The Very Best of Fantasy & Science Fiction, Volume 2, Edited by Gordon Van Gelder

The Very Best of Fantasy & Science Fiction, Volume 2
Edited by Gordon Van Gelder
Publisher: Tachyon Publications
ISBN: 1616961635
432 pages, paperback
Expected Publication: 15th July 2014
Source: NetGalley

Contents:

“The Third Level” by Jack Finney
“Fondly Fahrenheit” by Alfred Bester
“The Cosmic Charge Account” by C. M. Kornbluth
“The Anything Box” by Zenna Henderson
“The Prize of Peril” by Robert Sheckley
“—All You Zombies—” by Robert A. Heinlein
“Green Magic” by Jack Vance
“The Doors of His Face, the Lamps of His Mouth” by Roger Zelazny
“Narrow Valley” by R. A. Lafferty
“Sundance” by Robert Silverberg
“Attack of the Giant Baby” by Kit Reed
“The Hundredth Dove” by Jane Yolen
“Jeffty Is Five” by Harlan Ellison®
“Salvador” by Lucius Shepard
“The Aliens Who Knew, I mean, Everything” by George Alec Effinger
“Rat” by J. P. Kelly
“The Friendship Light” by Gene Wolfe
“The Bone Woman” by Charles de Lint
“The Lincoln Train” by Maureen McHugh
“Maneki Neko” by Bruce Sterling
“Winemaster” by Robert Reed
“Suicide Coast” by M. John Harrison
“Have Not Have” by Geoff Ryman
“The People of Sand & Slag” by Paolo Bacigalupi
“Echo” by Liz Hand
“The New York Times at Special Bargain Rates” by Stephen King
“The Paper Menagerie” by Ken Liu

Compiling any collection with the title “Best of” is never an easy task, the category is just too subjective, particularly in something like the arts and a short story collection. Though delving only into the pages of one literary magazine, The Magazine of Fantasy & Science Fiction (F&SF), the breadth of stories falling within the genre confines of its pages is huge. Compared to something like “The Best American” series, which F&SF has appeared within, the tales and writing styles here are far more diverse, but just as mighty.

The difficulty in really having a definitive, all-encompassing, all-pleasing ‘best of’ collection has in the past simply led me to avoid reading short story anthologies. I already read the new stories that come out, and after a while isn’t that sufficient? If you’ve been reading these longer than I (and most fans have) there’s probably even less new or unfamiliar out there. Thinking it wasn’t really worth it, I remember simply ignoring the first volume compiled by current F&SF editor Van Gelder.

But since then I’ve come to develop an appreciation for these anthologies, even when they aren’t full of stories I would consider to be ‘the best’, or even if there are a few in there which I don’t particularly enjoy. I’ve discovered there are other reasons to read a “Best of” collection despite that term not aligning with my personal opinions.

First, as alluded to within the intro to this volume, the stories here are all notable in the history of the genre, and the authors are ones any interested fan should have some experience reading. It simply is a matter of education. This collection gives an excellent survey across the decades of F&SF publication with tales that have largely withstood the test of time, right up to modern classics that sent ripples of wonder through the reading community upon their publication (like Ken Liu’s beautiful story here). There are so many authors whose names I know, but I have never read. I have a hard enough time reading interesting new things to also go back and read all the range of classics. Now, at least I can check a few more classic authors off my list – or perhaps more honestly add them to my list of things to read more of ASAP.

Second, this sort of “Best of” collection gives new readers the opportunity to discover that wide breadth of the fantasy and science (speculative) fiction genres, experiencing notable stories that vary from hard SF, to humor, to high fantasy, to urban fantasy, to dark horror, to genre mashups, etc. You don’t have to like everything. But if you like to read in general, you’ll probably find appreciation for most of the stories here.

Because all of the stories here are most certainly notable, even if not ‘the best’. They show to all readers, both new initiates or seasoned veterans who are re-experiencing, what a well-crafted story can look like in its myriad forms. With the chronological presentation through the decades of F&SF publication, the collection also gives glimpses into the changing styles or motifs of eras, and demonstrates just how greatly the earliest stories in the genre continue to inspire and shape current writing.

At least four of the stories here I have read before (and “Echo” I am about to read again in another collection of Elizabeth Hand’s work). Three of those four I recall liking greatly, but Stephen King’s story I had no particular memory of, other than that I had read it. I wondered if its inclusion (and King’s) was simply due to the celebrity of his name, to attract more readers. When I first came to F&SF, the knowledge that King, as a popular author I knew, had published works in its pages was a huge draw to trying it out.

So I wouldn’t blame the editor for putting King in for that primary reason. Perhaps it is the wisdom of experience from a few scant years, but I was pleasantly surprised to be so affected by his story here, to read something far more resonant and profound than I had expected based on a memory (or lack thereof). This just goes to show how re-reading notable stories – even if from the opinion of someone else – is beneficial. It’s been awhile since I’ve read King, but this made me wish he’d continue getting inspiration for short fiction writing – and publication in markets like F&SF.

The other stories here that were new to me I responded to much as what I would expect from a typical stellar issue of F&SF: many excellent, a few enjoyable but throwaway, and a couple that just weren’t my thing. You may react differently to individual stories here than I, but I suspect that if you are a fan of the genre, then you’ll also enjoy a similar high percentage of these.

If you happen to be rather new to the genres, have never read the magazine, or are just a casual reader who only recognizes Stephen King in the table of contents, give this collection a try and discover what literary universe is out there for you to enjoy and explore further.

Four Stars out of Five

I received a free electronic advanced reading copy of this from the publisher via NetGalley in exchange for an honest review.

Fearful Symmetries, Edited by Ellen Datlow

Fearful Symmetries
Edited by Ellen Datlow
Publisher: ChiZine
ASIN: B00EXOT73U
400 pages, Kindle Edition
Published May 2014
Source: NetGalley

Contents:

“A Wish From a Bone” by Gemma Files
“The Atlas of Hell” by Nathan Ballingrud
“The Witch Moth” by Bruce McAllister
“Kaiju” by Gary McMahon
“Will The Real Psycho In This Story Please Stand Up?” by Pat Cadigan
“In the Year of Omens” by Helen Marshall
“The Four Darks” by Terry Dowling
“The Spindly Man” by Stephen Graham Jones
“The Window” by Brian Evenson
“Mount Chary Galore” by Jeffrey Ford
“Ballad of an Echo Whisperer” by Caitlín R. Kiernan
“Suffer Little Children” by Robert Shearman
“Power” by Michael Marshall Smith
“Bridge of Sighs” by Kaaron Warren
“The Worms Crawl In,” by Laird Barron
“The Attic” by Catherine MacLeod
“Wendigo Nights” by Siobhan Carroll
“Episode Three: On the Great Plains, in the Snow” by John Langan
“Catching Flies” by Carole Johnstone
“Shay Corsham Worsted” by Garth Nix

Ellen Datlow’s name to me is synonymous with horror anthology. I see the two together so often, and usually with accolades, that I decided I really did need to just read one of her collections. This one really impressed me in its variety and its quality. I typically enjoy reading horror stories like these around Halloween time, and this collection would be suited well for that kind of celebration. The hard decision will be whether to reread this one or try out another one of her collections.

A review of each single story seems excessive, and there isn’t a single story that failed here. There are no common themes uniting this collection other than the very general fitting into the category of horror or dark tales. They range from very realistic to paranormal, from gruesome gore-filled feasts to nuanced, atmospheric tales, from pulp to literary. Fairly well-ranged in background and style, this is an ideal volume to discover new authors or names that you may merely recognize.

Frankly, it is hard to even pick out favorites from this. For someone like me who has a wide range of tastes across the genre, each of these represents top contributions to their respective category of story type. If you are discriminating regarding the type of horror you like then this may not be the best collection. There will certainly be some or several stories here that you like, but others may hold no interest, in which case you might search elsewhere for a themed collection or just read certain selections here. But for those wanting an intro or return to the range that the horror genre has available, “Fearful Symmetries” is absolutely perfect.

Five Stars out of Five