as the novel progressed, these elderly characters also changed significantly, and the reader learns that they each are far more than they show at first sight. These characters don’t just have secrets that get revealed, Rickert is able to show how they hold more of themselves inside than just some historical events. They keep emotions and personalities hidden due to their experiences, which in turn inform how they are interacting with Bay and the crises she faces.

The plot is more firmly in the ground of fantasy than the more agnostic ‘fantasy realism’, but it should nonetheless be an easy fantasy pill to swallow for general fiction readers. The plot of the novel is slow-moving, as well as the character development. Coupled with its understated style overall, it is not the most ‘engaging’ novel from the onset, requiring patience and lingering appreciation for the quiet beauty of the text as things slowly unfold. With the complex conclusion to it all, I can’t be remotely disappointed with the novel as a whole. Though I look forward to future novels from Rickert, I really hope to keep seeing “M. Rickert” in the table of contents in F&SF in the future still too.

Five Stars out of Five

The Falling Woman, by Pat Murphy

The Falling Woman, by Pat Murphy
Publisher: Open Road Media
ASIN: B00J84KLNK
273 pages, Kindle Edition
Published April 2014
(Original Publ: 1986)
Source: NetGalley

Pat Murphy’s name and writing were only familiar to me from the nonfiction articles that she coauthors for The Magazine of Fantasy and Science Fiction. Always interesting and well written, I was excited for the opportunity to read some of her fiction, this one a Nebula award winner.

Structured as alternating chapters between the points of view of Elizabeth, a respected archeologist leading an expedition studying Mayan ruins, and her estranged daughter Diane, the book explores dichotomies that exist within us all and how these influence both the individual and relationships. A certain conflicting contrast is present throughout “The Falling Woman” at al levels. There is the realism/fantastic divide in its genre: it could arguably be either a fantasy novel, or firmly grounded in reality. Elizabeth is haunted by her past, and by visions of ghosts, such as the Mayans who continue to wander the ruins and talk to her, sharing their own secrets, and their own world views. Unsure if she is crazy, or merely ‘gifted’, Elizabeth, and the reader are forced to consider whether it matters, or whether the two possible extremes can exist comfortably side by side.

The novel also delves into cultural divides, of being Western or Mayan, from the United States or a Mexican, Christian or ‘pagan’. How are these each different, and how might they be surprisingly similar? However most prevalent, the book explores the dichotomies of male/female and mother/daughter. Elizabeth’s eccentricities and uncertain sanity are tied to emotional pains she has dealt with in her life to varying success. She has cut herself and has attempted suicide. These and other darkness led her to separation from her husband, and abandonment of her daughter. Unable to conform to the accepted societal maternal position, and female submissive position, Elizabeth goes out on her own, to deal with her emotional darkness, gain a college education, and try to find a passion for something in life. Diane as a result, views her mother as a mystery, but with love and devotion despite her abandonment, Diane seeks Elizabeth out, and together begin to evoke certain maternal aspects in each of them, and deeper connections.

The emotional frailty of Elizabeth, relatively frowned upon by traditional American society is contrasted nicely with the maternal cultures of the Mayan, with their infant sacrifices. Similarly it is contrasted with the traditional, and largely accepted, male answer to addressing emotional pain: drunkenness. Filled with these sorts of relationship complexities and profound insight in feminist and other cultural matters, “The Falling Woman” is simply a brilliant novel. The writing is simple and straight-forward, but in that way it is delicate and poignant, precise, without ever being over-bearing or too frenetic. Although marketed as SciFi/Fantasy, this is far closer to a literary novel, and fans wanting hard genre adventure may be disappointed with what is here. But those open to exploring dichotomies of culture and characters will find this richly rewarding. Open Road Media, who is publishing this in ebook format, is putting out other works by Murphy as well, and I am definitely putting those on my list to pick up.

Five Stars out of Five