THE MURDER BOOK by Lissa Marie Redmond

The Murder Book
(Cold Case Investigation #2)
By Lissa Marie Redmond
Midnight Ink — February 2019
ISBN: 9780738754277
304 Pages — Paperback


An unknown assailant stabs cold-case detective Lauren Riley at her desk late one night as she works alone in a Buffalo, NY Police Department. Barely surviving, and awakening in the hospital, she remembers only one clear detail of the man who attacked: he wore department issued uniform boots. Lauren soon learns the motive for the attempted murder by one of the department’s own. The cold-case murder book, the paper and photographic trails of outstanding murder investigations, is gone. Though her partner Shane Reese tries to ensure she recovers from near death, Riley instead becomes intent on discovering who assaulted her, and why they needed the murder book so badly. Discovery of a recent anonymous phone call to a now-defunct police hotline leads Riley to retired detective Charlie Daley to help track down a frightened witness who may have reawakened secrets thought covered up long ago.

I discovered The Murder Book, second in Lissa Marie Redmond’s Cold Case Investigation series, after happening upon the author at a signing at Barnes & Nobel. I’m always hesitant to start a new series, but I’m also one to welcome kismet and give support to a local author when it seems like a book I might enjoy. Often it ends up being mediocre, but I happily tore through The Murder Book and have now ordered the first novel in the series. 

There’s no shortage of mystery series out there, so the successful ones need to have something unique to set themselves apart, some sort of charm to endear themselves to readers. Most often authors accomplish this with iconic characters or setting, building a recipe that offers the familiarity of routine, spiced with something quirky or exotic. They also must offer entertaining stand-alone stories that still propel longer character arcs and an expansion of the cast and scenery. During this the writer needs to somehow pull off the trick of allowing their heroes and villains to develop, but without the essential nature of those characters to be altered.

Redmond’s professional background imparts the first special quality to her series. As a retired cold-case-homicide detective, Redmond has the expertise to infuse her plot and dialogue with details of authenticity. Set in Buffalo, the series contains local references that some readers might also appreciate. This aspect initially attracted me to wanting to read it, but I soon realized most of the references fall in the Southtowns. It might as well have been set in Boston, like a Spenser novel, for the lack of the familiarity I have with anything down there. Nevertheless, these details still provide a lived-in atmosphere to the setting that mystery series are known for.

Though it may be simplest to categorize the novel in the ‘mystery’ genre, The Murder Book isn’t the kind of story where the reader should search for clues to figure out ‘who done it’. Instead it could be more precisely characterized as a police procedural, about the investigative steps taken by Riley and her associates to bring her attacker to justice and resolve the old case that instigated the theft and her attack.

Like a procedure, Redmond writes with an instinctive, logical style that forms a well-crafted linear plot built from strings of revealed facts. While the identity of her attacker is at first unknown, Riley discovers his identity, and the gist of his motive, with relative ease. Rather than through the thrill of following that mystery, reader captivation arises through the intricacies of what Riley does once armed with her knowledge, the answer to those mysteries. Riley and her associates may know the truth, but that is far from sufficient to bring charges, close a case, or deliver justice to victims. The focus of this story is on how Riley and her associates can find a way to get the evidence they needed to prove who has stabbed her, and why it was done. One might think that the details of closing a case could get boring, but Redmond keeps the procedural aspects engaging by keeping the dangers to Riley ever-present. Knowing the identity of the person who stabbed her doesn’t help her much if they remain free and a threat to her. If anything, the tension gets worse as Riley knows more, but still feels vulnerable. Seeing how she overcomes that to outsmart the criminals and overturn power differentials fueled my enjoyment of The Murder Book

Starting with Riley, a cast of complex, fleshed-out characters makes Redmond’s job of holding reader interest easier too. On top of being at physical risk from her job, Riley also has a history of dealing with troubles in her personal relationships. Frustrated with herself over her attraction to the wrong men, Riley has an ex-husband who still induces sexual tension, and an abusive ex-fiancé. Yet, with the support of her daughter and other family members, Riley keeps finding an inner strength and stubbornness to keep going, unapologetically, to meet her challenges and surpass them. A good male support in her life is her devoted partner Reese, and the natural banter that flows between them makes their platonic relationship a big strength of the series. You actually get the sense that Reese has his own personal faults, and isn’t an ideal guy for a romantic relationship either, consistent with Riley’s attraction to, or connection with, a certain kind of guy – even if just in friendship.

Daley, the retired detective also provides a nice addition to The Murder Book, a voice of age and experience who is able to connect Riley and Reese to parts of Buffalo that normally keep distance from the police. I’m hoping we’ll see more of this character in the future, his maturity and realism allow a great perspective, connecting the detectives to not just elements of the criminal underbelly of the city, but also to economically marginalized communities who may fear police for very good reason. This latter theme ends up being a major component of the plot, and Redmond deals with it extremely effectively.   

However, the most fascinating character for me is David Spencer, a client of Lauren Riley’s side-job, whose story picks up from the main plot thread of the first book of the series. Though she began defending him, Riley is now convinced that Spencer has gotten away from murder. Though she has parted ways from her former client, he continues to appear in her life, as if taunting the truth about him that she knows. Dangerous and intelligent, Spencer represents something Riley shouldn’t want anything more to do with. But, his put-on charm and his perseverance at playing a sick game nonetheless draws her attention back in, holding hope that she might get proof of crimes that can put him away.

Even though I haven’t yet read the first novel of the series (A Cold Day in Hell) that unfolds this history between Riley and Spencer, I had no problem picking up on its highlights in relation to the main and sub-plots of The Murder Book. Moreover, it hasn’t detracted me from wanting to still read the first book, even knowing where it goes. Spencer represents a perfect series-long antagonist who will continue to plague Riley & Reese (and please readers) through future installments with his wicked genius. A Means to an End, the third book in Redmond’s Cold Case Investigations series comes out in September, but there is still plenty of time to dig into either of the other two meanwhile.

Skiffy & Fanty BookTube Roundup

If you didn’t already know, I contribute reviews to the Hugo-nominated Skiffy & Fanty Show, and sometimes they even allow me to take part in their podcasts. The gang has recently started adding features to our YouTube channel, including BookTube recordings. If you like SciFi and Fantasy (yes, that is where the name comes from) and don’t already subscribe to the podcast and/or YouTube, what are you waiting for?

So far, I’ve only contributed two BookTube reviews, and I have one more to record. I tried to pick shorter books received, so two of these are novellas I had been sent from the Tor.com press. I hope more will eventually come, but in the mean-time I thought it would be worthwhile to also post short written reviews here on the three books I covered:


Vigilance
By Robert Jackson Bennett
Tor.com Publishing — January 2019
ISBN: 9781250209436
208 Pages — Paperback

I’ve wanted to start The Divine Cities trilogy from him (hearing nothing but great things about it), but bookstores always seem to have all but the first book. So, I was happy to see this in the mail and have a chance to read something else by him. On the other hand, I immediately was put off by the cover and title. Like Batman and MacGyver, I loathe guns, and didn’t feel particularly eager to delve into a story about gun violence, even if satirical and critical. However, once started I couldn’t put it down, drawn into this near-future America where reality TV, terrorist threats, and cultural/moral apathy merge into a frightening, violent landscape. Bennett’s writing is brutal and unsubtle in both action and politics, the setup at first seems so over-the-top to appear unbelievably absurd as any type of realistic extrapolation for the future. But as you continue through the story and consider where we are, and how that trajectory could continue into the future if unchecked, it begins to seem horrifyingly more plausible were people to continue to lose hope and fall into despair. Even with all of its darkness, the satire and absurdity of it also makes for some humor, albeit dark humor. Short, powerful, and well worth reading.


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The Revenant Express
(Newbury and Hobbes Investigations #5)
By George Mann
Tor Books — February 2019
ISBN: 9780765334091
256 Pages — Hardback

Making the mistake of just glancing at its size and cover, I opened this book expecting it to be a young adult novel. Scant pages in with the grisly description of a murder victim, I realized the error. A lack of – or misplaced – expectations did nothing to dim my enjoyment for this exciting adventure, even without reading any of the previous books in the series. It took me a little while to understand the timeline of events that start this book, and their placement relative to those from the prior book in the Newbury & Hobbes Investigations series. A fair amount of character quirks and development also became lost to me because I began this mid-story, and this book 5 of the series is in fact the conclusion to a book 4 cliff-hanger. Thus, even though I enjoyed the steampunk/horror/mystery/spy adventure mashup of this, if you aren’t a reader of this series, it probably would be best to start at its beginning. I liked the mashed-up elements, despite not being a huge fan of steampunk, and in large part the enjoyment came from the story’s engaging female characters. If I come upon the earlier books of this series I’d pick them up without hesitation to read more.


The Test
By Sylvain Neuvel
Tor.com Publishing — March 2019
ISBN: 9781250312839
112 Pages — Paperback

Another dystopic vision from Tor.com, Neuvel’s explores speculative technological advancements to probe human psychology and the themes of immigration, community, and family. While answering examination questions for British Citizenship, Idir’s nervous anticipation and hopefulness are blasted away when a team of terrorists enter the immigration office, take hostages, and begin executing people. What this story says about psychology, morals, fear, and power is a brilliant commentary on immigration, nationalism. At the same time the story serves as a cautionary one on the dangerous ways that technology could be turned. Reading The Test, you might think you can see where Neuvel is taking things, and how he will go about it, but you begin to suspect what in the story might be really happening or not, forcing you into the same position of uncertainty as the characters find themselves. A reviewer I follow on Goodreads, Emily May, calls this a Black Mirror episode in novella format, and having now finally seen the show, I’d 100% agree. In fact, this should just be adapted into an episode, it would pack one hell of a punch. But for now, go read this touching and disturbing masterpiece.

A LARGER REALITY, Edited by Libia Brenda

A Larger Reality:
Speculative Fiction from the Bicultural Margins
Edited by Libia Brenda
Kickstarter — Cúmulo de Tesla — 2018
190 Pages — eBook


A bilingual anthology available for FREE download in English or Spanish, A Larger Reality: Speculative Fiction from the Bicultural Margins (Una realidad más amplia: Historias desde la periferia bicultural) arrived via a Kickstarter campaign initiated by The Mexicanx Initiative, with help from Fireside Magazine.

Awhile back I discussed this collection with Trish Matson and Brandon O’Brien as part of the “Reading Rangers” series of short fiction review/discussion for Skiffy & Fanty. You can listen to the podcast here for all of our varied thoughts on it.

Edited by Libia Brenda, the collection has a diverse selection of stories that span speculative classifications from science fiction to fantasy to horror. Some are lighter adventures and some are more serious in tone, or more experimental in style. At least among the three of us in the “Reading Rangers” discussion, we differed on which we enjoyed most versus didn’t appreciate. But readers are likely to find several stories here of interest, and all give a unique Mexicanx perspective. Approximately half are translated from the Spanish for the English edition, with the remainder presumably translated from the English for the Spanish one.

The highlights for me were:

“Fences” by José Luis Zárate and translated by Joey Whitfield is a post-apocalyptic story that makes a great start to the collection by introducing a theme that pops up in other stories as well, the falsity of being restricted to or choosing between binary identity. Caught between two worlds both literally and figuratively, the protagonist of the story is a character that can be recognized by anyone who has lived abroad.  

“Aztlán” Liberated” by David Bowles is a science fiction military adventure featuring chupacabras that features indigenous characters in empowering roles. Reading it gives you feeling of watching an action movie.

 “A Truth Universally Accepted” by Julia Rios features themes and a plot that aren’t unfamiliar, but Rios uses them to create a potent exploration of identity and subjectivity. I’m not a fan of things written in the second person, but somehow this still worked for me.

“Kan/trahc” by Iliana Vargas and translated by Adrian Demopolus is a fascinating work that features a loss of coherence in both the protagonist and the text. Dark and surreally weird, the story has many levels of interpretation and is one that bears rereading.

“Ring a Ring ‘o Roses” by Raquel Castro and translated by Ruth Clarke involves a young girl who brings her pet zombie to school. One of a couple more comedic stories in the collection, this was both funny and touching, revealing the insecurities of childhood and how adults so easily ignore what children are up to.

“It All Makes Sense Here” by Alberto Chimal with translation by Jesse Ward, and “Music and Petals” by Gabriela Damián Miravete with translation by Megan Berkobien represent two of the more horrific stories in the collection. Many of Chimal’s stories deal with ambiguity, and here it is with what constitutes ‘monsters’ and how they are perceived and feared in society. Miravete’s story is a psychological horror of family secrets that is also quite disturbing.

“Clean Air will Smell like Silver Apricots”, written and translated by Andrea Chapela, with editing by Kelsi Vanada ends the collection with a poignant science fiction look at grief and memorials. Its bittersweet tone makes a nice palate cleanser after the stories that preceded.

As a contributor to Rachel Cordasco’s Speculative Fiction in Translation empire and champion of more translated fiction in general, I really appreciated the endeavor that this anthology represents. The high quality of the stories made it a success, and if you haven’t read it yet, you should go download a copy now. You can’t beat free.

CONTENTS:

  • “Fences” by José Luis Zárate (Translated from the Spanish by Joey Whitfield)
  • “Aztlán” Liberated” by David Bowles
  • “A Truth Universally Accepted” by Julia Rios
  • “Matachín” by Felecia Caton Garcia
  • “Kan/trahc” by Iliana Vargas (Translated from the Spanish by Adrian Demopolus)
  • “The Binder” by Angela Lujan
  • “Ring a Ring ‘o Roses” by Raquel Castro (Translated from the Spanish by Ruth Clarke)
  • “Shoot” by Pepe Rojo
  • “It All Makes Sense Here” by Alberto Chimal (Translated from the Spanish by Jesse Ward)
  • “Music and Petals” by Gabriela Damián Miravete (Translated from the Spanish by Megan Berkobien)
  • “Clean Air will Smell like Silver Apricots” by Andrea Chapela (Translated from the Spanish by the author, and edited by Kelsi Vanada)