BABEL, OR THE NECESSITY OF VIOLENCE: AN ARCANE HISTORY OF THE OXFORD TRANSLATOR’S REVOLUTION by R.F. Kuang

“…Babel is a remarkable literary achievement that gives voice and embodiment to those paradoxical feelings born from the intersection of human cultures: the contradictions of love and loathing, power and vulnerability, respect and bigotry, joy and sorrow, admiration and hatred, creation and destruction that all coexist in colonialism (and academia). It’s a riveting story that draws readers in with a compelling pace, and fascinating nerdy factoids that will excite any lover of languages and books. This is a novel that readers will want to talk about with others, to delve into its themes and how they relate to our own personal experiences in this world, across cultures.”

Read my entire review of Babel, or The Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution HERE at Fantasy Book Critic.

Harper Voyager – 23rd August 2022 – Hardcover – 560 pp.

THE HONEST FOLK OF GUADELOUPE, by Timothy Williams

20691206The Honest Folk of Guadeloupe
(Anne Marie Laveaud Mysteries #2)
By Timothy Williams
Soho Crime – 13th January 2015
ISBN 9781616953850 – 336 Pages – Hardcover
Source: Goodreads


 This mystery novel, more accurately perhaps a police procedural novel with a strong sense of setting is filled with fascinating parts, but unfortunately the sum of these together doesn’t add up to much, none of them are explored to their potential.
Set in the former colony, and now département of France, Guadeloupe, this is the second book featuring character Anne Marie Laveaud, an investigating juge of French-Algerian descent. I haven’t read the first book featuring Laveaud, which I am sure covers some of the family and professional details that form a part of this book. That previous book seems unnecessary for following the plot here, or appreciating Laveaud. However reading that prior book may make some of the side plots in The Honest Folk of Guadeloupe a little more complete.
In this novel, Laveaud is investigating a pair of deaths in 1990. One is a supposed suicide of a prominent businessman, a case with apparent political ties that leads Laveaud’s superiors to try and push her away from looking into it. Instead they want her to look into the other death, the murder of a young woman, a presumed white tourist, due to its potential ramifications on the tourist industry of the small islands of Guadeloupe.
The title of the novel comes from a common local saying regarding the relationship between Guadeloupe and Martinique, Guadeloupe being more rustic and ‘working class’ in a way (honest folk), compared to the fancier, more well-to-do ‘gentlemen’ of Martinique. Class differences come into play with each of the deaths that Laveaud investigates. And with the second, the murder of the young woman, issues of race and colonialism also rear their heads. As a woman born with connections to the French colony of Algeria, Laveaud is familiar with these issues, but doesn’t allow them to interfere with her simple, constant search for the truth.
Williams writing here is question-laden, as so much of the story is related, and moves forward through the simple barrage of queries to potential witnesses and sources by Laveaud. For fans of procedural detail over action or keen danger this could be welcome, but for readers who go for other types of mystery genre tales, they may find the conversation and subtleties to be dull. Most of the novel passes from conversation to conversation with brief moments of descriptive passages either highlighting local flavors of the islands, or biographical details on Laveaud.
For me the largest difficulty lies in the fact that none of the elements at play here felt fully explored, or properly linked together. I was attracted to this largely due to my interest in things French, and of French colonialism (and just generally enjoying mysteries). But the racial and colonial issues at heart here are background decor, there is not much serious reflection or exploration of the issues. When one brief incident involving a standoff and attack by a dangerous man is used to provide tension and further sociopolitical relevance, it ends up being an aside, not linked integrally with the plot.
Another element present in The Honest Folk of Guadeloupe is the family life of Laveaud, who is dealing with separation from her husband and caring for the children as a single parent, when one of them is becoming increasingly rebellious. This personal part of the plot (as well as interesting personality conflicts/rapports with colleagues) never reach any sort of conclusion, and I can only guess that they form a continuous background plot that would develop throughout multiple books of the series. Within the confines of this novel though they are unresolved and seem completely irrelevant, again an issue running parallel to the story, but not a key part of it.
Fans of police procedurals in general and those with an interest in this particular setting would find the most interest in this novel, and even then I’d only recommend delving in if open to following the entire series.

Disclaimer: I received a free advanced reading copy of this from Soho Press via the Goodreads’ First-Reads Giveaway Program in exchange for an honest review.