MIGRATORY ANIMALS, by Mary Helen Specht

22138421Migratory Animals
By Mary Helen Specht
Harper Perennial – 20th January 2015
ISBN 9780062346032 – 320 Pages – Hardcover
Source: Edelweiss


About deep relationships that stretch across time and space, Migratory Animals is about the process of leaving home and returning, and more generally coming back to the familiar and strong personal ties after periods separate. This theme revolves around a group of friends who grew close during college, shuffled around, and are now drawn all back together by circumstances.
With chapters alternating between the points of views of each friend, the predominant and central point is Flannery, a climatologist who has lived the prior years in Nigeria, a spot she now begins see as another home. Flannery returns home to Austin, Texas, where her sister Molly has begun to show signs of Huntington’s disease, an inherited affliction that slowly killed their mother. Left behind by Flannery in Nigeria is her research position and a new fiancé. Flannery is thus burdened both by the uncertainty of her sister’s health and of when she will be able to return to her life in Africa.
Migratory Animals delves into the network of relationships and uncertain futures that surround all of these friends, as they are each challenged by the particulars of the present and the memories of the past. With a plot and themes that are relatively straight-forward, Mary Helen Specht’s novel on the surface appears to be unremarkable. However, what sets it apart as extraordinary how effectively she makes it all seem simple, and easy. Juggling a handful of points of view and a web of interactions, Specht successfully gives each character their unique vision and voice that gel together into a cohesive narrative, and a strong reflection of realism. Flannery and Molly, for instance, share some aspects of voice, personality, as you might expect sisters would, yet have individual highlights and faults.
Another quality to this novel that I greatly appreciated is that the narrative does not rest on outright strife. Their are challenges, sure, but this isn’t yet another literary novel about failing relationships due to poor communication and flawed personality. The characters aren’t rosy, but they are working through any darkness.
Specht’s writing is enthralling and there are layers both to her characters and to the symbols that populate the text. The novel will get you thinking about things like home, nostalgia, family, healing, and schism. While there isn’t much meat here in terms of plot, enough is present for any reader who like character driven fiction.

Disclaimer: I received a free advanced reading copy of this from Harper Perennial via Edelweiss in exchange for an honest review.

LAST TRAIN TO BABYLON, by Charlee Fam

20783291Last Train to Babylon
By Charlee Fam
Published by William Morrow – 28th October 2014
ISBN 0062328077 – 352 Pages – Paperback
Source: Goodreads First-Read Giveaway


What I found most striking about Fam’s debut literary novel is just how effectively she takes the strengths of the short story format and applies them to the longer form. The plot of Last Train to Babylon is basic: Aubrey Glass, a young woman with a history of mental darkness and suicidal sentiments returns home for the funeral of her former best friend Rachel who has recently killed herself. Aubrey’s struggles to get through the present collide with traumatic memories dredged up from her past as she reunites with family and former classmates in the wake of Rachel’s funeral and questions over what had finally pushed her to take her life.
Alternating between events from the past and Aubery’s current situation Fam uses Aubrey’s point of view, flawed personality, and simple, honest narrative voice to delve into incredibly important themes revolving around young women growing up in America. Many of these issues are uncomfortable, ferocious and dark and Fam manages to balance this all with a certain touch of light humor and irony. The seriousness of some elements: suicide, rape, assault, bullying, shaming are treated responsibly, but it does bear mentioning that for readers who have experienced any of these to extremes in their own life may find this a difficult or triggering novel. For it seems so real, with a sad beauty that comes from delving fully into what humanity is capable of, in this case specifically how young girls can treat one another and how society pressures them to behaving or being in expected ways.
A short story can typically manage to address one, perhaps two, specific elements such as these for a protagonist. Fam extends that literary focus on characterization to encompass more temporally, and a greater network of issues that young women can be faced with. She doesn’t change the heart of a good shorter work, she just keeps up the same brilliance for the expanded explorations possible in a novel.
On the one hand both Audrey and Rachel are sympathetic, relatable characters and they have certain aspects that one may find likable. But they are each so powerfully realized as realistic humans that they are filled with flaws and cruelty to the point that they can also at moments completely disgust. Some readers may shun this kind of literary realism, but surely that is exactly how each of us are, filled with moments of exquisite nobility one time and ugly savagery another.
The Last Train to Babylon has its darkness, but it is emotionally moving to all ends of the spectrum of empathy. How much of this is personal for Fam or creative genius is unclear to me, but I will happily reach for her next publication based one how strongly this one makes readers feel, and how relevant and important the themes she tackles are.

Disclaimer: I received a free advanced reading copy of this from William Morrow via the Goodreads’ First-Reads Giveaway program in exchange for an honest review.