THE MAGAZINE OF FANTASY AND SCIENCE FICTION #753 (January/February 2021) Edited by C.C. Finlay


An overall solid issue to mark the final issue under the six-year editorial tenure of Charles Coleman (CC) Finlay. While I didn’t remotely dislike this last editorial era, there didn’t seem to be as many stories falling in as favorites for me as The Magazine of Fantasy and Science Fiction previously had. There are likely more stories purchased by Finlay still slated to appear in upcoming issues, but I am excited to see how this beloved genre outlet evolves under Sheree Renée Thomas. I also have liked Finlay’s fiction a lot in the past, so I’ll be please to see him return to more of it.

“The Dark Ride” by John Kessel — A blend of history, fiction, and SciFi Fantasy, this relates the assassination of President McKinley by the Anarchist Leon Czolgosz in Buffalo New York. Beside the historical narrative is an alternate version of events where Czolgosz travels to the moon and becomes a resistance leader against the oppressive.y ruling moon people. As the novella progresses, the two histories begin to blend together, highlighting the similarities of the social and political ideals that Czolgosz holds on the two worlds. And contrasting the failure that the assassination was in bringing larger change, compared to the hero he becomes on the moon. The SF moon world here is styled after the SF of the early 1900s when the story is set. Though it had some interesting aspects to it, those didn’t need a novella to be accomplished.

“Interludes with the Gunwright” by Jonathan L. Howard — One of my favorite stories in the issue, a touching tale of passions: of love between two characters, and a devotion to one’s chosen craft. A soldier visits a gunwright to secure new weapons, and without money instead leaves a valuable gun in her possession for study/reference as payment. The gunwright is pleased to see the soldier one day return alive, and the two find themselves craving time spent together in life despite their professions tied to destruction and violence.

“Bible Stories for Adults, No. 51: The Great Fish” by James Morrow — I have yet to enjoy or even appreciate any of the stories from this series by Morrow. For this one I gave up trying and stopped reading halfway.

“Integral Nothings” by Robert Reed — Though a series of vignettes, Reed relates how things on Earth have been altered by unknown, alien forces with a step-wise series of “Blessings” that appear to help preserve the planet and its populations. Each section focuses on one particular human representative point-of-view, but written with an omniscient, distant voice that playfully describes the human as the epitome of some trait (most intelligent, most wealthy, etc.) while contrasting that with an anecdote that shows how little and insignificant humans are in the scheme of the cosmos. They style works well to tell a story – whose heart is pretty familiar to the SF field – in a fresh, fun way.

“The Diamond Family Glitters” by H. Pueyo — The grandmother and matriarch of a family is dying. Each of her children and grandchildren has inherited some sort of unique supernatural ability, and they wonder whether that magic that helps keep them spiritually connected and unified will vanish with her passing. Well written and touching story of the symbolic magic that passes between generations and how that can be kept alive.

“A Little Knife Music” by Jenn Reese — Another powerful short story around the symbolism of weapons in this issue. This one explores the nature of using a dangerous gift or talent, and devotion to mentors and friends. An assassin gifted by the Goddess of Music with a deadly, cutting voice becomes conflicted when she is ordered to kill a friend. Superbly written.

“N-raptured” by Justin C. Key — Unseen aliens have converted racists on Earth into rats, and anyone who has used used the n-word has a tick mark scar appear suddenly on their forehead for each infraction as warning to not go too far like those turned. Six scar marks, and you become a rat. Those not so ‘raptured’ away have been left to carefully consider and watch their language and interactions, but Carl finds it hard, even though he only used the n-word when singing lyrics to a song. Well, and that one other time… But that doesn’t make him racist, right? Thought-provoking satire on race relations, language, perceptions, and the socially ingrained.

“Hard!” by Van Aaron Hughes — A SF story revolving around the sport of curling. The intro mentions how this is surely the best written of such stories (perhaps the only?) Nonetheless it is enjoyable, light-hearted fare featuring a warm father/son relationship. Makes sense to me that aliens would be a fan of curling.

“Litter Witch” by Susan Palwick — A lovely parable or fairy tale type story about resilience and strengthening over bullying. A young girl who dreams of being a witch is made fun of at school, but uses those injuries to build a home in the woods, to be in a place where years later another young girl arrives who needs some of that strength to survive.

“Wild Geese” by Lavie Tidhar — Nothing about the plot really engaged me with this story, but the far future cyberpunk and blend of cultures made for a fascinating atmosphere/setting that feels very real even within a short story, albeit mysterious. Tidhar also writes it with a flowing beauty. I wish there were more here in the terms of plot or even themes that I could have found to grasp onto. But it may also be one to reread.

“The Piper” by Karen Joy Fowler — A young man follows a friend in joining the army to fight for the King, but changes his mind about the decision after their departure and learning a possible other path. Relatively short (though not flash fiction length), it’s a good spin on familiar tropes (as the intro to the story promises).

“You Make the Best of What’s Still Around” by Paul Di Filippo — Published within the “Plumage from Pegasus” feature that Di Filippo writes each issue, this is still short fiction, so I find it odd that the feature is so rarely mentioned in other reviews that cover every other story. They are usually humorous and/or satirical and/or farcical and/or etc in tone. They’re rarely earth-shatteringly deep, but they are usually clever and entertaining. This one plays well with the seemingly ever-expanding “Best of…” collections in the genre and the fragmentary sub-genre niches of SFF.

The issue also features the poem “Annabel Digs Her Own Grave” by Gretchen Tessmer, book reviews by Charles de Lint and Elizabeth Hand, game reviews by Marc Laidlaw, film reviews by Karin Lowachee, and the science article “How Fast Are We Going?” by Jerry Oltion. With “Coming Attractions”, and “Curiosities” by Thomas Kaufsek. Cartoons by Ali Solomon, Arthur Masear, and Kendra Allenby; cover art by Kent Bash.


January/February 2021 Short Fiction Roundup


Here is the first bimonthly roundup up my short fiction reviews from those markets that publish with a greater frequency than monthly or bimonthly. Right now that includes Daily Science Fiction, Strange Horizons, Tor.com, and Beneath Ceaseless Skies. Abyss & Apex is another one I will feature, but given that it’s quarterly the January – April content will all just appear with the March/April post.

Given the number of stories, for these I’m only reviewing/mentioning the ones that I enjoy most. I may eventually review Fantasy Magazine fully as it is a more standard monthly publication. However, right now it’s so short, and half the content of the first two issues has fallen into the only two categories of things I absolutely don’t go for. So I’ve included it in this for the time being.

Many of these are available for free to discover if you are not a regular reader of them. I hope that those who enjoy and become fans of the outlets will be able to support them.

I still have several regular January/February issue reviews to put up before getting started on March/April, but they should go up in the near future.

Fantasy Magazine – Edited by Arley Sorg & Christie Yant

“Things to Bring, Things to Burn, Things Best Left Behind” by C.E. McGill (Issue 63, January 2021) – A stunning fantasy that seems to cover familiarly trodden territory at cursory glance, but weaves together several deep themes into a modern direction. At story’s start the protagonist, Oz, is about to commit suicide, only being stopped by a knock at the door and the arrival of an official group from town. His name has come up in the draw for choosing the next sacrifice to the god of the mountain. Oz’s journey to the mountain leads to greater self-discovery, reconciliation with his past, and a lesson in sacrifice. I love how the tone of the story feels set in conventional current world, yet with elements of magic and fantasy, or the beliefs of another era. This fits perfectly with Oz’s life journey.

“Kisser” by David James Brock (Issue 64, February 2021) – This story will resonate with any who have had the stress dream of teeth falling out. Perhaps I shouldn’t have read it right before going to sleep! However, where the story could go full down the route of horror, it only brushes against dark fantasy in its setup, a man who finds his teeth actually coming out. A great character study that investigates how the man’s obsession with peripheral details of life (including outside of control) can compound to be more harmful than letting go – and how he might move past that.

“Flight” by Innocent Chizaram Ilo (Issue 64, February 2021) – Written from the third-person point-of-view of gray parrots, this story shows the interactions of these birds among one another in a community being changed by humans. The story revolves around the general theme of disruptions of natural processes by humans, the uncertainty and unbalance it creates and how other animals may adapt. It also illustrates how the cruel violence and disregard of intelligent humanity goes beyond the ‘red in tooth and claw’ (or beak) of biology. Beautifully written.

Daily Science Fiction – Edited by Jonathan Laden & Michele Barasso

First time I’ve ever reviewed something from this treasure of an online story outlet. So, I’ll start off by just saying in general they are something fans of SFF should subscribe to (it’s free), and if you enjoy it, consider supporting. With a story every day, usually flash-fiction length, they publish a fair amount that is solid, if not Earth-shattering. Occasionally there is something I’m not a fan of, and sometimes there is something that really resonates. Here’s a couple that did:

“The Union” by Tim Yu (26th January 2021) – Regarding this story that features an impending alien invasion of Earth, the author notes: “If we really faced an existential threat and had to unify, what would be the new benchmark normal to unify into? How would we funnel all of human diversity into that normal?” The optimist in me says that I don’t know as this is the most likely answer, but with the sadness of profound realism I feel it’s up there in probability. Well written, and I hope to see more from Yu. Perhaps a story with marine biology next?

“Echo Recovery” by Jennifer Linnaea (5th February 2021) – Beautifully written SF/Fantasy about relationships, making music together, and grief. The Songmaster of the Great Theater at Noti Station accompanies a reptilian-like Vhatian singer named Gyen to Gyen’s hibernation pod after the unexpected death of Gyen’s human song-twin Digne. While Gyen can flee the emptiness in repose until a new song-twin matches to him, The Songmaster, who was in love with Digne, cannot escape the grief process and going on with the business of writing music and managing the dual species singers. The language and emotions of the story are like music.

Strange Horizons – Edited by Vanessa Rose Phin

“Yearning” by Maya Beck (4th January 2021) – A man guides a group of sharecroppers through a ritual they dub firesouling or firesailing, a passage of the spirit into the bodies of ancestors past and descendants future. Through this they observe, and yearn for, what was and what might be. Even with violence past there are visions of a hopeful future. A wonderful piece of Afrofuturism within the fantasy genre that makes a good story with a strong voice.

“A Serpent for Each Year” by Tamara Jerée (1st February 2021) – Perfect flash fiction on grief, death, and celebrating the passage of time in a life.

“Ootheca” by Mário de Seabra Coelho (15th February 2021) – Just in time for Valentine’s Day, a weirdly surreal fantasy with tinges of SF and a nod to Kafka. It explores relationships amid personal tics or details that one might focus upon in another, and judgements that humans make based on happenstance or accepted norms.

Tor.com – Irene Gallo (Publisher), Chris Lough (Director), and Bridget McGovern (Managing Editor)

“Let All the Children Boogie” by Sam J. Miller and edited by Jonathan Strahan (6th January 2021) – “My mind had no need for pronouns. Or words at all for that matter. This person filled me up from the very first moment.” Music can open up whole new worlds and one person can change how you look at the world. Sam J. Miller’s writing can do these things too, like the voice reaching out over the airwaves in this, speaking of a hopeful future possible. Though I get none of the pop culture references in this, despite growing up in the time period, Laurie and Fell’s story is universal, beautiful and uplifting.

“Shards” by Ian Rogers and edited by Ellen Datlow (27th January 2021) – Four out of five people survive a horrific Evil-Dead-esque night in a cabin in the woods. The horror does not end there. Excellent chilling story that confronts the absurdities of horror tropes. It looks deeply into how what becomes glossed over, or moved past, upon the dawn of the morning after, and the cue of the credits, might be the most horrifying of all. In some ways this starts as a sequel, but going places far different than the original, familiar tale.

“Judge Dee and the Three Deaths of Count Werdenfels” by Lavie Tidhar and edited by Jonathan Strahan (10th February 2021) – I have to admit that Tidhar is one author who writes wonderfully, but whose stories have just never seemed to fall into a style I appreciate, or carried a message that personally resonated. This, a mashup of horror and mystery staples, does fit squarely into two of my literary loves, and it works simply in how entertainingly intriguing the characters and set-up are. I’ll have to go back now and read the first story featuring this character. Once upon a time I would have found this needlessly long, but novelette/novella length has grown on me, particularly with recurring protagonists like these and the clever spin of the plot.

“The Tyger” by Tegan Moore and edited by Ellen Datlow (24th February 2021) – On the night of a wedding reception, a museum comes alive in ways different than before for twelve-year-old Jules. The story does not go in the direction I had expected from its summary, and ends so profoundly and amazingly that a synopsis could not do it justice. The title references Blake’s famous poem, of course, but Jules’ symbolic journey through the museum into adulthood features a prehistoric bear, rather than tiger, to make a fine atmospheric impact. And then again, the tyger here may be something completely different.

Beneath Ceaseless Skies – Edited by Scott H. Andrews

“As Tight as Any Knot” by M.A. Carrick (Issue #320, 1st January 2021) – This is set in the same universe as the new Orbit Books novel The Mask of Mirrors, which I’ve had my eyes set on recently. But, until now, I had no idea until now that the author is a pseudonym for writing pair Marie Brennan and Alyc Helms. Can’t recall reading Brennan, but I really enjoyed Helms’ Missy Masters novels for Angry Robot Books. Anyway… in this, Ondrakja sees a young beggar girl on a street corner and sees value in saving her from circumstances. “She knew what happened once someone vanished into the depths of Nadežra’s brothels.” The keyword there, is ‘value’. This serves as an introduction to the fantasy world of the novel, and the intrigues of its characters, that makes you curious to read more.

“Daughters with Bloody Teeth” by Marika Bailey (Issue #321, 14th January 2021) – Beautiful and evocative fantasy that plays with the individual and the collective ‘we’ within the framework of a wolf mythology. Beyond that, it speaks to human injustices and rights of self-authority. It takes a moment to really get into this and make sense of what is occurring, but also, I think my mind wandered from paying attention to subtle reveals of information at first, being just enraptured by the flow of the language.

“Bast and Her Young” by Tegan Moore (Issue #321, 14th January 2021) – A historical story around the ascension of Hatshepsut as Pharaoh, and her consolidation of power amid realization that she is not the first female Pharaoh. It is nice to see a retelling of Egyptian history/mythology, as it seems less common in fantasy than Greek or Norse. Moore gives Hatshepsut’s voice a bit of a modern colloquial twist that I at first found odd, but grew to appreciate.

“Her Black Coal Heart a Diamond in My Hand” by R. K. Duncan (Issue #322, 28th January 2021) – A dark chilling tale that explores the degrees of exploitation that can occur when creating art from the emotional hurt (or literal ghosts) of others, and from oneself. Rich language and turns in this story make it an engaging, compelling read.

“The Guadaloupe Witch” by Josh Rountree (Issue #322, 28th January 2021) – A witch finds confronted by a young man sent by her former husband to kill or capture her. The young man is a childhood friend of her now deceased son, her beloved she is now on a mission to restore. While the plot of this story is familiar, it proceeds in a tender and assured way that shows the true power of the eponymous witch.

“Quintessence” by Andrew Dykstal (Issue #324, 25th February 2021) – Deep within winter-covered Highfall peak, miners of a resource called quintessence are kept functioning and alive through expensive injections of red, rationed by the mining Company, but administered on-site by a witch. Loren’s brother-in-law Clyde is sick and dying of ‘crack-up’, but the newly posted ‘old’ witch Gristle refuses to provide Loren with additional red to save him. Wonderful world-building and characterization here, and exploration of consequences of the well-intentioned going too far in desperation. And the secret evils of corporations in search of profits.


Kickstarter for 2084: An Anthology of Eleven Science Fiction Short Stories

I’m pleased to help announce the start of a Kickstarter campaign for a new SF anthology inspired by Orwell from Unsung Stories titled 2084: An Anthology of Eleven Science Fiction Stories (Print ISBN: 978-1-907389-50-4; Ebook ISBN: 978-1-907389-53-5)

To my recollection I previously reviewed two of their publications,  The Arrival of Missives by Aliya Whiteley (which I really loved) and Déjà Vu by Ian Hocking (which I didn’t enjoy as much, though others did). I have a new novella by them on deck to review, and I’m really looking forward to this collection, which will feature a new story by Whiteley, as well as stories from many other notable SF authors.


From the publisher’s press release:

“Unsung Stories have gathered eleven leading science fiction writers who have looked ahead to 2084, as Orwell did in 1948, for a new anthology – writers such as David Hutchinson, Christopher Priest, Lavie Tidhar, James Smythe, Jeff Noon and Anne Charnock, who are already famous for their visions of the near future.

As the events of 2017 reveal an ever more complex relationship between people and their governments, classic dystopian literature is proving its relevance once again. But as readers turn to classics, like Nineteen Eighty-Four, writers are also looking to our future, and what may lie there.

Speaking about the anthology, George Sandison, Managing Editor at Unsung Stories, said, “We knew when we first started work on the anthology that the idea was timely, but the start of 2017 has really hammered home how important writing like this is.

“Dystopian fiction gives us a space in which to explore today’s fears, and the nightmares of society. For many people the events of the last eighteen months have brought those dark futures much closer, so it’s inevitable that we turn to literature to help us understand why.

“The ideas at work in 2084 range from the familiar to the fantastic, but all are bound by a current and relevant sense of what we could lose, what’s at stake. As with Orwell’s work, decades from now, we will be looking back to our stories, to better understand today.”

2084 will be published by Unsung Stories in July 2017.”

The full contributor list is:

  • Desirina Boskovich
  • Anne Charnock (author of Sleeping Embers of an Ordinary Mind and A Calculated Life)
  • Ian Hocking (author of Deja Vu)
  • Dave Hutchinson (author of The Fractured Europe Sequence)
  • Cassandra Khaw (author of Hammers on Bone and Rupert Wong: Cannibal Chef)
  • Oliver Langmead (author of Dark Star and Metronome)
  • Jeff Noon (author of Vurt, Automated Alice, Pollen, and more)
  • Christopher Priest (author of The Prestige, The Dream Archipelago, The Gradual, and many more)
  • James Smythe (author of The Australia Trilogy, The Echo, The Explorer, and more)
  • Lavie Tidhar (author of A Man Lies Dreaming, Osama and Central Station)
  • Aliya Whiteley (author of The Beauty and The Arrival Of Missives)

Head over to the Kickstarter  page now to help support this anthology and take advantage of backer rewards! Also be sure to share the news with your social networks.

DANGEROUS GAMES, Edited by Jonathan Oliver

21412123Dangerous Games
Edited by Jonathan Oliver
Solaris Books – 2nd December 2014
ISBN 9781781082683  – 320 Pages – Paperback
Source: NetGalley


CONTENTS:
“Big Man”, by Chuck Wendig
“The Yellow Door”, by Silvia Moreno-Garcia
“Die”, by Lavie Tidhar
“Chrysalises”, by Benjanun Sriduangkaew
“South Mountain”, by Paul Kearney
“The Game Changer”, by Libby McGugan
“Distinguishing Characteristics”, by Yoon Ha Lee
“Captain Zzapp!!! – Space Hero from 3000 AD”, by Gary Northfield (Comic)
“Death Pool”, by Melanie Tem
“The Bone Man’s Bride”, by Hillary Monahan
“Honourable Mention”, by Tade Thompson
“Loser”, by Rebecca Levene
“Two Sit Down, One Stands Up”, by Ivo Stourton
“Ready or Not”, by Gary McMahon
“The Monogamy of Wild Beasts”, by Robert Shearman
“The Stranger Cards”, by Nik Vincent
“All Things Fall Apart and Are Built Again”, by Helen Marshall
“Lefty Plays Bridge”, by Pat Cadigan

 Among the short story collections that I’ve read recently, Dangerous Games was unfortunately one that I enjoyed less. While certainly not a poor showing, I personally found most of the stories going in styles or directions that simply weren’t my favorite. This may be from the luck of the draw. I don’t love everything and in the game of collection readings there are going to be some that just don’t fit. It may also arise from the theme of the title, which limits the stories somewhat, where most fit into the description literally with characters in some dire scenario of competition. There is less here of internal struggle than one might find in a general collection or with another given theme.
“Big Man”, by Chuck Wendig opens the book with a story that was a superb choice for lead-off hitter. It sets the tone with a bit of darkness to accompany that ‘danger’ and presents a present day horror without flowery adornment with a very readable voice. It also introduces a common theme of making circumstances of the horror/fantasy open to reader interpretation.
While I enjoyed this start well enough the next series of stories made it more difficult for me to get into things. Lovecraftian stories (like Moreno-Garcia’s) elude me, perhaps I really just need to take the time and read some of his classic works. Lavie Tidhar is an author who I find hit or miss, and here the miss arises from a similar sense of the story not packing enough of a punch or depth despite well handled language; similarly, Sriduandkaew at times connects, but I often get lost in her dense word spinning web. This one (or duo of tales) just confused me despite reading twice.
This trend of the stories being okay but not really resonating with me in terms of the plot, action, or underlying theme continued through the comic by Northfield and beyond. I cannot comment at all on “Captain Zzapp…” at all. An eReader is simply useless to me for being able to resolve a comic’s panels or text.
Eventually I came to a pair of stories I really did adore, “Death Pool”, by Melanie Tem and “The Bone Man’s Bride”, by Hillary Monahan. These each had a strong sinister factor mixed with underlying themes/character psychology that connected with me, mental health in the case of addiction in the case of the former, and sacrifice/servitude in the latter. “Loser” which follows soon after had a similar dark tone with strong characterization to deal with a troubling subject that I found impressive.
“Two Sit Down, One Stands Up”, a spin on Russian Roulette, no pun intended 🙂 was the one more literal take on a game that kept me fully interested in as a tale, mostly because I was eager to see how it turned out. And as I enjoyed her Gifts for the One Who Comes After, I loved the mystique and mood of Helen Marshall’s story. However, while I loved the style and feel of the words on my brain, the plot left less of a mark as notable.
And that situation is somewhat emblematic of many of the other stories here, there may have been an elements that I enjoyed, but other aspects of the given work failed to engage me and that one aspect that hit just wasn’t strong enough to carry everything. In the end your reaction to this, like many collections will come down to personal preference and is harder to predict. But if the theme of Dangerous Games sounds interesting to you and you know a large chunk of these authors as ones you’ve liked before then it’s worth a try.

Disclaimer: I received a free copy of this from Solaris Books via NetGalley in exchange for an honest review.

The Year’s Best Science Fiction and Fantasy 2014, edited by Rich Horton

The Year’s Best Science Fiction and Fantasy 2014
Edited by Rich Horton
Publisher: Prime Books
ASIN: B00KRGW89I
660 pages, eBook
Published 3rd June 2014
Source: NetGalley

“Soulcatcher”, by James Patrick Kelly
“Trafalgar and Josefina”, by Angelica Gorodischer
“A Stranger from a Foreign Ship”, by Tom Purdom
“Blanchefleur”, by Theodora Goss
“Effigy Nights”, by Yoon Ha Lee
“Such & Such Said to So & So”, by Maria Dahvana Headley
“Grizzled Veterans of Many and Much”, by Robert Reed
“Rosary and Goldenstar”, by Geoff Ryman
“The Bees Her Heart, the Hive Her Belly”, by Benjanun Sriduangkaew
“The Dragons of Merebarton”, by K.J. Parker
“The Oracle”, by Lavie Tidhar
“Loss, With Chalk Diagrams”, by E. Lily Yu
“Martyr’s Gem”, by C. S. E. Cooney
“They Shall Salt the Earth With Seeds of Glass”, by Alaya Dawn Johnson
“A Window or a Small Box”, by Jedediah Berry
“Game of Chance”, by Carrie Vaughn
“Live Arcade”, by Erik Amundsen
“Social Services”, by Madeline Ashby
“Found”, by Alex Dally MacFarlane
“A Brief History of the Trans-Pacific Tunnel”, by Ken Liu
“Ilse, Who Saw Clearly”, by E. Lily Yu
“It’s The End of the World as We Know It, and We Feel Fine”, by Harry Turtledove
“Killing Curses, a Caught-Heart Quest”, by Krista Hoeppner Leahy
“Firebrand”, by Peter Watts
“The Memory Book”, by Maureen McHugh
“The Dead Sea-Bottom Scrolls”, by Howard Waldrop
“A Fine Show on the Abyssal Plain”, by Karin Tidbeck
“Out in the Dark”, by Linda Nagata
“On the Origin of Song”, by Naim Kabir
“Call Girl”, by Tang Fei
“Paranormal Romance”, by Christopher Barzak
“Town’s End”, by Yukimi Ogawa
“The Discovered Country”, by Ian R. MacLeod
“The Wildfires of Antarctica”, by Alan De Niro
“Kormak the Lucky”, by Eleanor Arnason

REVIEW PUBLISHED AT SKIFFY AND FANTY

Disclaimer: I received a free electronic reading copy of this from the publisher via NetGalley in exchange for an honest review.