Disclaimer: I received a free advanced reading copy of this from Harper Perennial via Edelweiss in exchange for an honest review.
No Country, by Kaylan Ray
Publisher: Simon & Schuster
544 pages, Kindle Edition
Publication Date: 17th June 2014
I quickly became enraptured by “No Country” and continued to enjoy its lush backdrops and interwoven stories of humanity until the bittersweet ends. The novel is aptly named because at its center the novel is about the human condition of being born, growing up, living, and dying, in various nation states of this Earth that are each indistinguishable in their basic challenges and joys.
Starting in Ireland, the novel follows two young friends that are forced to leave their village and country due to different social and political circumstances, ending up on opposite sides of the world. They struggle to make their journeys, whether alone, or with dear friends. Once at their ‘destination’, immigrants in a new home, they find new challenges including the basic challenge of belonging, but not belonging, as a foreigner in a new homeland. The two Irish founders live in their new homes and give birth to new lines that go through their own struggles as the waves of history carry them to their own procreation and death. As time passes, more and more of the stories of their ancestors, and their traditions, begin to vanish into an amalgam of something new, but always full of hope and desire and dreams. And sometimes ugly tragedy.
The most impressive element of Ray’s novel is its language and tone. Written in the first person throughout (obviously from various viewpoints), the voice changes from section to section based on the characters, as one would like. The early portions of rural Ireland are filled with a vocabulary and syntax that evokes the setting truly. Portions in India or the New World are suitably distinct and true themselves. Whether shifting in space, or in time, the writing shifts as well. I almost didn’t even notice this fact as I read the novel, as the story swept from place and time. But the biggest shifts at the end of the novel really made it clear as the reader is introduced to characters that are far from the heart and mind of the ancestors we’d been getting to know, reminding us that for all we may strive to make this world a greater place for our offspring, we have no control over what offspring will end up inheriting our legacies, nor of what future history can shatter all we build and value.
Rather than being depressing as I may make it all sound, the novel still manages to resonate with measures of love and hope, and beyond anything, the sense that all we humans that are on this planet are a bunch of intermingled mongrels, with shared backgrounds and ancestors. It is a reminder that though we may have our nationalities, we are each of us born of immigrants who in turn came from other immigrants, unfamiliar to our current land, stuck in their ‘ethnic ways’, destitution and dreams not unlike the newest batches of immigrants we see around us today. A beautiful novel.
Five Stars out of Five
The Tyrant’s Daughter, by J.C. Carleson
Publisher: Random House
304 pages, Kindle Edition
Published February 2014
Yesterday I was listening to a podcast of NPR Books and someone mentioned that young adult books often focus on how the actions of adults affect the lives of children, but rarely how children drive the lives of parents or other adults. That made me think about this novel and how Carleson’s work follows both directions of impact. The majority of this novel is about how the life of Laila (and the lives of her fellow young) are dictated by their family and culture. Yet, the novel also addresses the lack of freedom inherent even in the lives of the adults, whether they be parent, dictator, or (apparent) CIA officer. Furthermore the novel is that coming-of-age tale where the child begins to exert more freedom and actually turn the tables of control over so that they are now steering the course of their parent’s life.
I finished “The Tyrant’s Daughter in one day. It is an ‘easy’ read, but it is also full of great ideas, intriguing characters, and compelling plots. The story is profound and it is populated with realistic people; the text flows naturally. Nothing in this book seems superfluous, and Carleson nicely makes use of her personal experience to craft a taut thriller amid the literary underpinnings of Laila’s story.
I appreciated just how well this novel mixes entertainment with significance, conflict with insight. This is a book I would have enjoyed even when younger.