(Quarry Series #16)
(Hard Case Crime Series #151)
By Max Allan Collins
Hard Case Crime (Titan Books) — 22nd February 2022
ISBN: 9781789096682 — Paperback — 224 pp.
Quarry’s Blood is a quick and satisfying pulp read, with Collins infusing his latest novel with fresh blood (yes, bad pun groan) to invigorate the aging Quarry series. I first saw this title in the Hard Case Crime catalog and thought, oh dear, another Quarry novel? And then I was even more confused to see that it was set in 2021, well after the events of The Last Quarry, which had been meant as the chronologically final story of the former contract killer’s life. I read how HCC editor Charles Ardai talked Collins into writing this entry, read the novel, and then was very glad that Ardai succeeded.
If, perchance, you haven’t read a Quarry novel, or if you haven’t seen any of the brief Cinemax series based on the series, here’s the gist of the character. A Vietnam veteran trained as a sniper, the man later dubbed Quarry returned home after the war to find his wife had been cheating on him with another man. Quarry killed that man, but circumstances led to him legally getting off from the crime, and to be recruited as a hitman for a powerful ‘Broker’ with mob connections, a man in charge of delegating regional contract killings. The Broker names his talented new recruit “Quarry” for the man’s rock solid appearance and hollow emotional core, and Quarry quickly becomes one of his best hitmen. Until the Broker begins to worry about Quarry and betrays him. Quarry goes rogue and takes care of the problem, procuring a list of jobs in the process. Quarry begins to go to people on the hit list and offer his services to get rid of the contract killers after them, and then also to try and find out who ordered that hit and take them out too. As he ages, he eventually settles for one last job with a big payout; he ends up with retirement with a woman he loves.
In Quarry’s Blood, the former hitman is still living the quiet, retired life, mourning the recent loss of his wife to COVID, but continuing his daily routine as he approaches seventy years old. This calm routine changes when a true crime writer, Susan Breedlove, arrives knocking at his door with questions. Susan has written a best-selling book that investigated and exposed many events from Quarry’s past, including what occurred with the Broker, and she is looking to write more, with more details and the hope of cooperation from Quarry, the man she knows far more about than anyone should. Even more disturbingly, soon after her visit, a contract killer and his backup make an attempt on Quarry’s life. It’s reasonable to Quarry to assume these two events are connected.
There are two things to the aptly titled Quarry’s Blood that make it succeed in terms of its plot. First, it is now a case where Quarry is the contract. He has to both protect himself from being killed, while also investigating to try and figure out who would want him dead and how it relates to Susan’s book/research. And, though he is in remarkable shape for his age, he is certainly not in top form for the kind of exertion that investigation might entail. Second, is the character of Susan: who she is and how that relates to Quarry and his past. The person who put out the hit on Quarry, and their secret reasons for doing so also pull from the core of Quarry’s past and nicely parallel his relation to Susan.
It probably wouldn’t be too much of a spoiler to be more detailed, but I’m going to opt for keeping it all a surprise. The novel begins with three chapters set in the 1980’s, so that by the time we get to the present and Susan arrives, things should already be clear to readers. Thankfully Collins doesn’t take too long to dance around things either, leaving the real mystery of the novel to who is targeting Quarry – and even moreover why.
Collins’ writing is exactly what one would expect from this master of neo-pulp. The text and dialogue flow crisply, with bits of playful trashiness one would expect from the genre. The novel is also preceded by some quotations, one of which is a definition for ‘meta’. Indeed, there are many self-referential nods in Quarry’s Blood, including mention of the TV series and the idea that Quarry himself writes the pulp Quarry series that everyone thinks is fiction.
Collins clearly has fun writing this unexpected chapter in Quarry’s story, and he succeeds in making it unique enough from previous entries to warrant its telling. Susan is an impressive addition to the series, and I could see things continuing in spin-off series featuring her. In fact, I hope Ardai pushes strongly for that.