THE BEST SCIENCE FICTION AND FANTASY OF THE YEAR, VOLUME 9


22609311The Best Science Fiction and Fantasy of the Year
(Volume 9)
Edited By Jonathan Strahan
Solaris – 12th May 2015
ISBN 9781781083093  – 624 Pages – Paperback
Source: NetGalley


CONTENTS:
“Slipping”, by Lauren Beukes (Twelve Tomorrows: MIT Technology Review SF Annual 2014)
“Moriabe’s Children”, by Paolo Bacigalupi (Monstrous Affections)
“The Vaporization Enthalpy of a Peculiar Pakistani Family”, by Usman T. Malik (Qualia Nous)
“The Lady and the Fox”, by Kelly Link (My True Love Gave to Me)
“Ten Rules for Being an Intergalactic Smuggler (The Successful Kind)”, by Holly Black (Monstrous Affections)
“The LONG HAUL, from the ANNALS OF TRANSPORTATION, The Pacific Monthly, May 2009”, by Ken Liu (Clarkesworld, Nov 2014)
“Tough Times All Over”, by Joe Abercrombie (Rogues)
“The Insects of Love”, by Genevieve Valentine (Tor.com, 28th May 2014)
“Cold Wind”, by Nicola Griffith (Tor.com, 16th Apr 2014)
“Interstate Love Song (Murder Ballad No. 8), by Caitlín R. Kiernan (Sirenia Digest #100, May 2014)
“Shadow Flock”, by Greg Egan (Coming Soon Enough)
“I Met a Man Who Wasn’t There”, by K.J. Parker (Subterranean Magazine, Winter 2014)
“Grand Jeté (The Great Leap)”, by Rachel Swirsky (Subterranean Magazine, Summer 2014)
“Mothers, Lock Up Your Daughters Because They are Terrifying”, by Alice Sola Kim (Tin House #61)
“Shay Corsham Worsted”, by Garth Nix (Fearful Symmetries)
“Kheldyu”, by Karl Schroeder (Reach for Infinity)
“Caligo Lane”, by Ellen Klages (Subterranean Magazine, Winter 2014)
“The Devil in America”, by Kai Ashanti Wilson (Tor.com 2nd Apr 2014)
“Tawny Petticoats”, by Michael Swanwick (Rogues)
“The Fifth Dragon”, by Ian McDonald (Reach for Infinity)
“The Truth About Owls”, by Amal El-Mohtar (Kaleidoscope)
“Four Days of Christmas”, by Tim Maughan (Terraform, Dec 2014)
“Covenant”, by Elizabeth Bear (Hieroglyph: Stories & Visions for a Better Future)
“Cimmeria: From the Journal of Imaginary Anthropology”, by Theodora Goss (Lightspeed, Jul 2014)
“Collateral”, by Peter Watts (Upgraded)
“The Scrivener”, by Eleanor Arnason (Subterranean Magazine, Winter 2014)
“Someday”, by James Patrick Kelly (Asimov’s Science Fiction, Apr/May 2014)
“Amicae Aeternum”, by Ellen Klages (Reach for Infinity)

Ninth in Strahan’s series of yearly collections, this is the first one I’ve read and it’s now a series I’ll be striving to fit into the reading list for years to come. It tends to favor the longer length of novella over shorter works, a factor that I’d a priori consider a major strike against. I’m not a huge fan of novellas, but there are certainly cases where they work exceptionally well for my taste. Most of the ones in this anthology do just that. As I write the paragraphs that follow I realize that a lot of the stories also tend towards the darker side, particularly the fantasy. I tend to like that style/ambience in stories, but obviously some readers may shy away from it.
The six stories that volume 9 begins with are all superb, representative of the quality and variety to come. I had already enjoyed both Ken Liu’s story and an earlier print (original?) of Holly Black’s fun space adventure with a compelling pair of characters (one human and one alien) and the interesting themes of monstrosity and the discoveries during coming-of-age. Kelly Link’s beautiful story is part urban fantasy and part fairy tale on family and friends set at Christmas. Similarly, Bacigalupi’s story is a fantasy hailing from the same original themed collection, but this one (unlike Link’s) is full of a darkness, a broken world, that I’d expect from him. Used to the SF stories I’ve normally seen from him though, this was a nice change done just as well. (I really need to read Monstrous Affections it seems). I’d already also read the latter story by Alice Sola Kim in Tin House that was reprint in Monstrous Affections too, and it is equally superb, though grounded in realism.
I have MITs Technology Review fiction issue on my shelf to read, and experiencing Beukes’ story from it in Strahan’s anthology makes me more eager to get to it. I’d only read Beukes’ The Shining Girls prior (which I found over-rated, but okay). The hard sci fi from her in this story is superb, featuring competitive sports and artificial enhancements taken to the next level. The tech is interesting here, but the humanity and depth of her protagonist is even more astounding.
Among those opening six, Usman T. Malik is yet another that blew me away with its effective treatment of terrorism and violence from a large scale focused down to the personal human level. This one just won a Stoker Award, and understandably, it is perhaps more horror than SF – and I recognize Malik mostly from appearances in Nightmare Magazine. Malik has another really powerful story in the themed collection Truth or Dare, that I’m reviewing next up. If you haven’t checked out his fiction yet, try either of these recent reprints. A latter story by Nix previously read in Fearful Symmetries also is truly horror in genre, though also a great story. I remember it vaguely from reading prior, but I think I enjoyed it this second time round even more.
The vague disbelief that I was so thoroughly enjoying these relatively long stories without growing restless or annoyed that I couldn’t finish in a bus ride finally broke with the seventh story, Abercrombie’s adventure from the Rogues collection. I have no idea if this is the case, but it felt as though I was supposed to already know these characters from somewhere, and I found it difficult to get into. Ultimately the story just kept going and I was long past caring. Swanwick’s story later from the same collection had the same effect. Egan’s also felt as though it was just a part of something larger, not a tale of its own.
Valentine and Griffith have a pair of stories that have a sort of ephemeral fantasies that have a beauty in the language but a strong tinge of darkness in their plots and ambience. Fitting in to this kind of story, Amal El-Mohtar’s “The Truth About Owls” is one of my favorites from this anthology. She does an absolutely beautiful job relating the life of her protagonist with interludes about the biology/behavior of owls, with mythology, and with language. I read this one right before going to sleep one night and it made a fantastic bed time story.
Lastly, there were a few cases that surprised me, both negatively and positively. (Abercrombie was kind of one too given that I loved the only other thing of his I’ve read: Half a King.) First, the story by Wilson is on an important and relevant theme of racial issues, explored partially through a fantastic lens. I expected to adore it and be moved. Instead I found the structure and length to be an impediment. Second, Ellen Klages is represented with two stories here, I found this surprising, inexplicable. One would have sufficed and given room for something else. I didn’t find either bad, but neither impressed me to understand why both were here. Third, I really enjoyed Schroeder’s SF adventure. I haven’t liked a lot of his stuff in the past in Analog, but this is probably because they were mostly serials. Here it felt just right, and his strength in telling a good story with hard SF elements and a bit of optimism fit perfectly amid the other types of stories in the collection.
Any serious fan of SF/Fantasy should find things of joy here, and readers who don’t normally read the genre may find the novella lengths that mostly make this up to be perfect for dipping into some of the best authors in the fields. They vary from the simple entertainment to the literary, from the fantastic to the realistic. Although I’d read a decent number of those included in this before, almost all that I had (if not all) were ones that initially had really impressed me. (The only ones not already mentioned above are “Someday” from Asimov’s and Theodora Goss’ story, which is a fantastic achievement in making a compelling story out of something that reads like a nonfiction, a history.) I appreciated reading all these stories a second time, affirming to me that anthologies are useful even if you’ve read the fields somewhat well.

Disclaimer: I received a free copy of this from Solaris via NetGalley in exchange for an honest review.

THE YEAR’S BEST DARK FANTASY & HORROR (2014), Edited by Paula Guran

21432372
The Year’s Best Dark Fantasy & Horror 2014
Edited by Paula Guran

Published by Prime Books, 17th June 2014
ISBN: 1607014319 – 569 Pages – Paperback
Source: NetGalley

CONTENTS:
“Wheatfield with Crows”, by Steve Rasnic Tem
“Blue Amber”, by David J. Schow
“The Legend of Troop 13”, by Kit Reed
“The Good Husband”, by Nathan Ballingrud
“The Soul in the Bell Jar”, by K. J. Kabza
“The Creature Recants”, by Dale Bailey
“Termination Dust”, by Laird Barron
“Postcards from Abroad”, by Peter Atkins
“Phosphorous”, by Veronica Schanoes
“A Lunar Labyrinth”, by Neil Gaiman
“The Prayer of Ninety Cats”, by Caitlín R. Kiernan
“Shadows for Silence in the Forests of Hell”, by Brandon Sanderson
“The Plague”, by Ken Liu
“The Gruesome Affair of the Electric Blue Lightning”, by Joe R. Lansdale
“Let My Smile Be Your Umbrella”, by Brian Hodge
“Air, Water and the Grove”, by Kaaron Warren
“A Little of the Night”, by Tanith Lee
“A Collapse of Horses”, Brian Evenson
“Our Lady of Ruins”, by Sarah Singleton
“The Marginals”, by Steve Duffy
“Dark Gardens”, by Greg Kurzawa
“Rag and Bone”, by Priya Sharma
“The Slipway Gray”, by Helen Marshall
“To Die for Moonlight”, by Sarah Monette
“Cuckoo”, by Angela Slatter
“Fishwife”, by Carrie Vaughn
“The Dream Detective”, by Lisa Tuttle
“Event Horizon”, by Sunny Moraine
“Moonstruck”, by Karin Tidbeck
“The Ghost Makers”, Elizabeth Bear
“Iseul’s Lexicon”, Yoon Ha Lee


If you aren’t too familiar with the current fantasy and/or horror that is being published today, or if you only know these genres from the novel form, there is no better place to start than this mammoth collection. Featuring varied stories across the genres from both print and electronic sources, regular and individual publications, established and upcoming authors, Paula Guran assembles a great overview of 2014. As typical for these types of anthologies, I wouldn’t consider all of these my favorites of the year – and some of the stories here I had no appreciation for at all – but there is assuredly a good chunk of material  to satisfy most readers here. Even if you don’t normally read short stories, this would be useful for finding authors whose voice and style you enjoy to perhaps then search out a novel you otherwise would never have picked up.
A handful of stories in this were familiar to me from their original printings in the magazines I regularly consume and for the most part they had remained in my mind fondly. Kabza’s “The Soul in the Bell Jar” and “Fishwife” by Carrie Vaughn fall into this category with tales that feel timelessly familiar yet with beautiful unique voices. I also adored “The Creature Recants”, by Dale Bailey for its take on the outsider ‘monster’ and for being immersed in the world of film and the classic Universal Films Horror. The story isn’t particularly dark or horrific (in the sense of scary), however, and indeed many of the stories in the collection aren’t particularly ‘dark’, so don’t let that term scare you off if you don’t typically go for such tales.
The majority of pieces included in the anthology were completely new to me. Since I first read about it prior to its release I’ve been interested in Nathan Ballingrud’s North American Lake Monsters from Small Beer Press. “The Good Husband” affirms this feeling and his collection now is in the top of my list of volumes to get as soon as possible. I was also particularly impressed by Schow’s “Blue Amber”, Evenson’s “A Collapse of Horses”, and Marshall’s “The Slipway Gray”. (I have a review of a Marshall collection that I read soon after this coming up).
Some of the authors known to me have strong showings here, particularly Tem (“Wheatfield with Crows”), Gaiman (“A Lunar Labyrinth”), and both Lees (“A Little of the Night”, Tanith and “Iseul’s Lexicon”, Yoon Ha). Typically I’m nothing but praise for Ken Liu (I can’t wait to write up the review of his upcoming novel), but “The Plague” failed for me here. I may try a reread, but it felt too short and unfulfilling.
One of the things I noticed in the midst of reading this anthology was a few stories that are written in the second person. Unfortunately I’ve been noticing this crop up more frequently throughout my reading. I don’t know if this is because I’m reading a greater range of short fiction or if it is some kind of trend, but I find it incredibly awful. In general I know most people feel this way and that the stories published with the narration constantly referring to ‘you’ are supposed to be the minority exceptions where this point of view is made to work. Only in the extreme minority of these published cases do I find them worthwhile, and in most of those cases it is just random chance that they do align vaguely with ‘me’.
I previously reviewed the 2014 science fiction entry from Prime Books ‘Year’s Best’ series for Skiffy & Fanty. Both that anthology and the one here were the first I’ve read in the series. Despite reading fairly widely in the genres there was a lot of new stuff here for me to discover and fond rereads. I look forward to the years to come.

Disclaimer: I received a free advanced reading copy of this from Prime Books via NetGalley in exchange for an honest review.