Skiffy & Fanty BookTube Roundup

If you didn’t already know, I contribute reviews to the Hugo-nominated Skiffy & Fanty Show, and sometimes they even allow me to take part in their podcasts. The gang has recently started adding features to our YouTube channel, including BookTube recordings. If you like SciFi and Fantasy (yes, that is where the name comes from) and don’t already subscribe to the podcast and/or YouTube, what are you waiting for?

So far, I’ve only contributed two BookTube reviews, and I have one more to record. I tried to pick shorter books received, so two of these are novellas I had been sent from the Tor.com press. I hope more will eventually come, but in the mean-time I thought it would be worthwhile to also post short written reviews here on the three books I covered:


Vigilance
By Robert Jackson Bennett
Tor.com Publishing — January 2019
ISBN: 9781250209436
208 Pages — Paperback

I’ve wanted to start The Divine Cities trilogy from him (hearing nothing but great things about it), but bookstores always seem to have all but the first book. So, I was happy to see this in the mail and have a chance to read something else by him. On the other hand, I immediately was put off by the cover and title. Like Batman and MacGyver, I loathe guns, and didn’t feel particularly eager to delve into a story about gun violence, even if satirical and critical. However, once started I couldn’t put it down, drawn into this near-future America where reality TV, terrorist threats, and cultural/moral apathy merge into a frightening, violent landscape. Bennett’s writing is brutal and unsubtle in both action and politics, the setup at first seems so over-the-top to appear unbelievably absurd as any type of realistic extrapolation for the future. But as you continue through the story and consider where we are, and how that trajectory could continue into the future if unchecked, it begins to seem horrifyingly more plausible were people to continue to lose hope and fall into despair. Even with all of its darkness, the satire and absurdity of it also makes for some humor, albeit dark humor. Short, powerful, and well worth reading.


©1998 EyeWire, Inc.

The Revenant Express
(Newbury and Hobbes Investigations #5)
By George Mann
Tor Books — February 2019
ISBN: 9780765334091
256 Pages — Hardback

Making the mistake of just glancing at its size and cover, I opened this book expecting it to be a young adult novel. Scant pages in with the grisly description of a murder victim, I realized the error. A lack of – or misplaced – expectations did nothing to dim my enjoyment for this exciting adventure, even without reading any of the previous books in the series. It took me a little while to understand the timeline of events that start this book, and their placement relative to those from the prior book in the Newbury & Hobbes Investigations series. A fair amount of character quirks and development also became lost to me because I began this mid-story, and this book 5 of the series is in fact the conclusion to a book 4 cliff-hanger. Thus, even though I enjoyed the steampunk/horror/mystery/spy adventure mashup of this, if you aren’t a reader of this series, it probably would be best to start at its beginning. I liked the mashed-up elements, despite not being a huge fan of steampunk, and in large part the enjoyment came from the story’s engaging female characters. If I come upon the earlier books of this series I’d pick them up without hesitation to read more.


The Test
By Sylvain Neuvel
Tor.com Publishing — March 2019
ISBN: 9781250312839
112 Pages — Paperback

Another dystopic vision from Tor.com, Neuvel’s explores speculative technological advancements to probe human psychology and the themes of immigration, community, and family. While answering examination questions for British Citizenship, Idir’s nervous anticipation and hopefulness are blasted away when a team of terrorists enter the immigration office, take hostages, and begin executing people. What this story says about psychology, morals, fear, and power is a brilliant commentary on immigration, nationalism. At the same time the story serves as a cautionary one on the dangerous ways that technology could be turned. Reading The Test, you might think you can see where Neuvel is taking things, and how he will go about it, but you begin to suspect what in the story might be really happening or not, forcing you into the same position of uncertainty as the characters find themselves. A reviewer I follow on Goodreads, Emily May, calls this a Black Mirror episode in novella format, and having now finally seen the show, I’d 100% agree. In fact, this should just be adapted into an episode, it would pack one hell of a punch. But for now, go read this touching and disturbing masterpiece.

A LARGER REALITY, Edited by Libia Brenda

A Larger Reality:
Speculative Fiction from the Bicultural Margins
Edited by Libia Brenda
Kickstarter — Cúmulo de Tesla — 2018
190 Pages — eBook


A bilingual anthology available for FREE download in English or Spanish, A Larger Reality: Speculative Fiction from the Bicultural Margins (Una realidad más amplia: Historias desde la periferia bicultural) arrived via a Kickstarter campaign initiated by The Mexicanx Initiative, with help from Fireside Magazine.

Awhile back I discussed this collection with Trish Matson and Brandon O’Brien as part of the “Reading Rangers” series of short fiction review/discussion for Skiffy & Fanty. You can listen to the podcast here for all of our varied thoughts on it.

Edited by Libia Brenda, the collection has a diverse selection of stories that span speculative classifications from science fiction to fantasy to horror. Some are lighter adventures and some are more serious in tone, or more experimental in style. At least among the three of us in the “Reading Rangers” discussion, we differed on which we enjoyed most versus didn’t appreciate. But readers are likely to find several stories here of interest, and all give a unique Mexicanx perspective. Approximately half are translated from the Spanish for the English edition, with the remainder presumably translated from the English for the Spanish one.

The highlights for me were:

“Fences” by José Luis Zárate and translated by Joey Whitfield is a post-apocalyptic story that makes a great start to the collection by introducing a theme that pops up in other stories as well, the falsity of being restricted to or choosing between binary identity. Caught between two worlds both literally and figuratively, the protagonist of the story is a character that can be recognized by anyone who has lived abroad.  

“Aztlán” Liberated” by David Bowles is a science fiction military adventure featuring chupacabras that features indigenous characters in empowering roles. Reading it gives you feeling of watching an action movie.

 “A Truth Universally Accepted” by Julia Rios features themes and a plot that aren’t unfamiliar, but Rios uses them to create a potent exploration of identity and subjectivity. I’m not a fan of things written in the second person, but somehow this still worked for me.

“Kan/trahc” by Iliana Vargas and translated by Adrian Demopolus is a fascinating work that features a loss of coherence in both the protagonist and the text. Dark and surreally weird, the story has many levels of interpretation and is one that bears rereading.

“Ring a Ring ‘o Roses” by Raquel Castro and translated by Ruth Clarke involves a young girl who brings her pet zombie to school. One of a couple more comedic stories in the collection, this was both funny and touching, revealing the insecurities of childhood and how adults so easily ignore what children are up to.

“It All Makes Sense Here” by Alberto Chimal with translation by Jesse Ward, and “Music and Petals” by Gabriela Damián Miravete with translation by Megan Berkobien represent two of the more horrific stories in the collection. Many of Chimal’s stories deal with ambiguity, and here it is with what constitutes ‘monsters’ and how they are perceived and feared in society. Miravete’s story is a psychological horror of family secrets that is also quite disturbing.

“Clean Air will Smell like Silver Apricots”, written and translated by Andrea Chapela, with editing by Kelsi Vanada ends the collection with a poignant science fiction look at grief and memorials. Its bittersweet tone makes a nice palate cleanser after the stories that preceded.

As a contributor to Rachel Cordasco’s Speculative Fiction in Translation empire and champion of more translated fiction in general, I really appreciated the endeavor that this anthology represents. The high quality of the stories made it a success, and if you haven’t read it yet, you should go download a copy now. You can’t beat free.

CONTENTS:

  • “Fences” by José Luis Zárate (Translated from the Spanish by Joey Whitfield)
  • “Aztlán” Liberated” by David Bowles
  • “A Truth Universally Accepted” by Julia Rios
  • “Matachín” by Felecia Caton Garcia
  • “Kan/trahc” by Iliana Vargas (Translated from the Spanish by Adrian Demopolus)
  • “The Binder” by Angela Lujan
  • “Ring a Ring ‘o Roses” by Raquel Castro (Translated from the Spanish by Ruth Clarke)
  • “Shoot” by Pepe Rojo
  • “It All Makes Sense Here” by Alberto Chimal (Translated from the Spanish by Jesse Ward)
  • “Music and Petals” by Gabriela Damián Miravete (Translated from the Spanish by Megan Berkobien)
  • “Clean Air will Smell like Silver Apricots” by Andrea Chapela (Translated from the Spanish by the author, and edited by Kelsi Vanada)

THE AMBERLOUGH DOSSIER, by Lara Elena Donnelly


Amberlough, Armistice, & Amnesty
By Lara Elena Donnelly
Tor Books — 2017 – 2019
ISBN 9780765383822  — 416 Pages — Paperback
ISBN 9781250173560 — 400 Pages — Paperback
ISBN 9781250173621 — 384 Pages — Paperback
Source: Publisher


In 2017 Lara Elena Donnelly published her debut novel, Amberlough, set in the imaginary region of Gedda and written with the point-of-view of three protagonists living in Amberlough City. Cyril DePaul works at home and abroad as an intelligence agent for the Amberlough nation-state. But Cyril’s professional responsibilities conflict with his personal life: he has passionately fallen for Aristide Makricosta, a stripper/performer at the Busy Bee nightclub who also happens to be a criminal running a small-time smuggling operation. Cordelia Lehane is another stripper/performer at the Busy Bee who sometimes does smuggling runs for Aristide, but who mostly occupies herself with illicit drug sales and sleeping alternatively with the club’s owner or its resident comedian.
While on a sensitive mission in a neighboring nation-state, Cyril’s cover is blown amid the rise of a fascist political party called the One State Party. Cyril learns that members of the party, known as Ospies, also have plans for gaining control of Amberlough. With few options available to him, Cyril strikes a deal to save himself, and Aristide, from the rise of a regime opposed to homosexuality. As the conservative Ospies gain power in Amberlough, those at the central countercultural hub of the Busy Bee must also figure out how to survive the ramifications of Cyril’s decision and Ospie control.
The plot and setting of Amberlough take unmistakable historical inspiration from Germany’s Weimer Republic and the rise of the Nazi party. The wonderful art deco design for the covers of the novel and its sequels reinforce this period; the spirits of the characters do likewise. With such close parallels to reality, it’s at first baffling to understand why Donnelly chose to place her story in an invented universe. There is little to the novel that could otherwise define it as speculative fiction: no magic of fantasy, no steampunkesque tech of SF. Donnelly wouldn’t have even had to make Amberlough an alternate history, it could easily exist as straight-up mainstream historical literature. 
Divergence from history and the need for an invented world become clearer with the sequels. In 2018 and 2019 Tor Books released Armistice and Amnesty, respectively, to complete the trilogy. Despite ending in a bit of a cliffhanger, Amberlough does work thematically on its own. But deeper appreciation for what Donnelly has created comes from reading the trilogy as three parts of one singular work. In fact, the concept of three-in-one serves as a structural framework on multiple levels of the Amberlough Dossier trilogy. Donnelly divides each of the novels into three distinct parts that essentially 1) set the characters onto stage, 2) introduce/develop the challenge they face, and 3) usher in a denouement and conclusion. Each novel also features three point-of-view characters that together create a whole perspective of the plot.
As the series progresses following the Nazi-like rise of the Ospies in Amberlough, the plot and action don’t develop as one might expect, diverging from parallels to German history and the onset of a world war. The starts of Armistice and Amnesty are also marked by time jumps where significant developments in the characters and their socio-political situation have happened off-stage. This generates a thematic impression where Donnelly is not directly showing us how her characters are changing the world. Instead, they do a great deal off-stage and then she shows us how they respond to and survive the new situations they find themselves in as a result. For example, by the close of Amberlough the three protagonists (Cyril, Aristide, and Cordelia) are forced to flee the Ospie rise or stay to face its oppression with imprisonment or worse. By the start of Armistice, Cordelia now leads in exile an armed opposition to the Ospies. Aristide has found safe haven abroad as an actor, but as much as he’d like, he cannot forget or completely walk away from what he has fled. Due to events in the first book, Cyril is absent from Armistice, but replaced by the point-of-view of his diplomat sister, Lilian, who is merely mentioned in the first book. Cordelia sits out from the trio of point-of-view characters in Amnesty, making Aristide the one constant throughout the trilogy.
Aristide represents a fitting character to serve as the series constant, not merely due to the alliteration of his name with the novels’ titles. Quite simply, he is the most fun. The Han Solo of the trilogy, he is the devilish rogue who secretly has a heart. The guy who feigns indifferent independence, but who has actually fallen in love and is willing to make sacrifices for those he cares about. Aristide is a performer through-and-through, a man who hides his true name and past, who puts on affectation off the stage, speaking with an intentional stutter and dressing with a fashion to appear far more frivolous than reality. As a reader you can’t but help being equally enthralled by Aristide as Cyril. Though all the characters grow between the three novels, Aristide is the one character whose growth mostly occurs on the pages, rather than primarily during the time that passes between the novels. 
With its time jumps and off-stage action, the plot of the Amberlough Dossier series is not the source of its strength or success. I honestly found this a bit of a disappointment, and while plowing through them I couldn’t quite figure out why I still found them to be enthralling page-turners. After thinking a bit, I realized that it was the characters that had captured my attention, it really was like a character-driven ‘literary’ novel that just happened to be in a made-up world. Each of the characters is gloriously imperfect and quirky in their own endearing ways. Despite their faults, they pull through and survive changing political landscapes and crises, or sacrifice themselves to allowing the others to survive. Donnelly achieves her idiosyncratic characters with her richly descriptive language, but also a knack at giving them their unique voices. Aside from the fictitious geo-political names, Donnelly also develops an endearingly distinctive slang that Cordelia, in particular, uses.
By the end of the series the only significant criticism that I still had remaining pertains to an absent sense of place in the novels. Donnelly invents this universe and Gedda and beyond, but the reader is largely left uncertain of where exactly events are taking place, how locations relate to one another, or how political changes that happen off-stage actually came to pass. This makes it difficult to really appreciate any of the world-building aspects of a series that otherwise has little in the realms of the speculative genre. Each novel also comes with an identical map of Gedda that has to be the most useless map I have ever seen in a SFF novel, particularly when events of Armistice largely take place elsewhere.
Nonetheless, like its characters the Amberlough Dossier series charms despite its imperfections. It says a lot about what common people can accomplish in a harsh world of setbacks despite being outsiders, counterculture to a system of power. It shows that those accomplishments become born of the small decisions that individuals make because of their relationship with and love for others, whether familial or romantic. And it shows that the consequences of those decisions can be both joyous and devastating, but in either way can be met with courage and compassion.

April Short Speculative Fiction in Translation

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Each month, I will be reviewing new translated short works of SF, fantasy, and horror that appear either online or in print for Speculative Fiction in Translation, a site run by the wonderful Rachel Cordasco (@Rcordas). A podcast recording of her updates is now also appearing as part of Skiffy & Fanty. Each month I’ll post a link to my reviews here as well.
In the April debut edition I review:
  • “Deep Sea Fish” by Chi Hui, translated from the Chinese by Brian Bies (The Magazine of Fantasy & Science Fiction)
  • “Fifth: You Shall Not Waste” by Piero Schiavo Campo, translated from the Italian by Sarah Jane Webb (AkashicBooks.com)
  • “The Wings of Earth” by Jiang Bo, translated from the Chinese by Andy Dudak (Clarkesworld)
  • “Taklamakan Misdelivery” by Bae Myung-hoon, translated from the Korean by Sung Ryu (Asymptote Journal)
  • “Aspirin” by Park Min-gyu, translated from the Korean by Agnel Joseph (Asymptote Journal)

Cover reveal: NIGHTLY OWL, FATAL RAVEN by Jessica McHugh

Coming in June 2018, a dystopian fantasy novel from talented and prolific author Jessica McHugh and published by Raw Dog Screaming Press. Yesterday was the grand cover reveal for this novel, which I’m very excited about. McHugh and RDSP are a match made in the most twisted and best of dreams.

“Nightly Owl, Fatal Raven combines speculative world-building and a deep appreciation of the works of Shakespeare. This is a Fantasy novel with a fully-realized world of brutal struggles but it is also crafted with lyricism.

While the female protagonist who fights to change a heartless and cruel world will be familiar to readers of Dystopian fiction, the brutality and bitter battles echo the Grimdark movement in Fantasy and add an epic feel to this gritty adventure.

McHugh does not shrink from portraying the ugly realties of war but there is a kernal of hope amid all the darkness. Betrayal, revenge, memory and transformation through knowledge are themes explored in the novel. Readers who enjoyed Suzanne Collins’ The Hunger Games and Lois McMaster Bujold’s Paldin of Souls will be particularly interested in Nightly Owl, Fatal Raven.” — [Promotional Material]

The cover was designed by Jennifer Barnes, a co-founder of RDSP. Along with her husband, Jennifer does a huge amount of work to help make their publishing enterprise a success, and her contributions don’t always get the press or recognition they deserve. She’s done a great job on this cover, using a mixture of a dusk-like lightness with shadowy darkness to create just the right design/mood for capturing interest in the creepy and beautifully demented patterns of McHugh’s writing and vivid characters.

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Debuting 14th June 2018 • PRE-ORDER

Funerals are usually the end of the story, not the beginning.

Since the rise of The Council, an oligarchy of despots and deviants, the legendary Capesman undertakes daily soul collections from Cartesia’s wasteland cities and battlefields. He also frequents Malay Prison, where a vigilante named Shal plots her escape. Armed with a thirst for vengeance and a sharp Shakespearean tongue, Shal must navigate a maze of trauma to save Cartesia and protect her sister from the brutal machinations of Chancellor Doa.

It will require all of Shal’s strength and cunning to resurrect her former army, battle the betrayals of the past, and avenge her father’s death. Will she survive long enough to see the Council fall, or is the Capesman coming for her next?

 

About the Author: Jessica McHugh

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Jessica McHugh is a novelist and internationally produced playwright running amok in the fields of horror, sci-fi, young adult, and wherever else her peculiar mind leads. She’s had twenty-two books published in ten years, including her bizarro romp, The Green Kangaroos, her Post Mortem Press bestseller, Rabbits in the Garden, and her YA series, “The Darla Decker Diaries.”

Visit the Hook of a Book Facebook Event page for Nightly Owl, Fatal Raven to view videos by McHugh and enter a contest to win a copy of her new novel.

Debuting 14th June 2018 • PRE-ORDER

 

ARCHMAGE by R.A. Salvatore

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Archmage (Forgotten Realms)
(Homecoming #1; The Legend of Drizzt #31)
By R.A. Salvatore
Wizards of the Coast – September 2015
ISBN 9780786965854 – 384 Pages – eBook
Source: NetGalley


It astounds me that R.A. Salvatore is still writing Drizzt Do’Urden novels with a sense of freshness, telling stories that still captivate and entertain. Salvatore does this by sticking to the simple themes and core characters that have helped make him so successful, while adding a tinge of complexity through additional characters to focus on. Hardcore fans of his Forgotten Realms novels shouldn’t be disappointed with the start of this new sub-series.
I had read the first ten volumes within The Legend of Drizzt (comprised of three separate series) when I began to feel bored enough with the familiarity of the plots and its characters to consider just stop reading any more. Characters seem to die but come back, Drizzt seemed too perfect, and supporting heroes had become too predictable. I returned to Salvatore’s universe with the chance to read The Companions as part of the multi-author series The Sundering. This skipped me ahead in the saga to book 27, and I reviewed it here. That volume seemed to offer a reset button of sorts, but suffered in my view from existing as merely a set-up for the series to come, without lets of its own. I missed the trilogy that followed that reset and come to Archmage now behind on the overall Drizzt story arc from two fronts.
Archmage certainly references many events in the books I haven’t read yet, but I can’t say it significantly detracted from my enjoyment of the start to this sub-trilogy. Readers who have been away from Drizzt’s tales for awhile should be alright picking things back up again. (Though if you’ve never read any of them, I suggest you go back to the very start, publishing-wise, with The Crystal Shard.)
Salvatore creates compelling characters well, particularly outsiders or those with dark sides who still show signs of humanity. He wisely seems to have chosen not to completely abandon his bread-and-butter character of Drizzt, while also giving the novels room to explore other personalities. In Archmage that other personality that caught my attention is Gromph Baenre, the most powerful drow male of Menzoberranzan, the archmage of the novel’s title. His plot thread interwoven into a larger tapestry dealing with the role of males in drow society may also have been a larger part of previous entries I haven’t yet read. But for me Gromph and associated politics of the drow city became the most fascinating part of this novel, compelling because it shows there may be more possible for the drow than simple villainy against Drizzt and company.
Gromph’s brother Jarlaxle has appeared in previous novels (including ones I’ve read) as a more roguish figure who is neither good nor really an enemy. He continues that role here and I look forward to seeing how it mixes with Gromph’s plans that are set into motion (some accidentally) in Archmage. However, Jarlaxle also becomes somewhat problematic in serving as a quick fix in the plot to getting Drizzt out of dire situations.
In the end Archmage is a fairly typical Drizzt novel. Enjoyable, but not the best. At over thirty books just in this series, these novels are obviously pulp. Salvatore generally writes it really well though. Archmage suffers from problems that plague such a long-running series, particular with its familiar heroes. As the first in a trilogy its impact is also lessened in setting up promises for what is to come with Gromph, rather than achieving the development now. But for such a long running series, focusing now on new evolutions/directions for drow society and how that impacts their relationship with outcast Drizzt kept this fun, and leaves me willing to come back to for more reading candy.

Disclaimer: I received a free electronic reading copy of this from the publisher via NetGalley in exchange for an honest review.

DEFYING DOOMSDAY, Edited by Tsana Dolichva & Holly Kench

Freshly posted yesterday, my latest review for Skiffy & Fanty

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“People with disability already live in a post-apocalyptic world.” – Robert Hoge

This crowd-funded anthology of post-apocalyptic fiction showcases the theme of disabled or chronically-ill protagonists. Edited by Tsana Dolichva and Holly Kench, the collection features many Aussie female writers (though not exclusively) and names likely both familiar and new to speculative fiction readers. With all of its diversity in characters, apocalyptic setting, and featured disability/illness, Defying Doomday is remarkably consistent in tone and quality

Read the entire review on Skiffy & Fanty here.

Contents:

And the Rest of Us Wait by Corinne Duyvis
To Take Into the Air My Quiet Breath by Stephanie Gunn
Something in the Rain by Seanan McGuire
Did We Break the End of the World? by Tansy Rayner Roberts
In the Sky with Diamonds by Elinor Caiman Sands
Two Somebodies Go Hunting by Rivqa Rafael
Given Sufficient Desperation by Bogi Takács
Selected Afterimages of the Fading by John Chu
Five Thousand Squares by Maree Kimberley
Portobello Blind by Octavia Cade
Tea Party by Lauren E Mitchell
Giant by Thoraiya Dyer
Spider-Silk, Strong as Steel by Samantha Rich
No Shit by K Evangelista
I Will Remember You by Janet Edwards

Disclaimer: I received a free advanced reading copy of this novel from the publisher tin exchange for an honest review.