Africa39: New Writing from Africa South of the Sahara
Edited By Ellah Wakatama Allfrey
Bloomsbury USA – 28th October 2014
ISBN 1620407795 – 384 Pages – Paperback
“The Shivering”, by Chimamanda Ngoszi Adichie
“The Banana Eater”, by Monica Arac de Nyeko
Excerpt from The Tiger of the Mangroves, by Rotimi Babatunde
“Two Fragments of Love”, by Eileen Almedia Barbosa
“Why Radio DJs are Superstars in Lagos”, by A. Igoni Barrett
Excerpt from Our Time of Sorrow, by Jackee Budesta Batanda
“‘Alu’”, by Recaredo Silebo Boturu
“Mama’s Future”, by Nana Edua Brew-Hammond
“The Occupant”, by Shadreck Chikoti
“The Professor”, by Edwige-Renee Dro
Excerpt from New Mom, by Tope Folarin
“No Kissing the Dolls Unless Jimi Hendrix is Playing”, by Clifton Gachagua
“Talking Money”, by Stanley Gazemba
“Day and Night”, by Mehul Gohil
Excerpt from The Score, by Hawa Jande Golakai
“The Pink Oysters”, by Shafinaaz Hassim
“Echoes of Mirth”, by Abubakar Adam Ibrahim
“The Old Man and the Pub”, by Stanley Onjezani Kenani
“Sometime Before Maulidi”, by Ndinda Kioko
Excerpt from All Our Names, by Dinaw Mengestu
“Number 9”, by Nadifa Mohamed
Excerpt from Rusty Bell, by Nthikeng Mohlele
“Cinema Demons”, by Linda Musita
Excerpt from Ebamba, Kinshasa-Makambo, by Richard Ali Mutu
“By the Tracks”, by Sifiso Mzobe
“My New Home”, by Glaydah Namukasa
“I’m Going to Make Changes to the Kitchen”, by Ondjaki
“Rag Doll”, by Okwiri Oduor
“The Is How I Remember It”, by Ukamaka Olisakwe
Excerpt from The Wayfarers, by Chibundu Onuzo
Excerpt from Ghana Must Go, by Taiye Selasi
“The Sack”, by Namwali Serpell
Excerpt from Harlot, by Lola Shoyenin
“Amoz Azucarado”, by Nii Ayikwei Parkes
is a project celebrating “thirty-nine of the most promising writers under the age of forty with the potential and talent to define trends in the development of literature from Sub-Saharan Africa and the diaspora.” Born from the Hay Festival
and the designation of Port Harcourt, Nigeria as the UNESCO World Book Capital
of 2014, the anthology collects fiction from the invited authors in the forms of short stories and novel excerpts. Having read some stellar African fiction (mostly from Francophone countries) and having travelled to Botswana, I was really intrigued and interested in this collection, particularly to discover some potential new authors or works.
Because I largely looked at this as a diverse introduction to talented writers from Sub-Saharan Africa, I didn’t need each story or excerpt to stand on its own and delight, just merely impress enough of some skill in the author, and more so themes tackled that seemed interesting to me. The voices and points of view are varied, as are the settings and tones. Some are focused on a specific historical or political situation whereas some or more personal, focusing on shared human emotions that would be familiar to most any reader.
While the short stories universally worked well in the anthology, I found the novel excerpts to be more problematic. I personally dislike novel excerpts as a concept/practice. There is a reason why these words are in the context of a story that is novel length. They cannot be divorced from the larger context and remain the same. A few in this collection do stand on their own, but whether they are really expressions of the novel in microcosm is uncertain. But most seem dreadfully incomplete, or (in the case of one where I have already read the whole novel) fail to show the genius and beauty of the full work. I already read and reviewed All Our Names by Dinaw Mengestu
. I adored the novel. But rereading the excerpt in this I didn’t feel much at all, it is too small a piece to have meaning.
I wish that the editor for this had only solicited or accepted actual short stories. The problem I know is that not ever talented fiction writer can do the short form. Some authors are great at novels, but not shorter works (or vice versa). But the excerpt doesn’t exactly do them justice either. Worse, some of the excerpts are from novels in the process of being written. So these may never be fully completed or see the light of day as currently envisioned.
Thus, this anthology really does serve best as a writing sampling, ideal for readers who are interested in Sub Saharan African literature and want to see simple samples from the current prospects and stars. While many of the stories in the collection do more, and would be on par with any other literary collection, they don’t necessarily make up the majority.
Disclaimer: I received a free advanced reading copy of this from Bloomsbury via Goodreads’ First-Reads Giveaway Program in exchange for an honest review.